Eleanor White

Animal Vegetable Mineral - Contemporary Abstract Pattern Crushed Opal Aqua, 2021

2021

Layers of nontraditional materials add texture to this contemporary geometric abstract work on paper by Eleanor White. Crushed opal and aquamarine in light blue with dry pigment and ...

Layers of nontraditional materials add texture to this contemporary abstract work in mixed media on paper by Eleanor White. Crushed opal and aquamarine in light blue with dry pigment...

Layers of nontraditional materials add texture to this abstract work on paper by Eleanor White. Crushed precious minerals including sodalite, labradorite, mother of pearl, kyanite, r...

Carefully ordered patterns and shapes in olive green and a lavender shade of blue and periwinkle with a delicate navy leaf pattern complement a soft grayish blue background. Signed o...

Due to a physical ailment (a large benign tumor in her right hand) Sarah’s creative process is unique. She works primarily with acrylic paint, alcohol ink, pen, synthetic film and ca...

Martha Holden, American (1951 -) - Abstract Composition, Year: 1983, Medium: Monotype, stencil, graphite and ink on handmade paper, signed and dated in pen lower right, Size: 38 x...

Driven by her love of materials and process, New Orleans artist Aimée Farnet Siegel works with color, line, and form through the building and manipulation of paper, paint, and canvas...

Using symmetry as a basis, Drakopoulos derives structure by combining elements from the natural world and science. Modifying these elements digitally, Drakopoulos distills into a pattern or shape, and then layers them with a different structure and repeats the process of layering paint in resin. She tries to find the most subtle and interesting way to connect the different layers that will reveal an underlying structure or system. Slowly as the work evolves, these inner-connections and details begin to form and define the energy and invisible forces that govern the movement of matter, from the microcosmic level of molecules and light particles, to the macrocosmic of planets and galaxies. Drakopoulos views the cosmos as a primordial, all encompassing field within which the illusion of matter is created and dissolved. In this field, particles come together to create complex structures and matter evolves into its maximum state of order. This moment is temporary, a state of transition. The form will subsequently dissolve and the process will begin again. The central images that appear in her work describe this moment of emergence. They are not a representation of actual cosmic phenomena but rather an invented image of an inner mindscape. When attention is directed to the infinite vast field, which contains all of existence in potential, the holographic matrix of the universe is revealed, of which our consciousness is an interwoven part. Angie Drakopoulos is an artist who lives and works in New York City. Her work has been exhibited in various galleries including: ODETTA, McKenzie Fine Art, Southampton Art Center, Paris Koh Fine Arts, Smack Mellon, New York Hall of Science, Feature, G-module, Holland Tunnel...