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Jeff Koons
Jeff Koons Louis Vuitton Da Vinci bag (uniquely signed and dated by Jeff Koons)

2017

$15,000
£11,331.95
€12,995.28
CA$20,929.64
A$22,777.88
CHF 12,074.53
MX$274,035.24
NOK 153,143.82
SEK 140,115.87
DKK 97,084.62

About the Item

Makes a unique and memorable gift! Jeff Koons Louis Vuitton Da Vinci bag (Hand Signed and dated by Jeff Koons), 2017 Limited Edition print with mixed media accessories and embellishments on LVMH handbag. Uniquely hand signed by Jeff Koons - the regular editions of this bag are not hand signed 8 1/2 × 12 1/2 × 7 inches Boldly signed and dated by Jeff Koons in black marker on the side of the bag; also bears Koons plate signature Few, if anybody, you know will have this! Jeff Koons, exceptionally - hand signed and dated this work on October 25, 2019 for the present owner, making it a unique and irrefutably authentic collectible - as the regular edition sold by Louis Vuitton was not hand signed. This limited edition Jeff Koons bag (exact number created of the regular edition is undisclosed), designed exclusively for Louis Vuitton to celebrate the Old Masters like Leonardo Da Vinci, debuted in 2017 at the Louvre and was sold at select LV boutiques around the world. However, This Louis Vuitton Speedy Handbag Limited Edition Jeff Koons Da Vinci Print Canvas 30, crafted from coated canvas exterior with an image of Da Vinci's Mona Lisa, features dual rolled leather handles, reflective metallic letters and trimmings, and gold-tone hardware. Its zip closure opens to a leather interior with slip pockets. Gold Monogram serti, flower shapes, reflective metallic letters and colored trimmings. An exclusive leather lining embossed, printed and filled with gold. The regular edition is unsigned; this signed edition makes an extraordinary gift, and is a true collectors item, as it is so rare. Provenance is direct, as Jeff Koons personally signed this work for the present owner. Jeff Koons rose to prominence in the mid-1980s as part of a generation of artists exploring the meaning of art and spectacle in a media-saturated era. With his stated artistic intention to “communicate with the masses,” Koons makes use of conceptual constructs—including the ancient, the everyday, and the sublime—creating luxurious icons and elaborate tableaux, which, beneath their captivating exteriors, engage the viewer in a metaphysical dialogue with cultural history. Born in York, Pennsylvania, in 1955, Koons studied at the Maryland Institute College of Art in Baltimore and the School of the Art Institute of Chicago, receiving a BFA from the former in 1976. Since his first solo exhibition in 1980, his work has evolved from small-scale assemblages of toys and found objects to his now iconic monumental works, including huge balloon animals rendered in mirror-polished stainless steel, as well as flowering topiary sculptures, such as Puppy (1992), which is permanently installed at the Guggenheim Museum Bilbao, Spain. Koons draws attention to the continuity of images as they pass through time, combining art historical reference with vernacular images and objects, from common suburban products and mass media to symbols of sexuality and transcendence. Beginning with Inflatables (1978–79), a series inspired by the readymade, Koons created six series of innovative works in less than a decade including Pre-New (1979–80), The New (1980–87), Equilibrium (1983–93), Luxury Degradation (1986), and Statuary (1986). His engagement with popular culture expanded in the Banality series (1988), which featured sculptures of recognizable figures such as Michael Jackson and Bubbles (1988)—a nearly life-size gilded porcelain statue of the pop singer with his pet chimpanzee. In 1989, Koons presented Made in Heaven (1989–91), a series centered on him and his then-wife, Ilona Staller, in sexually explicit poses, frequently in fairy-tale settings, evoking the stark bodily presence of the nudes depicted by French Realist painters.

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