John Quigley

Money to Burn

2019

Mixed Media on panel. Artist Statement: "I am a self-taught artist who utilizes an experimental approach. I let the experience of creating guide me. I often have no clear vision of...

Mixed Media on panel. Homage to the famed Channel. Fashion. Artist Statement: "I am a self-taught artist who utilizes an experimental approach. I let the experience of creating...

Homages to Mr. Monopoly. Conceptual. Vintage magazines in the background to create the narrative. One of a kind. About the Artist: NELSON DE LA NUEZ is one of the most sough...

Mixed Media on panel. Artist Statement: "I am a self-taught artist who utilizes an experimental approach. I let the experience of creating guide me. I often have no clear vision of...

(This piece is on two panels) Contextually within the framework of postmodern Neo-pop and Post-pop, Miller utilizes a semiotic process of mining familiar pictorial codes from the pop...

materials: hardcover book, acrylic varnish; New Masters Pictorial Encyclopedia 1962 volumes 1-8 (complete set) --- TONY DAGRADI is an internationally recognized jazz performer, art...

This is a very active and textured painting in a vertical composition. There are multiples collages on a blue background. The main focus is a person in red holding a a black star, along with other figures and lit up homes. Paint also drips down that canvas. At the bottom of the painting is a grey Saturn. To see more images of this piece, please message us. Casey McGlynn grew up in rural Ontario, where he would sit in front of the television and draw on old grocery bags and scrap paper tirelessly, creating self-taught surrealist pop art. McGlynn attended the Ontario College of Art and Design, however, he was not enrolled in the visual arts. McGlynn’s work contains reoccurring symbols such as animals from his upbringing, birds from his studio window sill and numbers that derive from when he memorized math tables in his early years. McGlynn’s work is as much about revealing the truth and expressing emotions as it is about documenting actual fact. His paintings reach into a wealth of historical influence and skill. Creating symphonic glyphs on rudimentary, raw quilt-like patterns, the works simultaneously evoke rural Southern quilts...

James Francis Gill’s Micky (2018) is a bold and playful original graphic on wove paper, measuring 24 x 24 inches. The composition is a cropped, clos...