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Kismine VarnerAmerican Acrylic Modern Art- Green and Hues of Red CollageCirca 1990
Circa 1990
$275
£206.92
€239.06
CA$386.09
A$417.11
CHF 221.91
MX$5,018.94
NOK 2,809.79
SEK 2,569.63
DKK 1,785.86
About the Item
Stupendous mixed media painting using acrylic in a kaleidoscope of colors and a paper collage technique by American artist Kismine Varner, circa 1990.
Unsigned.
Original one-of-a-kind work of art on paper displayed on a white mat with a gold border. Mat fits a standard-size frame. Archival plastic sleeve and Certificate of Authenticity included. Artwork, 17.5"H x 17.5"W; mat, 30"H x 24"W.
- Creator:Kismine Varner (American)
- Creation Year:Circa 1990
- Dimensions:Height: 30 in (76.2 cm)Width: 24 in (60.96 cm)Depth: 0.1 in (2.54 mm)
- Medium:
- Movement Style:
- Period:
- Condition:
- Gallery Location:Houston, TX
- Reference Number:Seller: 8524D1stDibs: LU1042830583

About the Seller
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Max Manning is a Houston-based painter whose practice he describes as “algorithmic abstraction”, studio-built systems that he deliberately disrupts to create compositions where loosely figurative fragments, patterns, and color fields collide. Working in series, Manning sets up rule-driven visual frameworks such as grids, repeated motifs, cut-outs, and layered shapes, and then interrupts them through shifts in palette, gesture, and scale. The result is a retro-contemporary language: paintings that acknowledge a world shaped by data and screens while insisting on the tactility, stillness, and breath of paint.
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Across his practice, Manning has maintained a clear studio ethos: to “paint through the questions” of life lived alongside algorithms. Instead of reproducing digital aesthetics, he uses rule sets to destabilize them—allowing glitches, misalignments, and pauses to surface. The work’s visual “systems” act less like predictive code and more like open, humanized structures where attention can rest. This stance has resonated with curators and collectors attuned to abstraction’s current arc: grounded in art-historical form, responsive to contemporary cognition, and committed to the slow time of looking.
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REPRESENTATION
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