Digital Mixed Media

Acrylic painting realized by Dario Cusani in 1994. Certificate of authenticity by the Artist on photograph. I BECOME A PROFESSIONAL ARTIST (1986) In the spring of 1986, with the clo...

Mercedes Jelinek (b. 1985) is an American artist and photographer based in Brooklyn, NY. Specializing in black and white photography, she transforms her images through painting and c...

Monica DeSalvo’s “Lucidity” is a 38 x 24 inch unique digital inkjet print of a surreal collage first built on an enlarged abstract monotype and then emb...

“Pap Art is the collaborative expression of ex-paparazzi photographer David Koppel and figurative painter John Kiki. In the tradition of it’s predecesso...

Ernst Fuchs - "Girl in Big Hat". Giclée print on canvas. A beautiful artwork that looks good in every room and especially in the living room or bedroom. Can be framed accordingly. Contact us for possibilities. About Ernst Fuchs: Ernst Fuchs was an Austrian art painter, born in Vienna in 1930. Fuchs studies at the Art academy there; his works at the start are influenced by people like Gustav, Klimt and Egon Schiele. In the 1950s Fuchs lived mainly in Paris. He met Salvador Dali and Arno Breker...

Title: CAM Medium: Digital Print Size: 38 x 29 inches Edition: 40 Signed by the artist Agent X creates experimental, multimedia collages, paintings, and 2D artwork. His work is an a...

SOCIAL RESEARCH This work is part of the SOCIAL "research" which addresses issues that concern people and the "polis" which in Latin means city but also "political model". THE CHRIS...

SOCIAL – A TRIBUTE TO... 80 YEARS OF ATROCITIES FROM AUSCHWITZ TO UKRAINE  This work (R:6908) is a bridge between the 2nd World War (1940-45) and that in Ukraine (2022-?) which we w...

SOCIAL – A TRIBUTE TO... This work R.5707 of 2015 is part of the characters to which I bow for the prestige and genius that I recognize them, in this case precisely in my world art. ...

THE DOVE This work R:6787 of 2020 is a tribute to the dove, symbol of candor, that freed the world from the Coronavirus! For me it became the symbol of all those doctors, nurses and ...

Paul Kostabi - "Heading to Miami". Giclée print on heavy handmade cotton paper. Hand signed and numberd. Editions: 75. A beautiful artwork that looks good in every room and espec...

THIS WORK (R:0006) of 1987 entitled "Atomic City” symbolizes how much more destructive man invented with the atomic bomb thrown on Hiroshima and Nagasaky at the end of the Second Wor...

THIS WORK (R:0260) of 1994 is a self-portrait made with the technique PHOTOPITTURA with the photographic element represented by a part of my face inserted in a two-dimensional painte...

Monica DeSalvo’s “The Red Book” is a 37 x 24 inch digital enlargement of a surreal collage on paper embellished with mixed media. The abstract base contai...

Elizabeth Riley’s work addresses questions concerning the complex and changing world we inhabit and our “mixed reality,” living between physical and digital/virtual contexts – are we our everyday, familiar, material past, or our digital future, and is this apparent “mixed reality” of the moment to be embraced or resisted. Is the digital present the bells and whistles of an unchanged and familiar humanity or does it define us, and the future. This project is embodied in tabletop cityscapes, structural wall works and installations including video, inkjet-printed video stills, and found home furnishings. Other continuing threads at play in my body of work are the struggle to overcome oppression as a woman – and a relationship with the urban environment and constructed space, as both personal and paradigmatic space. Exhibited in Excessive Frugalities, Digital Feet and Rocking Posture are three dimensional wall works made from multicolored video stills inkjet-printed on paper, and paint on the tough mylar-like material, duralar. These work combine illusionistic space with constructed elements in a multidimensional mashup of traditional and new mediums. . A long time New Yorker, Elizabeth Riley graduated from Barnard College and received an MFA from Hunter College. In April 2017, the site-specific participatory installation, City Remix, appeared in the exhibition Reconstruct at LIU, in Brooklyn, and in June 2017 the 20 x 20 ft installation, Paper Dragons, Broolyn, which functions as a walk-in, physical video, appeared in Bigger Bolder Better at 470 Vanderbilt Ave, Brooklyn, sponsored by Chashama. In 2016 a multipart tabletop cItyscape, Video City, appeared in the exhibition, Land, Air, Place at Project ARTspace in Manhattan. In 2014-2015 large-scale installations by the artist appeared in exhibitions of site-specific work in Brooklyn at Storefront Ten Eyck, curated by Karin Bravin, and in Atlanta and Duluth, Georgia presented by Dashboard. In 2011-2013 her work was exhibited in a number of 2- and 3-person shows or screenings, including at Kijdome, Boston, and dB Visual Artist Series / Dungeon Beach, Storefront Bushwick, Creon Gallery and Studio Salon curated by David Gibson, all in New York City. Groups shows include exhibitions at Denise Bibro Fine Arts, Lesley Heller Workspace, Van Der Plas Gallery, Janet Kurnatowski Gallery, Norte Maar, Associated Gallery, Brooklyn Fire Proof, Active Space, Sugar in Bushwick, NY Studio Gallery, Sideshow Gallery, PS 122, and Nurtureart. Elizabeth Riley's videos have appeared in screenings at home and abroad, including venues in England, Madrid, Copenhagen and Berlin. She was awarded a BRIC Media Arts Fellowship in 2014 and has been honored with twelve artist residencies, including the Heliker-Lahotan Residency, Great Cranberry Island...

Elizabeth Riley’s work addresses questions concerning the complex and changing world we inhabit and our “mixed reality,” living between physical and digital/virtual contexts – are we our everyday, familiar, material past, or our digital future, and is this apparent “mixed reality” of the moment to be embraced or resisted. Is the digital present the bells and whistles of an unchanged and familiar humanity or does it define us, and the future. This project is embodied in tabletop cityscapes, structural wall works and installations including video, inkjet-printed video stills, and found home furnishings. Other continuing threads at play in my body of work are the struggle to overcome oppression as a woman – and a relationship with the urban environment and constructed space, as both personal and paradigmatic space. Exhibited in Excessive Frugalities, Digital Feet and Rocking Posture are three dimensional wall works made from multicolored video stills inkjet-printed on paper, and paint on the tough mylar-like material, duralar. These work combine illusionistic space with constructed elements in a multidimensional mashup of traditional and new mediums. . A long time New Yorker, Elizabeth Riley graduated from Barnard College and received an MFA from Hunter College. In April 2017, the site-specific participatory installation, City Remix, appeared in the exhibition Reconstruct at LIU, in Brooklyn, and in June 2017 the 20 x 20 ft installation, Paper Dragons, Broolyn, which functions as a walk-in, physical video, appeared in Bigger Bolder Better at 470 Vanderbilt Ave, Brooklyn, sponsored by Chashama. In 2016 a multipart tabletop cItyscape, Video City, appeared in the exhibition, Land, Air, Place at Project ARTspace in Manhattan. In 2014-2015 large-scale installations by the artist appeared in exhibitions of site-specific work in Brooklyn at Storefront Ten Eyck, curated by Karin Bravin, and in Atlanta and Duluth, Georgia presented by Dashboard. In 2011-2013 her work was exhibited in a number of 2- and 3-person shows or screenings, including at Kijdome, Boston, and dB Visual Artist Series / Dungeon Beach, Storefront Bushwick, Creon Gallery and Studio Salon curated by David Gibson, all in New York City. Groups shows include exhibitions at Denise Bibro Fine Arts, Lesley Heller Workspace, Van Der Plas Gallery, Janet Kurnatowski Gallery, Norte Maar, Associated Gallery, Brooklyn Fire Proof, Active Space, Sugar in Bushwick, NY Studio Gallery, Sideshow Gallery, PS 122, and Nurtureart. Elizabeth Riley's videos have appeared in screenings at home and abroad, including venues in England, Madrid, Copenhagen and Berlin. She was awarded a BRIC Media Arts Fellowship in 2014 and has been honored with twelve artist residencies, including the Heliker-Lahotan Residency, Great Cranberry Island...

Wolfgang Hutter - "The first stars and the sky of the Aphrodite". Giclée print. Hand signed and numberd. A beautiful artwork that looks good in ever...

Miriam Schapiro, "Curtain Call" 2002 Hand signed, dated and titled verso and signed and dated recto. acrylic paint, digital images, glitter and textile fabric on canvas, tooling with gold leaf embossing around self edge of painting. size: 60 x 50 in Miriam Schapiro (or Mimi Schapiro) (November 15, 1923 – June 20, 2015) was a Canadian-born artist based in America. She was a painter, sculptor and printmaker. She was a pioneer of feminist art. She was also considered a leader of the Pattern and Decoration art movement. Schapiro's artwork blurs the line between fine art and craft. Her paintings contain craft elements because crafts and decoration is associated with women and femininity. She used icons that are associated with women such as hearts, floral decorations, geometric patterns and the color pink. In the 1970s she made a small woman's object, the fan, heroic by painting it six feet by twelve feet. This bears the influence of the Pattern and Decoration movement artists such as Brad Davis, Mary Grigoriadis, Joyce Kozloff, Robert Kushner, Kim MacConnel, Sonya Rapoport, Miriam Schapiro and Valerie Jaudon. Shapiro was born in Toronto, Ontario, Canada. Her father was an industrial design artist who fostered her desire to be an artist and served as her role model and mentor. Her mother was a stay at home mother who worked part-time during the depression. As a teenager, Schapiro was taught by Victor d’Amico, her first modernist teacher at the Museum of Modern Art. In the evenings she joined WPA classes for adults to study drawing from the nude model. In 1943, Schapiro entered Hunter College in New York City, but eventually transferred to the University of Iowa. At the University of Iowa, Schapiro studied painting with Stuart Edie and James Lechay. She studied printmaking under Mauricio Lasansky and was his personal assistant, which then led her to help form the Iowa Print Group. Lasanky taught his students to use several different printing techniques in their work and to study the masters' work in order to find solutions to technical problems. At the State University of Iowa she met the artist Paul Brach, whom she married in 1946.. By 1951 they moved to New York City and befriended many of the Abstract expressionist artists of the New York School, including Joan Mitchell, Larry Rivers, Knox Martin and Michael Goldberg. Schapiro worked in the style of Abstract expressionism during this time period. Shapiro and Brach lived in New York City during the 1950s and 1960s. During this period Shapiro had a successful career as an abstract expressionist painter in the hard-edge style. In December 1957, André Emmerich selected one of her paintings for the opening of his gallery. Schapiro not only honored the craft tradition in women's art, but also paid homage to women artists of the past. In the early 1970s she made paintings and collages which included photo reproductions of Mary Cassatt's and Georgia O'keefe's paintings. Early in her career, Schapiro started looking for maternal symbols to unify her own roles as a woman. Her series, Shrines (1963), was her first artistically successful attempt at compartmentalizing her life roles. Her painting, Big Ox No. 1, from 1968, references Shrines, however no longer compartmentalized. The center O takes on the symbol of the egg which exists as the window into the maternal structure with outstretched limbs. Her series, Shrines was created in 1961–63. It is one of her earliest group of work that was also an autobiography. Each section of the work show an aspect of being a woman artist. They are also symbolic of her body and soul. In 1964 Schapiro and her husband Paul both worked at the Tamarind Lithography Workshop. One of Schapiro's biggest turning points in her art career was working at the workshop and experimenting with Josef Albers' Color-Aid paper, where she began making several new shrines and created her first collages. In the 1970s, Schapiro and Brach moved to California so that both could teach in the art department at the University of California. Subsequently, she was able to establish the Feminist Art Program at the California Institute of the Arts, in Valencia with Judy Chicago. The program set out to address the problems in the arts from an institutional position. They wanted the creation of art to be less of a private, introspective adventure and more of a public process through consciousness raising sessions, personal confessions and technical training. She participated in the Womanhouse exhibition in 1972. Schapiro's smaller piece within Womanhouse, called "Dollhouse", was constructed using various scrap pieces to create all the furniture and accessories in the house. Each room signified a particular role a woman plays in society and depicted the conflicts between them. Along with Nancy Spero, Joan Snyder, Joyce Kozloff, Audrey Flack and Judy Chicago, she is from that first generation of Jewish American feminist women artists and includes Judaica in her work. Schapiro's work from the 1970s onwards consists primarily of collages assembled from fabrics, which she called "femmages". As Schapiro traveled the United States giving lectures, she would ask the women she met for a souvenir. These souvenirs would be used in her collage like paintings. Her 1977-1978 essay Waste Not Want Not: An Inquiry into What Women Saved and Assembled - FEMMAGE (written with Melissa Meyer) describes femmage as the activities of collage, assemblage, découpage and photomontage practised by women using "traditional women's techniques - sewing, piercing, hooking, cutting, appliquéing, cooking and the like..." She was involved in Abstract expressionism, Minimalism, Computer art, and Feminist art. She worked with collage, printmaking, painting, femmage [fr] – using women's craft in her artwork, and sculpture. Schapiro not only honored the craft tradition in women's art, but also paid homage to women artists of the past. In the early 1970s she made paintings and collages which included photo reproductions of past artists such as Mary Cassatt. In the mid 1980s she painted portraits of Frida Kahlo on top of her old self-portrait paintings. In the 1990s Schapiro began to include women of the Russian Avant Garde in her work. The Russian Avant Garde was an important moment in Modern Art history for Schapiro to reflect on because women were seen as equals. Schapiro also did collaborative art projects, like her series of etchings Anonymous was a Woman from 1977. She was able to produce the series with a group of nine women studio-art graduates from the University of Oregon. Each print is an impression made from an untransformed doily that was placed in soft ground on a zinc plate, then etched and printed. Her image is included in the iconic 1972 poster Some Living American Women Artists by Mary Beth Edelson...

Barbara Hocker sees her life’s vocation as being an ambassador for the natural world through her art. Nature is facing many challenges right now. Hock...

One of a kind Mixed Medium on Canvas Artwork: Original abstract mixed media work on canvas, which combines new media - digital original hand painting, printed on canvas, then hand p...

Barbara Hocker sees her life’s vocation as being an ambassador for the natural world through her art. Nature is facing many challenges right now. Hock...

Cropped and deconstructed images of a Kauai beachfront, palm trees and a pair of roosters are represented on 14 x 11 inch Yupo translucent paper in Patty deGrandpre’s contemporary abstract mixed media print titled “Two Roosters Running Amok on Poipu Beach”. This one of kind piece pays homage to this notorious Kauai beach and the roosters and chickens that have become so familiar to the Hawaiian Islands. DeGrandpre thoughtfully combines and layers block printing ink and digital inkjet in hues of blue, orange, yellow, red, and gray. A screen of clouds provides both contrast and texture within the distinct fields of vivid color and the pair of red roosters to create this graphic interpretation of a tropical Hawaiian landscape...

One of a kind Mixed Medium on Canvas Artwork: Original abstract mixed media work on canvas, which combines new media - digital original hand painting, printed on canvas, then hand painted with acrylic, 3D painting, ink, acrylic gels, texturing mediums, and varnishes over-painting. This body of work focuses on a combination of texture, color, and composition. Each piece is manipulated with a unique surface finish of textures. Irena Orlov’s artwork begins spontaneously and gives expression to personal creativity and insight. Each piece is unique in design. SPECIFICATIONS: - Fine art canvas - Professionally hand stretched over 1 ½" deep wood stretched bars. - Gallery wrapped in sustainable FSC certified wood. - Wire Installed. The edges are painted so there is no need for additional framing. The artwork is ready for display. Artist Irena Orlov. Signed. Certificate for authenticity. About an Artist: Irena Orlov is a Los Angeles-based contemporary multidisciplinary visual artist whose work uses a combination of both traditional and new media. In a blending of traditional and new media, Irena Orlov developed special techniques which continue to give her art a unique look and aesthetic. While the majority of her works are done with mixed media, she also creates with acrylic, oil, pastel, watercolors and pencil. Much of her art has been implemented in renowned hotels, wellness and corporate settings across the world. Exhibitions and Collections: 2021 Resorts World Las Vegas 2021 Robert Kidd Gallery, Birmingham, MI 2020-2021 ACA ART Comes Alive 2020, Cincinnati 2020-2021 Artsy “Digital Winter Exhibition 2020 – 2021”, Art Screen TV 2020 GALLERIA IL COLLEZIONISTA - ROMA, CHRISTMAS ART EDITION 2020 Robert Kidd Gallery, Birmingham, MI 2020 Shibuya Station Exhibition Tokyo III, 2020 2019 Art Comes Alive, ACA 2019, Cincinnati, Ohio 2019 Blink Art Artist Showcase, Cincinnati, Ohio 2019 WhyNotArt, Pasadena, CA 2019 Salal Credit Union, Cafe, Washington 2019 Parcus Gallery, Berlin, Germany 2019 Voyager, Royal Caribbean Cruise Line, Artworks installed: Spa, Staterooms, Suites, Lounge 2019 Apartment Building, Stairwell, Wilson Mountain view CALIFORNIA 2019 Oasis, Royal Caribbean Cruise Line, Artworks installed : Bed Spa Staterooms 2019 Leasing Office, Lake Meadow, Chicago Illinois 2019 Freedom Spa Staterooms, Royal Caribbean Cruise Line, Miami 2019 Freedom of the Seas Royal Caribbean Cruise Line 2019 Parallax Art Fair Kensington, London, UK 2019 4th Annual Jockeys & Juleps Derby Party Fine Art Auction, Southern Reins 2019 Parallax Art Fair Chelsea, London, UK 2018 Red Dot Miami, R.E and Perseus Gallery, Spectrum Miami 2018 2018 Parcus Gallery, Berlin, Germany 2018 21st Beijing Art Expo, China 2018 Museum MIIT, Modern and Contemporary Art, Turin, Italy 2018 The Vatican's Chancellery Palace, Italy, 1st International Itinerary Art Biennale 2018 "Between Dream and Reality” 2018 Los Angeles Center for Digital Art, Member Artist Exhibit, Los Angeles, California 2018 Artexpo New York 2018 2018 Royal Caribbean Cruise Line 2018 Renaissance Asheville Hotel 2018 Renaissance Newport Beach Hotel, Reception 2018 UC Davis, Student Housing, California 2018 LA Mart, TEMPS on 2, Los Angeles 2018 European Intercultural Activity, The Museum of Art and Science, Milan 2017 The Art Festival at The Papal Palace of Castel Gandolfo (di Castel Gandolfo -Musei Vaticani) 2017 The International Exhibition at the Art Italian Institute, Prague 2017 Marriott SFO, San Francisco, CA 2017 Stars of Art 2017, Galleria Sant'Andrea, Parma, Italy 2017 Stars of Art 2017, Galleria Farini Concept, Bologna, Italy 2017 Los Angeles Center for Digital Art, Member Artist Exhibit, Los Angeles, California 2016 Ritz-Carlton Osaka, Tokyo, Corporate Collection 2016 "Electron Salon", Los Angeles Center For Digital Art, Los Angeles 2016 “Contemporaries at Uffizi”, Florence: Palazzo Ximenes Panciatichi. Italy 2016 Arttour International. Spectrum Miami 2016 2016 Biennale "Palma d'Oro per l’Arte 2016" Monte Carlo 2016 Galleria Borghese, "Historical Prize for Contemporary Artists", Rome, Italy 2016 "Electron Salon", Los Angeles Center For Digital Art, Los Angeles 2016 Dwell on Design, Los Angeles Convention Center 2016 Tokyo International Art Fair 2016 Saatchi Art, Girlcrest Event/ Lloydcrest Estate, Beverly Hills 2016 "Woman's Art World" Museum of Marrakech, Casablanca, Morocco 2015 Awarded the International Art Award David of Bernini, Grand Gala, Italy Monumental Theatre “G.Paisiello” by International Education of Art and Human Rights Italia in Arte nel Mondo 2015 Awarded the Special Prize for Human Rights, Anne Frank Italy Monumental Theatre “G. Paisiello” by International Education of Art and Human Rights Italia in Artenel Mondo 2015 Hotel Monaco, Washington DC 2015 " Snap To Grid" Los Angeles Center for Digital Art 2015 Stanford University, Student Housing, Stanford, California 2015 1st International Noto Award - Unesco Heritage, "Convitto Ragusa" Museum - Noto, Sicily 2015 Premio Oscar dell...

Wolfgang Hutter - "The bird, feather, meeting of wings". Giclée print. Hand signed and numberd. A beautiful artwork that looks good in every room an...

Tiger Painting 40 x 60” inches, Mixed Media: Digital, Watercolor, Acrylic, Gel Medium One-of-a-kind 2017 in Los Angeles One of a kind Mixed Medium o...

Wolfgang Hutter - "The mistress of the dragon and the bald headwith the balls". Giclée print. Hand signed and numberd. A beautiful artwork that look...

Elizabeth Riley’s work addresses questions concerning the complex and changing world we inhabit and our “mixed reality,” living between physical and digital/virtual contexts – are we our everyday, familiar, material past, or our digital future, and is this apparent “mixed reality” of the moment to be embraced or resisted. Is the digital present the bells and whistles of an unchanged and familiar humanity or does it define us, and the future. This project is embodied in tabletop cityscapes, structural wall works and installations including video, inkjet-printed video stills, and found home furnishings. Other continuing threads at play in my body of work are the struggle to overcome oppression as a woman – and a relationship with the urban environment and constructed space, as both personal and paradigmatic space. Exhibited in Excessive Frugalities, Digital Feet and Rocking Posture are three dimensional wall works made from multicolored video stills inkjet-printed on paper, and paint on the tough mylar-like material, duralar. These work combine illusionistic space with constructed elements in a multidimensional mashup of traditional and new mediums. . A long time New Yorker, Elizabeth Riley graduated from Barnard College and received an MFA from Hunter College. In April 2017, the site-specific participatory installation, City Remix, appeared in the exhibition Reconstruct at LIU, in Brooklyn, and in June 2017 the 20 x 20 ft installation, Paper Dragons, Broolyn, which functions as a walk-in, physical video, appeared in Bigger Bolder Better at 470 Vanderbilt Ave, Brooklyn, sponsored by Chashama. In 2016 a multipart tabletop cItyscape, Video City, appeared in the exhibition, Land, Air, Place at Project ARTspace in Manhattan. In 2014-2015 large-scale installations by the artist appeared in exhibitions of site-specific work in Brooklyn at Storefront Ten Eyck, curated by Karin Bravin, and in Atlanta and Duluth, Georgia presented by Dashboard. In 2011-2013 her work was exhibited in a number of 2- and 3-person shows or screenings, including at Kijdome, Boston, and dB Visual Artist Series / Dungeon Beach, Storefront Bushwick, Creon Gallery and Studio Salon curated by David Gibson, all in New York City. Groups shows include exhibitions at Denise Bibro Fine Arts, Lesley Heller Workspace, Van Der Plas Gallery, Janet Kurnatowski Gallery, Norte Maar, Associated Gallery, Brooklyn Fire Proof, Active Space, Sugar in Bushwick, NY Studio Gallery, Sideshow Gallery, PS 122, and Nurtureart. Elizabeth Riley's videos have appeared in screenings at home and abroad, including venues in England, Madrid, Copenhagen and Berlin. She was awarded a BRIC Media Arts Fellowship in 2014 and has been honored with twelve artist residencies, including the Heliker-Lahotan Residency, Great Cranberry Island...

Elizabeth Riley’s work addresses questions concerning the complex and changing world we inhabit and our “mixed reality,” living between physical and digital/virtual contexts – are we our everyday, familiar, material past, or our digital future, and is this apparent “mixed reality” of the moment to be embraced or resisted. Is the digital present the bells and whistles of an unchanged and familiar humanity or does it define us, and the future. This project is embodied in tabletop cityscapes, structural wall works and installations including video, inkjet-printed video stills, and found home furnishings. Other continuing threads at play in my body of work are the struggle to overcome oppression as a woman – and a relationship with the urban environment and constructed space, as both personal and paradigmatic space. Exhibited in Excessive Frugalities, Digital Feet and Rocking Posture are three dimensional wall works made from multicolored video stills inkjet-printed on paper, and paint on the tough mylar-like material, duralar. These work combine illusionistic space with constructed elements in a multidimensional mashup of traditional and new mediums. . A long time New Yorker, Elizabeth Riley graduated from Barnard College and received an MFA from Hunter College. In April 2017, the site-specific participatory installation, City Remix, appeared in the exhibition Reconstruct at LIU, in Brooklyn, and in June 2017 the 20 x 20 ft installation, Paper Dragons, Broolyn, which functions as a walk-in, physical video, appeared in Bigger Bolder Better at 470 Vanderbilt Ave, Brooklyn, sponsored by Chashama. In 2016 a multipart tabletop cItyscape, Video City, appeared in the exhibition, Land, Air, Place at Project ARTspace in Manhattan. In 2014-2015 large-scale installations by the artist appeared in exhibitions of site-specific work in Brooklyn at Storefront Ten Eyck, curated by Karin Bravin, and in Atlanta and Duluth, Georgia presented by Dashboard. In 2011-2013 her work was exhibited in a number of 2- and 3-person shows or screenings, including at Kijdome, Boston, and dB Visual Artist Series / Dungeon Beach, Storefront Bushwick, Creon Gallery and Studio Salon curated by David Gibson, all in New York City. Groups shows include exhibitions at Denise Bibro Fine Arts, Lesley Heller Workspace, Van Der Plas Gallery, Janet Kurnatowski Gallery, Norte Maar, Associated Gallery, Brooklyn Fire Proof, Active Space, Sugar in Bushwick, NY Studio Gallery, Sideshow Gallery, PS 122, and Nurtureart. Elizabeth Riley's videos have appeared in screenings at home and abroad, including venues in England, Madrid, Copenhagen and Berlin. She was awarded a BRIC Media Arts Fellowship in 2014 and has been honored with twelve artist residencies, including the Heliker-Lahotan Residency, Great Cranberry Island...

This piece titled "Billy Ray's Tavern" is original artwork made from paper, plaster, acrylic, enamel, polyester, basswood, chain, wire, inkjet prints, and pastels by Drew Leshko. This piece measures 28"h x 19"w x 7"d. Drew Leshko is a Philadelphia, Pennsylvania-based artist. By carving, cutting, and layering varieties of paper and wood, Leshko creates documentary studies of architecture from his neighborhood in an attempt to create a three-dimensional archive of buildings that are in transitional periods. The work examines gentrification and history, how historical relevance is determined, and most importantly, what is worth preserving. Working from observation and photographs, the artist painstakingly recreates building facades from his neighborhood at a 1:12 scale...

Collaged digital images from a circuit board on Epson archival paper, printed with Epson archival ink, mounted on archival museum board with MDF and wood backing. In Lay’s collag...

One of a kind Mixed Medium on Canvas Artwork: Original abstract mixed media work on canvas, which combines new media - digital original hand painting, printed on canvas, then hand ...

Patty deGrandpre’s “Delivered to the Wrong House” is a 14.5 x 11 inch mixed media unique print represented on 20 x 16 inch Awagami Bamboo paper embracing both traditional printmaking...

In this project, exploring the fluid condition between the virtual and real world, the artist seek to materialize my experiences in digital environments - whether browsing through G...

Moments of Joy Painting Art Hand Textured Giclee on Canvas 45x45" Pink Blue State-of-the-art HAND EMBELLISHED ∽ MUSEUM QUALITY ∽ DISPLAY READY Giclee Reproduction Each limited editi...

This piece titled "Buscando un Tesoro I, Knife Drawing" is an original piece by Lucha Rodríguez and is made from hand scoring giclée print on metallic paper. This piece measure 20"h ...

This piece titled "Es Imaginario Pero Refiere a Lo Real IV, Knife Drawing" is an original piece by Lucha Rodríguez and is made from manipulated giclée print on metallic paper. This p...

This piece titled "Es Imaginario Pero Refiere a Lo Real II, Knife Drawing" is an original piece by Lucha Rodríguez and is made from hand scoring giclée print on metallic paper. This ...

This piece titled "Es Imaginario Pero Refiere a Lo Real III, Knife Drawing" is an original piece by Lucha Rodíguez and is made from hand scoring giclée print on metallic paper. This ...

This piece titled "Orientarse o Perderse VI, Knife Drawing" is an original piece by Lucha Rodríguez and is made from hand scoring giclée print on metallic paper. This piece measure 1...

This piece titled "Orientarse o Perderse V, Knife Drawing" is an original piece by Lucha Rodríguez and is made from hand scoring giclée print on metallic paper. This piece measure 17...

This piece titled "Orientarse o Perderse IV, Knife Drawing" is an original piece by Lucha Rodríguez and is made from hand scoring giclée print on metallic paper. This piece measure 1...

This piece titled "Orientarse o Perderse II, Knife Drawing" is an original piece by Lucha Rodríguez and is made from hand scoring giclée print on metallic paper. This piece measure 1...

This piece titled "Por Ahí Voy IV, Knife Drawing" is an original piece by Lucha Rodríguez and is made from manipulated giclée print on metallic paper. This piece measure 12"h x 12"w ...

This piece titled "Orientarse o Perderse I, Knife Drawing" is an original piece by Lucha Rodríguez and is made from hand scoring giclée print on metallic paper. This piece measure 17...

This piece titled "Por Ahí Voy III, Knife Drawing" is an original piece by Lucha Rodríguez and is made from hand scoring giclée print on metallic paper. This piece measure 12"h x 12"...

This piece titled "Refugio o Trampa I, Knife Drawing" is an original piece by Lucha Rodríguez and is made from hand scoring giclée print on metallic paper. This piece measure 7"h x 7...

In this project, exploring the fluid condition between the virtual and real world, the artist seek to materialize my experiences in digital environments - whether browsing through G...

Mixed Media Original Painting on Canvas Artwork: Original abstract mixed media work on canvas, which combines new media - digital original hand painting, printed on canvas, then han...

Patty deGrandpre’s “The Long Part of the Drive” is a predominately blue, yellow, and gold unique contemporary abstract landscape represented on a 16 x 20 x 2 inch “Ampersand Claybord...

One of a kind Mixed Medium on Canvas Artwork: Original abstract mixed media work on canvas, which combines new media - digital original hand painting, printed on canvas, then hand ...

Patty deGrandpre’s “Leave the Flowers by the Back Door” is a 16 x 13 inch mixed media unique print represented on 19 x 16 inch Awagami Bamboo paper embracing both traditional printma...

Mercedes Jelinek (b. 1985) is an American artist and photographer based in Brooklyn, NY. Specializing in black and white photography, she transforms her images through painting and c...

Mercedes Jelinek (b. 1985) is an American artist and photographer based in Brooklyn, NY. Specializing in black and white photography, she transforms her images through painting and c...

Mercedes Jelinek (b. 1985) is an American artist and photographer based in Brooklyn, NY. Specializing in black and white photography, she transforms her images through painting and c...

This Mixed Media piece titled "Adansonii Suncatcher" is an original artwork by Roxana Azar made of a digital print on acrylic, plastic chain, metal, and glass. The piece measures app...

Encaustic and Digital Print on Plywood American artist, Richard Purdy, born in Chicago, IL, 1956 Received his B.F.A. Indiana University of Pennsylvania Indiana, PA Exhibitions 2013...

This unframed, signed, limited edition pigment print by artist John Fincher exists in an edition of 40. Paper size is 30"h x 24"w with an image size of 22"h...

This is a mixed-media artwork by Monty Montgomery. Its dimensions are 18 x 12 x 1.5 and it is a hand-embellished Giclee print on Canvas with UV Gloss Varnish. A certificate of authen...

Item Description: Tesselat 67P Mixed media, giglée print, bright screen and frame 14 x 22 x 3.5 inches video loop 4.5 minutes Edition 1 of 6 + AP Clearly stepping away from standa...

This artwork was created by the artistic duo Hunter & Gatti (2010–2023). These works are part of the archive managed and exhibited by Cristian Hunter. The artist's technique consists...