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Style: Contemporary
Style: Abstract
Medium: Graphite
The Journey Home - Contemporary Abstract Painting
Located in Carmel, CA
Beth Shields is a distinguished abstract artist whose work has captivated collectors and audiences worldwide. Based in Santa Cruz, California, Beth has dedicated her life to artistic...
Category

2010s Contemporary Graphite Mixed Media

Materials

Canvas, Acrylic, Graphite

Rick Lewis, Mirror to the Sun IV, Painting 2021
Located in Stamford, CT
Mirror to the Sun IV Oil, graphite, litho ink, spray paint, dry pigment on paper 40" x 26" I am a visual artist whose work investigates small and large -scale abstraction primarily...
Category

2010s Abstract Graphite Mixed Media

Materials

Paper, Ink, Oil, Graphite, Pigment, Spray Paint

The Edge - Contemporary Abstract Painting
Located in Carmel, CA
Beth Shields is a distinguished abstract artist whose work has captivated collectors and audiences worldwide. Based in Santa Cruz, California, Beth has dedicated her life to artistic...
Category

2010s Contemporary Graphite Mixed Media

Materials

Canvas, Acrylic, Graphite

PL Bay
Located in New York, NY
Lovie Olivia “PL Bay” 2023 Signed Medical file folders, squid ink, graphite, glitter, acetate, vellum (Unique) 14 x 11 inches
Category

2010s Contemporary Graphite Mixed Media

Materials

Paper, Ink, Vellum, Graphite

Weed Flowers, Acrylic, Tea Stain, Graphite on Paper by Indian Artist "In Stock"
Located in Kolkata, West Bengal
Jayashree Chakravarty Weed Flowers Acrylic, Tea Stain, Graphite on Paper 22 x 30 inches (Unframed & Delivered) In Weed Flowers, she conjures a visceral landscape teeming with organi...
Category

Early 2000s Contemporary Graphite Mixed Media

Materials

Paper, Mixed Media, Acrylic, Graphite, Tea

Origin #11, by Seiko Tachibana
Located in Palm Springs, CA
A unique monotype with charcoal, graphite and acrylic makes the textures as important as the image. Seiko Tachibana was born in Japan and completed her Masters of Art Education at K...
Category

Early 2000s Abstract Graphite Mixed Media

Materials

Charcoal, Mixed Media, Acrylic, Graphite, Monotype

Origin 8"-5, by Seiko Tachibana
Located in Palm Springs, CA
A unique monotype with charcoal, graphite and acrylic makes the textures as important as the image. Seiko Tachibana was born in Japan and completed her Masters of Art Education at K...
Category

Early 2000s Abstract Graphite Mixed Media

Materials

Charcoal, Mixed Media, Acrylic, Graphite, Monotype

Dreamtime #2 - Contemporary Abstract Painting
Located in Carmel, CA
Beth Shields is a distinguished abstract artist whose work has captivated collectors and audiences worldwide. Based in Santa Cruz, California, Beth has dedicated her life to artistic...
Category

2010s Contemporary Graphite Mixed Media

Materials

Canvas, Oil, Acrylic, Graphite

Blue Horizon - Contemporary Abstract Painting
Located in Carmel, CA
Beth Shields is a distinguished abstract artist whose work has captivated collectors and audiences worldwide. Based in Santa Cruz, California, Beth has dedicated her life to artistic...
Category

2010s Contemporary Graphite Mixed Media

Materials

Canvas, Oil, Acrylic, Graphite

Heart Mantra - Contemporary Abstract Painting
Located in Carmel, CA
Beth Shields is a distinguished abstract artist whose work has captivated collectors and audiences worldwide. Based in Santa Cruz, California, Beth has dedicated her life to artistic...
Category

2010s Contemporary Graphite Mixed Media

Materials

Canvas, Oil, Acrylic, Graphite

Soul Journey - Contemporary Abstract Painting
Located in Carmel, CA
Beth Shields is a distinguished abstract artist whose work has captivated collectors and audiences worldwide. Based in Santa Cruz, California, Beth has dedicated her life to artistic...
Category

2010s Contemporary Graphite Mixed Media

Materials

Canvas, Charcoal, Acrylic, Graphite

Prodigal Son (VIII)
Located in Atlanta, GA
"My work principally consists of deeply abstracted figure compositions--intuitive constructions that begin with random marks establishing larger masses of torsos, heads, and limbs in an undefined setting. The emphasis is almost purely on intuition. The figures are born of their surrounding environment, emerging only partially and fugitively from the layers of pigment. A narrative is evident but never overt. A crown, a shield, a boat, a wheel. Though the subject has recently coalesced around my reading of Dante and Shakespeare, the settings remain extremely vague- a beach, an interior, a woodland. The paintings are, in the end, meditations on the relationship between the protagonists in a wordless drama. In my paintings, I use a cold wax medium...
Category

2010s Contemporary Graphite Mixed Media

Materials

Oil Crayon, Mixed Media, Handmade Paper, Graphite

Illumination
Located in Napa, CA
Alison Haley Paul is a contemporary painter of lavishly textured landscapes full of nuanced color. Her work conjures up connotations and geographical memories: that summer you spen...
Category

2010s Abstract Graphite Mixed Media

Materials

Canvas, Charcoal, Wax, Oil, Graphite, Pigment

Untitled (Līnea Study), 2022
Located in Washington, DC
Original work on Arches paper by Mary Early. "The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available." Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries. Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record. In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space. Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007). Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...
Category

21st Century and Contemporary Abstract Geometric Graphite Mixed Media

Materials

Wax Crayon, Sumi Ink, Archival Paper, Graphite

Anonymous Self Portrait XXXVII
Located in New York, NY
Anonymous Self Portrait XXXVII 2018 Signed and dated on label, verso Ink, graphite, and oil paint on double-sided frosted Mylar film mounted to board 55 x 41.5 inches $17,000 Th...
Category

2010s Contemporary Graphite Mixed Media

Materials

Mylar, Ink, Graphite

Fire Ice - Contemporary Abstract Painting
Located in Carmel, CA
Beth Shields is a distinguished abstract artist whose work has captivated collectors and audiences worldwide. Based in Santa Cruz, California, Beth has dedicated her life to artistic...
Category

2010s Contemporary Graphite Mixed Media

Materials

Canvas, Wax, Oil, Graphite

Balance
Located in Napa, CA
Alison Haley Paul is a contemporary painter of lavishly textured landscapes full of nuanced color. Her work conjures up connotations and geographical memories: that summer you spent ...
Category

2010s Abstract Graphite Mixed Media

Materials

Canvas, Charcoal, Wax, Oil, Graphite

Käepigistus Teal 1, Handshake Series
Located in Santa Monica, CA
Watercolor & Graphite on Canvas
Category

21st Century and Contemporary Abstract Graphite Mixed Media

Materials

Canvas, Watercolor, Graphite

Anonymous Self Portrait XXXVI
Located in New York, NY
Anonymous Self Portrait XXXVI 2018 Signed and dated on label, verso Ink, graphite, and oil paint on double-sided frosted Mylar film mounted to board 55 x 41.5 inches $17,000 Thi...
Category

2010s Contemporary Graphite Mixed Media

Materials

Mylar, Ink, Graphite

"Butterfly no. 86" Drawing with Gold Leaf by Alessandra Maria
Located in Palm Beach, FL
Note: We highly recommend shipping through 1stDibs for its cost effectiveness, full insurance coverage, and reliable handling. While standard parcel services are an option, the defau...
Category

2010s Contemporary Graphite Mixed Media

Materials

Gold Leaf

Dreamtime - Contemporary Abstract Painting
Located in Carmel, CA
Beth Shields is a distinguished abstract artist whose work has captivated collectors and audiences worldwide. Based in Santa Cruz, California, Beth has dedicated her life to artistic...
Category

2010s Contemporary Graphite Mixed Media

Materials

Gesso, Canvas, Acrylic, Graphite

Completing, Abstract, Oil, Graphite, Wood Panel, Blue, Black, Green
Located in Riverdale, NY
Completing by Rose Umerlik is an abstract painting, Oil and Graphite on wood panel, 49 x 36. This is part of a new 2022 series. According to Umerlik, " I became a mother this past ...
Category

2010s Abstract Graphite Mixed Media

Materials

Oil, Wood Panel, Graphite

Ongoing
Located in Napa, CA
Alison Haley Paul is a contemporary painter of lavishly textured landscapes full of nuanced color. Her work conjures up connotations and geographical memories: that summer you spent ...
Category

2010s Contemporary Graphite Mixed Media

Materials

Canvas, Charcoal, Wax, Oil, Graphite, Pigment

"Butterfly no. 83" Drawing with Gold Leaf by Alessandra Maria
Located in Palm Beach, FL
Note: We highly recommend shipping through 1stDibs for its cost effectiveness, full insurance coverage, and reliable handling. While standard parcel services are an option, the defau...
Category

2010s Contemporary Graphite Mixed Media

Materials

Gold Leaf

"Butterfly no. 84" Drawing with Gold Leaf by Alessandra Maria
Located in Palm Beach, FL
Note: We highly recommend shipping through 1stDibs for its cost effectiveness, full insurance coverage, and reliable handling. While standard parcel services are an option, the defau...
Category

2010s Contemporary Graphite Mixed Media

Materials

Gold Leaf

Idyll
Located in Napa, CA
Alison Haley Paul is a contemporary painter of lavishly textured landscapes full of nuanced color. Her work conjures up connotations and geographical memories: that summer you spent ...
Category

2010s Contemporary Graphite Mixed Media

Materials

Canvas, Charcoal, Wax, Oil, Graphite, Pigment

Mixed Media Collage, Graphite, Oil Painting Abstract Expressionist Henry Mandell
Located in Surfside, FL
Henry Mandell was born in New York City where he continues to live and work. He also maintains a studio is in the Pacific Northwest, with production facilities in New York City. Trai...
Category

1980s Abstract Expressionist Graphite Mixed Media

Materials

Oil, Graphite

"Butterfly no. 85" Drawing with Gold Leaf by Alessandra Maria
Located in Palm Beach, FL
Note: We highly recommend shipping through 1stDibs for its cost effectiveness, full insurance coverage, and reliable handling. While standard parcel services are an option, the defau...
Category

2010s Contemporary Graphite Mixed Media

Materials

Gold Leaf

Untitled (Līnea Study), 2022
Located in Washington, DC
Original work by Mary Early. Graphite, colored pencil, and sumi ink on Arches paper, 12.25 x 16". "The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available." Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries. Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record. In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space. Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007). Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...
Category

21st Century and Contemporary Abstract Geometric Graphite Mixed Media

Materials

Wax Crayon, Sumi Ink, Archival Paper, Graphite

Abstract Beeswax Line Painting Untitled (Study for Līnea)
Located in Washington, DC
Poured beeswax work by Mary Early from her "Study for Līnea" series. "The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available." Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries. Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record. In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space. Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007). Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...
Category

21st Century and Contemporary Abstract Geometric Graphite Mixed Media

Materials

Wax Crayon, Sumi Ink, Archival Paper, Graphite

How Do You Match Light Blue Shoes? - Abstract Mixed Media Original Painting
Located in Los Angeles, CA
Urban abstract expressionism artist Tommy Lennartsson draws on the visual culture of street and pop art when creating his original vibrant mixed-medi...
Category

21st Century and Contemporary Contemporary Graphite Mixed Media

Materials

Canvas, Charcoal, Mixed Media, Acrylic, Graphite

Untitled (Study for Līnea)
Located in Washington, DC
Poured beeswax work by Mary Early from her "Study for Līnea" series. "The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available." Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries. Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record. In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space. Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007). Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...
Category

21st Century and Contemporary Abstract Geometric Graphite Mixed Media

Materials

Wax Crayon, Sumi Ink, Archival Paper, Graphite

"It’s Complicated"
Located in Philadelphia, PA
"It’s Complicated" is an original oil pastel, ballpoint pen, and graphite on arches paper work by Lauren Rinaldi. This piece ships float-mounted in the pictured white frame. The pa...
Category

21st Century and Contemporary Contemporary Graphite Mixed Media

Materials

Oil Pastel, Archival Paper, Ballpoint Pen, Graphite

Thalia
Located in Palm Beach, FL
Working with a palette of graphite, charcoal, ink, and gold leaf, Alessandra Maria masterfully weaves together elements of the earthly and ethereal. She is part sorceress, part alche...
Category

21st Century and Contemporary Contemporary Graphite Mixed Media

Materials

Gold Leaf

"Lucia" Drawing with Gold Leaf by Alessandra Maria
Located in Palm Beach, FL
Working with a palette of graphite and gold leaf, Alessandra Maria masterfully weaves together elements of the earthly and ethereal. She is part sorceress, part alchemist, summoning ...
Category

2010s Contemporary Graphite Mixed Media

Materials

Gold Leaf

"Butterfly no. 81" Drawing with Gold White Gold Leaf by Alessandra Maria
Located in Palm Beach, FL
Working with a palette of graphite and gold leaf, Alessandra Maria masterfully weaves together elements of the earthly and ethereal. She is part sorceress, part alchemist, summoning ...
Category

2010s Contemporary Graphite Mixed Media

Materials

Gold Leaf

Still Life 008
Located in New York, NY
Acrylic, soft pastel, graphite, coffee, india ink, transfer on paper
Category

2010s Contemporary Graphite Mixed Media

Materials

Acrylic, Graphite, Paper, Coffee, Pastel, India Ink

Still Life 008
Still Life 008
$560 Sale Price
20% Off
Robert Petersen After A Rain #2 unique abstract signed collage, Castelli Gallery
Located in New York, NY
Robert Petersen After A Rain #2, 1987 Collage on Paper: Pencil, Oil, Acrylic and Cloth Hand signed, dated and titled on lower front with Castelli Graphics label on the back Frame Inc...
Category

1980s Abstract Graphite Mixed Media

Materials

Textile, Oil, Acrylic, Graphite

Generous, Abstract, Oil, Graphite, Wood Panel, Yellow, Black, White
Located in Riverdale, NY
Generous by Rose Umerlik is an abstract painting, Oil and Graphite on wood panel, 48 x 36. This is part of a new 2022 series. According to Umerlik, " I became a mother this past ye...
Category

2010s Abstract Graphite Mixed Media

Materials

Oil, Wood Panel, Graphite

"Cronus View from the Cave" David Hare, Abstract Surrealist Composition
Located in New York, NY
David Hare Cronus View from the Cave, 1971 Graphite, Ink wash, Paper Collage on Paper on Board 25 x 33 inches “Freedom is what we want,” David Hare boldly stated in 1965, but then he added the caveat, “and what we are most afraid of.” No one could accuse David Hare of possessing such fear. Blithely unconcerned with the critics’ judgments, Hare flitted through most of the major art developments of the mid-twentieth century in the United States. He changed mediums several times; just when his fame as a sculptor had reached its apogee about 1960, he switched over to painting. Yet he remained attached to surrealism long after it had fallen out of official favor. “I can’t change what I do in order to fit what would make me popular,” he said. “Not because of moral reasons, but just because I can’t do it; I’m not interested in it.” Hare was born in New York City in 1917; his family was both wealthy and familiar with the world of modern art. Meredith (1870-1932), his father, was a prominent corporate attorney. His mother, Elizabeth Sage Goodwin (1878-1948) was an art collector, a financial backer of the 1913 Armory Show, and a friend of artists such as Constantin Brancusi, Walt Kuhn, and Marcel Duchamp. In the 1920s, the entire family moved to Santa Fe, New Mexico and later to Colorado Springs, in the hope that the change in altitude and climate would help to heal Meredith’s tuberculosis. In Colorado Springs, Elizabeth founded the Fountain Valley School where David attended high school after his father died in 1932. In the western United States, Hare developed a fascination for kachina dolls and other aspects of Native American culture that would become a recurring source of inspiration in his career. After high school, Hare briefly attended Bard College (1936-37) in Annandale-on-Hudson. At a loss as to what to do next, he parlayed his mother’s contacts into opening a commercial photography studio and began dabbling in color photography, still a rarity at the time [Kodachrome was introduced in 1935]. At age 22, Hare had his first solo exhibition at Walker Gallery in New York City; his 30 color photographs included one of President Franklin Roosevelt. As a photographer, Hare experimented with an automatist technique called “heatage” (or “melted negatives”) in which he heated the negative in order to distort the image. Hare described them as “antagonisms of matter.” The final products were usually abstractions tending towards surrealism and similar to processes used by Man Ray, Raoul Ubac, and Wolfgang Paalen. In 1940, Hare moved to Roxbury, CT, where he fraternized with neighboring artists such as Alexander Calder and Arshile Gorky, as well as Yves Tanguy who was married to Hare’s cousin Kay Sage, and the art dealer Julian Levy. The same year, Hare received a commission from the American Museum of Natural History to document the Pueblo Indians. He traveled to Santa Fe and, for several months, he took portrait photographs of members of the Hopi, Navajo, and Zuni tribes that were published in book form in 1941. World War II turned Hare’s life upside down. He became a conduit in the exchange of artistic and intellectual ideas between U.S. artists and the surrealist émigrés fleeing Europe. In 1942, Hare befriended Andre Breton, the principal theorist of surrealism. When Breton wanted to publish a magazine to promote the movement in the United States, he could not serve as an editor because he was a foreign national. Instead, Breton selected Hare to edit the journal, entitled VVV [shorth for “Victory, Victory, Victory”], which ran for four issues (the second and third issues were printed as a single volume) from June 1942 to February 1944. Each edition of VVV focused on “poetry, plastic arts, anthropology, sociology, (and) psychology,” and was extensively illustrated by surrealist artists including Giorgio de Chirico, Roberto Matta, and Yves Tanguy; Max Ernst and Marcel Duchamp served as editorial advisors. At the suggestion of Jacqueline Lamba...
Category

1970s Abstract Graphite Mixed Media

Materials

Paper, Ink, Graphite

Seeing Don Quixote and Sancho etching, hand coloring watercolor, signed Framed
Located in New York, NY
Santi Moix Seeing Don Quixote and Sancho ("the famous pair"), ca. 2008 Drypoint, etching and abrasion with hand coloring with watercolor, along with graphite annotations Hand signed ...
Category

Early 2000s Contemporary Graphite Mixed Media

Materials

Mixed Media, Watercolor, Graphite, Drypoint, Etching

Abstract Painting "Alone in the Dim Baggage Room (shipment of newt fate)"
Located in New York, NY
40"x50" oil and graphite on canvas (signed on reverse). This large scale oil painting by Mark Masyga created with a stunning linear abstract composition. Masyga employs drawing tech...
Category

2010s Abstract Graphite Mixed Media

Materials

Canvas, Oil, Graphite

Rick Lewis, False Bar, Painting 2021
Located in Stamford, CT
False Bar Oil, bitumen, graphite, sand, dry pigment on paper laid on canvas 38" x 50" I am a visual artist whose work investigates small and large -scale abstraction primarily in t...
Category

2010s Abstract Graphite Mixed Media

Materials

Paper, Ink, Oil, Graphite, Pigment, Canvas, Laid Paper

Rick Lewis, Untitled (Blue), Painting 2025
Located in Stamford, CT
Untitled (Blue) Oil, graphite, litho ink, spray paint, dry pigment on paper 40" x 30" I am a visual artist whose work investigates small and large -scale abstraction primarily in t...
Category

2010s Abstract Graphite Mixed Media

Materials

Paper, Ink, Oil, Spray Paint, Graphite, Pigment

Collaborate, Abstract, Oil, Graphite, Wood Panel, Red, Orange, Blue, White
Located in Riverdale, NY
Collaborate by Rose Umerlik is an abstract painting, Oil and Graphite on wood panel, 36 x 48. Rose Umerlik extracts the intangible emotional moments that live in our collective human psyche and interprets them abstractly through form, line and color so that they may also exist outside of ourselves. In recent years, Umerlik has shown in seven solo exhibitions and innumerable group shows domestically and internationally, published a book of work titled Intimacy of Forms, received notable reviews in such publications as Art New England, and been awarded the Clowes Award by the Vermont Studio Center. The most affecting experience of Umerlik’s career to date has been her two-month stay in the Takt Kunstprojektraum Artist Residency in Berlin, Germany. She was named a 2018 Vermont Artist...
Category

2010s Abstract Graphite Mixed Media

Materials

Oil, Wood Panel, Graphite

Borrowed Landscapes Study No. 204/The World s Highest Bridge, Royal Gorge, CO
Located in Denver, CO
Nina Tichava is a pattern-based, abstract painter primarily focused on spatial relationships that emphasize the inherent surface quality, color, and visual variations in her work. Sh...
Category

2010s Abstract Graphite Mixed Media

Materials

Acrylic, Postcard, Pen, Graphite

Rick Lewis, Mirror to the Sun III, Painting 2021
Located in Stamford, CT
Mirror to the Sun III Oil, graphite, litho ink, spray paint, dry pigment on paper 40" x 26" I am a visual artist whose work investigates small and large -scale abstraction primaril...
Category

2010s Abstract Graphite Mixed Media

Materials

Paper, Ink, Oil, Spray Paint, Graphite, Pigment

Rick Lewis, Camael, Painting 1997
Located in Stamford, CT
Camael Oil, graphite, sand, dry pigment on paper, laid canvas 47" x 35" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medium of p...
Category

2010s Abstract Graphite Mixed Media

Materials

Canvas, Oil, Graphite, Pigment

Rick Lewis, Mirror to the Sun V, Painting 2021
Located in Stamford, CT
Mirror to the Sun V Oil, graphite, litho ink, dry pigment on paper 40" x 26" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medium...
Category

2010s Abstract Graphite Mixed Media

Materials

Paper, Ink, Oil, Graphite, Pigment

Rick Lewis, False Bar II, Painting 2021
Located in Stamford, CT
False Bar II Oil, bitumen, graphite, sand, dry pigment on paper laid on canvas 38" x 50" I am a visual artist whose work investigates small and large -scale abstraction primarily i...
Category

2010s Abstract Graphite Mixed Media

Materials

Canvas, Paper, Ink, Oil, Laid Paper, Graphite, Pigment

"Ella" Drawing with Gold Leaf by Alessandra Maria
Located in Palm Beach, FL
Working with a palette of graphite and gold leaf, Alessandra Maria masterfully weaves together elements of the earthly and ethereal. She is part sorceress, part alchemist, summoning ...
Category

2010s Contemporary Graphite Mixed Media

Materials

Gold Leaf

Glimpse #258
Located in Napa, CA
Oil, Wax, Pigment, Charcoal, and Graphite on Canvas Alison Haley Paul is a contemporary painter of lavishly textured landscapes full of nuanced color. Her work conjures up connotati...
Category

2010s Contemporary Graphite Mixed Media

Materials

Canvas, Charcoal, Wax, Oil, Graphite, Pigment

Lloyd Martin, Pass Series 106, 2018
Located in Boston, MA
Artist: Lloyd Martin Title: Pass Series 106 Size: 30 x 22 inches Medium: Mixed media, acrylic, pastel, graphite, collage on paper Year: 2018 Price: 3,500 ...
Category

2010s Abstract Geometric Graphite Mixed Media

Materials

Acrylic, Graphite, Archival Paper

Things We See Towards the End, 2020, acrylic, oil, thread, yellow, abstract
Located in Jersey City, NJ
Things We See Towards the End, 2020, acrylic, oil, graphite, pastel, thread, nails and yarn on canvas. Spider web. Blue, yellow, red, black, white, pink abstract. Custom framed in a...
Category

2010s Contemporary Graphite Mixed Media

Materials

Canvas, Thread, Yarn, Pastel, Mixed Media, Oil, Acrylic, Graphite

"Withdrawn" Contemporary Pastel Abstract Mixed Media Sculptural Painting
Located in Houston, TX
Exhibited in "Benji Stiles: A Human Day" at Reeves Art + Design. In “A Human Day,” a solo show dedicated to the work of contemporary multidisciplinary artist Benji Stiles, we explor...
Category

2010s Contemporary Graphite Mixed Media

Materials

Paper, Oil, Graphite, Wood, Found Objects

Watercolor Leftovers
Located in Kansas City, MO
Kory Twaddle "Watercolor Leftovers" Watercolor on paper Year: 2015 Size: 10 x 12 inches COA provided "I hope to use all the materials in my studio and waste nothing, so emptying out...
Category

2010s Abstract Graphite Mixed Media

Materials

Paint, Paper, Acrylic, Tempera, Watercolor, Graphite

MIRROR - Contemporary - Geometric Abstract w/ Repurposed Construction Material
Located in Signal Mountain, TN
"Mirror" is a site specific installation that was exhibited in the show "Dialects of Place(s) by Land Report Collective at COOP Gallery in Nashville, TN. In this piece, Jobe uses industrial materials such as insulation foam, concrete, window screen, and graphite tracing paper to create a patterned structure that protrudes from the corner and carries the viewer's eye upward. At the bottom of the piece, we see delicately balanced concrete on top of pale blue insulation foam. The patterned concrete and insulation foam carries the viewer's eye upwards towards another pop of blue on top of the aluminum window screen frame. The screen gives the viewer a window in which to look through the piece. On one side, this mesh frames the graphite paper and on the other side the viewer can see the patterned concrete and insulation foam. Review from "The Rib" about "Mirror" One of the more surprising works here is Nashville-based Brian Jobe...
Category

2010s Contemporary Graphite Mixed Media

Materials

Concrete

Completing, Abstract Art, Figure, Oil, Graphite, Wood Panel, Blue, Black, Green
Located in Riverdale, NY
Completing by Rose Umerlik is an abstract painting, Oil and Graphite on wood panel, 49 x 36. This is part of a new 2022 series. According to Umerlik, " I became a mother this past ...
Category

2010s Abstract Graphite Mixed Media

Materials

Oil, Wood Panel, Graphite

Test Pattern
Located in Bozeman, MT
Electric Coffin is coded within art history and ideologies from archetypes of mysticism. We explore found truths from modernity and a personal historical perspective. A process-drive...
Category

2010s Contemporary Graphite Mixed Media

Materials

Resin, Wood, Paper, Mixed Media, Acrylic, Graphite

"Cronus Asleep in the Cave" David Hare, Surrealist Mythological Composition
Located in New York, NY
David Hare Cronus Asleep in the Cave, 1971 Acrylic, ink wash, graphite, paper collage on paper on board 26 x 35 inches “Freedom is what we want,” David Hare boldly stated in 1965, b...
Category

1970s Abstract Graphite Mixed Media

Materials

Acrylic, Paper, Ink, Graphite

Graphite mixed media for sale on 1stDibs.

Find a wide variety of authentic Graphite mixed media available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add mixed media created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, red, orange, green and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Kory Twaddle, John Anderson, Kelsey Irvin, and Rose Umerlik. Frequently made by artists working in the Abstract, Contemporary, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Graphite mixed media, so small editions measuring 1 inches across are also available Prices for mixed media made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $1 and tops out at $385,000, while the average work can sell for $2,229.