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Style: Abstract
Medium: Ink
Wall Canvas 3
By Chaco Terada
Located in Dallas, TX
Valley House Gallery recently presented "Listening in the Silence" — our first solo exhibition of work by Chaco Terada, a native of Japan who has called Dallas home since 1992. Born ...
Category
2010s Abstract Ink Mixed Media
Materials
Silk, Sumi Ink, Pigment, Archival Pigment
1958 Ink Collage
#1
, Abstract Mixed Media, Framed, Mid-20th Century
Located in Arp, TX
James Spencer Russell
"#1"
1958
Collage with ink
Signed lower right in pencil
24"x18" framed black gallery wood frame
James Spencer Russell (1915-2000) was born in Monticello, India...
Category
Mid-20th Century Abstract Ink Mixed Media
Materials
Paper, Ink
"Kimono 4" (Tan Kimono with Red Paper Strips)
Located in Soquel, CA
Paper applique kimono with red paper strips by Patricia A. Pearce (American, b. 1948). Numbered, titled, and signed along the bottom edge ("AP Kimono 4 Patricia A. Pearce"). No fra...
Category
1980s Abstract Impressionist Ink Mixed Media
Materials
Paper, Ink, Lithograph, Tissue Paper
Contemporary Multi Color Abstract Painting On Handmade Paper by Martha Holden
Located in Frederiksberg C, DK
With its extra-large dimension and joyful composition this painting by American artist Martha Holden is a rare piece. It is a contemporary abstract that ...
Category
Late 20th Century Abstract Ink Mixed Media
Materials
Ink, Gouache, Handmade Paper
1960s "Brightscape" Green, Pink, Yellow Collage Intaglio Etching NY Artist
Located in Arp, TX
Myril Adler
"Brightscape"
c.1960s
Intaglio etching collage, ink on paper
5.75"x2.5" site unframed
Signed and titled in ink
Myril Adler, was born on September 22, 1920 in Vitebsk, Ru...
Category
1960s Abstract Ink Mixed Media
Materials
Paper, Ink, Intaglio
Basement Systems
By Kory Twaddle
Located in Kansas City, MO
Artist : Kory Twaddle
Title : Basement Systems
Materials : Acrylic, tempera, gouache, and glitter glue on cardboard drawing pad back
Date : 2019
Dimensions : 18 x 12 x .2 in.
Kory ...
Category
2010s Abstract Expressionist Ink Mixed Media
Materials
Paint, Paper, Conté, Charcoal, India Ink, Acrylic, Tempera, Watercolor, ...
"Fragments" - Vibrant Mixed Media Contemporary Abstract in Warm Pastel Palette
Located in Carmel, CA
Steven H. Rehfeld (American, born 1954)
"Fragments", 2022
Oil paint, Newsprint, Ink, Mixed Media, Canvas, Stretcher Bars
The artist signed the back of the painting.
"Fragments" is a...
Category
2010s Abstract Ink Mixed Media
Materials
Canvas, Oil, Mixed Media, Ink, Newsprint, Stretcher Bars
1960s "Sunscape III" Green, Pink, Yellow Collage Intaglio Etching NY Artist
Located in Arp, TX
Myril Adler
"Sunscape III"
c.1960s
Intaglio etching collage, ink on paper
5.75"x2.5" site unframed
Signed and titled in ink
Myril Adler, was born on September 22, 1920 in Vitebsk, R...
Category
1960s Abstract Ink Mixed Media
Materials
Paper, Ink, Intaglio
Linda Turner, Art Meditation 7, Collage, Pattern and Decoration, Automatism
Located in Darien, CT
Linda Turner, raised both in NYC and Northern Virginia, resides in Brooklyn, NY. She achieved a BFA in Surface Design/Textile Design from the Fashion Inst...
Category
2010s Abstract Geometric Ink Mixed Media
Materials
Archival Ink, Watercolor, Gouache, Archival Paper, Pencil, Color Pencil
1960s "Greenscape" Green, Pink, Yellow Collage Intaglio Etching NY Artist
Located in Arp, TX
Myril Adler
"Greenscape"
c.1960s
Intaglio etching collage, ink on paper
6"x3" site unframed
Signed and titled in ink
Myril Adler, was born on September 22, 1920 in Vitebsk, Russia (...
Category
1960s Abstract Ink Mixed Media
Materials
Paper, Ink, Intaglio
Biogram of the Kansas City Zoo
By Kory Twaddle
Located in Kansas City, MO
Artist : Kory Twaddle
Title : Biogram of the Kansas City Zoo
Materials : Pastel, oil pastel, acrylic, watercolor, gouache, tempera, glitter glue, foam stickers, paper, marker, color...
Category
2010s Abstract Ink Mixed Media
Materials
Paint, Paper, Conté, Charcoal, India Ink, Acrylic, Tempera, Watercolor, ...
Kate #7 #6
By Ant Pearce
Located in Brecon, Powys
New technique from the artist emulsion + cotton sewn on cotton paper
Based on a single image of Kate Moss
Category
21st Century and Contemporary Abstract Ink Mixed Media
Materials
Cotton, Emulsion, Ink, Paper, Thread
9 black and white contemporary fine drawings luxe beveled mats by Steve McElroy
Located in Dallas, TX
A grouping of 9 original unframed drawings in very fine tone on tone matching 6 ply beveled mats. The drawings are 9 x 12 inches each and within the mats they are 16 x 20 inches eac...
Category
2010s Abstract Ink Mixed Media
Materials
Paper, India Ink
1960s Blue
Yellow II Collage Intaglio Etching NY Artist Myril Adler
Located in Arp, TX
Myril Adler
Untitled
c.1960s
Intaglio etching collage, ink on paper
3.75"x1.75" site unframed
Signed in ink lower right
Myril Adler, was born on September 22, 1920 in Vitebsk, Russi...
Category
1960s Abstract Ink Mixed Media
Materials
Paper, Ink, Intaglio
1960s "Flare" Blue, Pink, Yellow Collage Intaglio Etching NY Artist Myril Adler
Located in Arp, TX
Myril Adler
"Flare"
c.1960s
Intaglio etching collage, ink on paper
4.75"x2.75" site unframed
Signed and titled in ink
Myril Adler, was born on September 22, 1920 in Vitebsk, Russia ...
Category
1960s Abstract Ink Mixed Media
Materials
Paper, Ink, Intaglio
Message From Hannah No. 4
Located in Columbia, MO
For those not already acquainted: Stephen Gammell, in addition to being a very prolific studio artist, is also a great teller, appreciator, and illustrator of stories. For one so con...
Category
21st Century and Contemporary Abstract Ink Mixed Media
Materials
Archival Ink, Watercolor
Untitled (Līnea Study), 2022
Located in Washington, DC
Original work by Mary Early. Graphite, wax crayon, and sumi ink on Arches paper, 12.25 x 16".
"The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available."
Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries.
Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record.
In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space.
Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007).
Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...
Category
21st Century and Contemporary Abstract Geometric Ink Mixed Media
Materials
Wax Crayon, Sumi Ink, Archival Paper, Graphite
Abstract Modernist Colorful Mixed Media Painting Handmade Paper
By Sandy Kinnee
Located in Surfside, FL
Sandy Kinnee is known for paper making, printmaking and collage.
This has the artists stamp verso.
Sandy Kinnee lives and works in Colorado Springs, CO. Kinnee was born on March, 3...
Category
1980s Abstract Expressionist Ink Mixed Media
Materials
Paint, Ink, Handmade Paper
Simon Lewty, Visions of a non-resident
Located in Harkstead, GB
An extraordinary work from an extraordinary mind expressed through unique imagery, poetry and calligraphy.
Simon Lewty (1941-2021)
Visions of a non-resident
Signed and dated 1988 an...
Category
20th Century Abstract Ink Mixed Media
Materials
Crayon, Ink, Acrylic, Tissue Paper
Linda Turner, Art Meditation 18, Collage, Pattern and Decoration, Automatism
Located in Darien, CT
Linda Turner, raised both in NYC and Northern Virginia, resides in Brooklyn, NY. She achieved a BFA in Surface Design/Textile Design from the Fashion Inst...
Category
2010s Abstract Geometric Ink Mixed Media
Materials
Archival Ink, Watercolor, Gouache, Archival Paper, Pencil, Color Pencil
Linda Turner, Art Meditation 5, Collage, Pattern and Decoration, Automatism
Located in Darien, CT
Linda Turner, raised both in NYC and Northern Virginia, resides in Brooklyn, NY. She achieved a BFA in Surface Design/Textile Design from the Fashion Inst...
Category
2010s Abstract Geometric Ink Mixed Media
Materials
Archival Ink, Watercolor, Gouache, Archival Paper, Pencil, Color Pencil
Rick Lewis, Mirror to the Sun IV, Painting 2021
By Rick Lewis
Located in Stamford, CT
Mirror to the Sun IV
Oil, graphite, litho ink, spray paint, dry pigment on paper
40" x 26"
I am a visual artist whose work investigates small and large -scale abstraction primarily...
Category
2010s Abstract Ink Mixed Media
Materials
Paper, Ink, Oil, Graphite, Pigment, Spray Paint
Common Ground (No. 11) An intimate black, mica-infused contemporary painting
Located in Hollister, CA
Mica and charcoal abstract painting by Katherine Filice, mounted on wood panel and framed, completed in 2026. Created as part of her recent "Common Ground" series, this work introduc...
Category
2010s Abstract Ink Mixed Media
Materials
Charcoal, Found Objects, Sumi Ink, Wood Panel, Mica
Common Ground (No. 10) An intimate contemporary abstract painting
Located in Hollister, CA
Contemporary abstract painting by Katherine Filice, Common Ground (No. 10), executed in ink and canvas on wood panel and presented framed (2026). Part of the Common Ground series — a...
Category
2010s Abstract Ink Mixed Media
Materials
Canvas, Archival Ink, Wood Panel
Common Ground (No. 8) small contemporary textured painting with green and blues
Located in Hollister, CA
Ink and paper abstract painting by Katherine Filice, mounted on wood panel and framed, completed in 2026. Part of her newest series, "Common Ground", this work introduces paper as a ...
Category
2010s Abstract Ink Mixed Media
Materials
Found Objects, Archival Ink, Wood Panel, Archival Paper
Common Ground (No. 7) a small monochromatic contemporary textural painting
Located in Hollister, CA
Intimate abstract painting by Katherine Filice featuring ink, wax, stucco, and found elements on wood panel. From here "Common Ground" series, this smaller-scale work offers a focuse...
Category
2010s Abstract Ink Mixed Media
Materials
Charcoal, Found Objects, Ink, Wax, Wood Panel
Common Ground (No. 5) A textural contemporary painting on wood panel
Located in Hollister, CA
Abstract painting by Katherine Filice executed with ink, stucco, mica, charcoal, and found elements on a wood panel. Part of her "Common Ground" series, this painting emphasizes surf...
Category
2010s Abstract Ink Mixed Media
Materials
Charcoal, Found Objects, Archival Ink, Wood Panel, Mica
Common Ground (No. 4) A contemporary textural abstract painting on wood panel
Located in Hollister, CA
Encaustic abstract painting by Katherine Filice, incorporating charcoal, ink, wax, and found objects on a wood panel. Part of the artist’s newest series, "Common Ground", this painti...
Category
2010s Abstract Ink Mixed Media
Materials
Charcoal, Found Objects, Archival Ink, Wax, Wood Panel
Common Ground (No. 3) a textural contemporary painting featuring blues on panel
Located in Hollister, CA
Contemporary abstract painting combining ink, acrylic, stucco, and found objects on a wood panel. This piece from Katherine Filice’s newest series, "Common Ground" balances fluid ges...
Category
2010s Abstract Ink Mixed Media
Materials
Found Objects, Archival Ink, Acrylic, Wood Panel
Common Ground No 1 a textural painting featuring earth tones and blues
Located in Hollister, CA
Abstract painting by Katherine Filice, created with ink, stucco, mica, charcoal, and found objects on a wood panel. Part of the artist’s "Common Ground" series, this work explores ma...
Category
2010s Abstract Ink Mixed Media
Materials
Charcoal, Found Objects, Archival Ink, Wood Panel, Mica
Hearth
Located in Dallas, TX
ink, flashe, acrylic, coffee, thread on paper
Category
2010s Abstract Ink Mixed Media
Materials
Paper, Pastel, Ink, Thread, Coffee
Messages #37, Mixed media on handmade paper
Located in New York, NY
Paper size is 12 x 9 inches. Mixed media on handmade paper.
Category
2010s Abstract Ink Mixed Media
Materials
Ink, Mixed Media, Handmade Paper, Pigment
$648 Sale Price
20% Off
"#224 – ABANDONED, SEPARATED", ink, pencil, gouache, found book, poetry, virus
By Amy Williams
Located in Toronto, Ontario
"#224 – ABANDONED, SEPARATED" is from Amy Williams' series A Farewell to Arms – wherein the artist works directly onto page 224 of a found copy of Ernest ...
Category
21st Century and Contemporary Abstract Ink Mixed Media
Materials
Paper, Found Objects, Ink, Gouache, Pencil
Dawn Chorus
Located in Dallas, TX
ink, flashe, latex, mulberry paper on paper
Category
2010s Abstract Ink Mixed Media
Materials
Paper, Pastel, Ink
Untitled (Līnea Study), 2022
Located in Washington, DC
Original work on Arches paper by Mary Early.
"The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available."
Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries.
Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record.
In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space.
Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007).
Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...
Category
21st Century and Contemporary Abstract Geometric Ink Mixed Media
Materials
Wax Crayon, Sumi Ink, Archival Paper, Graphite
Message From Hannah No. 7
Located in Columbia, MO
For those not already acquainted: Stephen Gammell, in addition to being a very prolific studio artist, is also a great teller, appreciator, and illustrator of stories. For one so con...
Category
21st Century and Contemporary Abstract Ink Mixed Media
Materials
Archival Ink, Watercolor
Message From Hannah No. 13
Located in Columbia, MO
For those not already acquainted: Stephen Gammell, in addition to being a very prolific studio artist, is also a great teller, appreciator, and illustrator of stories. For one so con...
Category
21st Century and Contemporary Abstract Ink Mixed Media
Materials
Archival Ink, Watercolor
Pat Lay, KB0952-2-P, 2015, Mixed Media
By Pat Lay
Located in Darien, CT
Art history has always been a source of inspiration. Since 2010 she has been specifically interested in investigating Tibetan Tangkas. Visiting key collections nearby at the Newark Museum, the Metropolitan Museum and the Rubin Museum repeatedly studying their structure and content.
Pat Lay has used computer data and computer parts...
Category
2010s Abstract Geometric Ink Mixed Media
Materials
Ink, Mixed Media, Handmade Paper, Digital Pigment, Screen
Abstract Composition - Drawing by Maurizio Gracceva - 2010
Located in Roma, IT
Abstract Composition is an original artwork realized by Maurizio Gracceva (Roma, 1955) in 2010.
China ink.
Good condition.
Hand-signed.
Author of numerous philosophical and liter...
Category
2010s Abstract Ink Mixed Media
Materials
Ink
Abstract Composition - Drawing by Maurizio Gracceva - 2010
Located in Roma, IT
Composition is an original artwork realized by Maurizio Gracceva (Roma, 1955) in 2010.
Good condition.
Hand-signed.
China ink and watercolor.
Aut...
Category
2010s Abstract Ink Mixed Media
Materials
Ink, Watercolor
Abstract Composition - Drawing by Maurizio Gracceva - 2010
Located in Roma, IT
Composition is an original artwork realized by Maurizio Gracceva (Roma, 1955) in 2010.
Good condition.
Hand-signed.
China ink and watercolor.
Author of numerous philosophical and...
Category
2010s Abstract Ink Mixed Media
Materials
Ink
Untitled
By Sam Francis
Located in New York, NY
Sam Francis’s Untitled (1981) exemplifies his mastery in blending vibrant color with dynamic form. The composition features a central block of deep red, surrounded by splashes and sp...
Category
1980s Abstract Expressionist Ink Mixed Media
Materials
Ink, Oil, Gouache, Handmade Paper, Monotype
$54,600
"Cronus Waiting" David Hare, Black and White Surrealist Composition
By David Hare
Located in New York, NY
David Hare
Cronus Waiting, 1990
Ink and Wash on Paper on Board
34 x 25 1/4 inches
“Freedom is what we want,” David Hare boldly stated in 1965, but then he added the caveat, “and what we are most afraid of.” No one could accuse David Hare of possessing such fear. Blithely unconcerned with the critics’ judgments, Hare flitted through most of the major art developments of the mid-twentieth century in the United States. He changed mediums several times; just when his fame as a sculptor had reached its apogee about 1960, he switched over to painting. Yet he remained attached to surrealism long after it had fallen out of official favor. “I can’t change what I do in order to fit what would make me popular,” he said. “Not because of moral reasons, but just because I can’t do it; I’m not interested in it.”
Hare was born in New York City in 1917; his family was both wealthy and familiar with the world of modern art. Meredith (1870-1932), his father, was a prominent corporate attorney. His mother, Elizabeth Sage Goodwin (1878-1948) was an art collector, a financial backer of the 1913 Armory Show, and a friend of artists such as Constantin Brancusi, Walt Kuhn, and Marcel Duchamp.
In the 1920s, the entire family moved to Santa Fe, New Mexico and later to Colorado Springs, in the hope that the change in altitude and climate would help to heal Meredith’s tuberculosis. In Colorado Springs, Elizabeth founded the Fountain Valley School where David attended high school after his father died in 1932. In the western United States, Hare developed a fascination for kachina dolls and other aspects of Native American culture that would become a recurring source of inspiration in his career.
After high school, Hare briefly attended Bard College (1936-37) in Annandale-on-Hudson. At a loss as to what to do next, he parlayed his mother’s contacts into opening a commercial photography studio and began dabbling in color photography, still a rarity at the time [Kodachrome was introduced in 1935]. At age 22, Hare had his first solo exhibition at Walker Gallery in New York City; his 30 color photographs included one of President Franklin Roosevelt.
As a photographer, Hare experimented with an automatist technique called “heatage” (or “melted negatives”) in which he heated the negative in order to distort the image. Hare described them as “antagonisms of matter.” The final products were usually abstractions tending towards surrealism and similar to processes used by Man Ray, Raoul Ubac, and Wolfgang Paalen.
In 1940, Hare moved to Roxbury, CT, where he fraternized with neighboring artists such as Alexander Calder and Arshile Gorky, as well as Yves Tanguy who was married to Hare’s cousin Kay Sage, and the art dealer Julian Levy. The same year, Hare received a commission from the American Museum of Natural History to document the Pueblo Indians. He traveled to Santa Fe and, for several months, he took portrait photographs of members of the Hopi, Navajo, and Zuni tribes that were published in book form in 1941.
World War II turned Hare’s life upside down. He became a conduit in the exchange of artistic and intellectual ideas between U.S. artists and the surrealist émigrés fleeing Europe. In 1942, Hare befriended Andre Breton, the principal theorist of surrealism. When Breton wanted to publish a magazine to promote the movement in the United States, he could not serve as an editor because he was a foreign national. Instead, Breton selected Hare to edit the journal, entitled VVV [shorth for “Victory, Victory, Victory”], which ran for four issues (the second and third issues were printed as a single volume) from June 1942 to February 1944. Each edition of VVV focused on “poetry, plastic arts, anthropology, sociology, (and) psychology,” and was extensively illustrated by surrealist artists including Giorgio de Chirico, Roberto Matta, and Yves Tanguy; Max Ernst and Marcel Duchamp served as editorial advisors.
At the suggestion of Jacqueline Lamba...
Category
1990s Abstract Ink Mixed Media
Materials
Paper, Ink, Board
"#56 – BOTH WOUNDED A LITTLE", ink, pencil, gouache, collage, found text, poetry
By Amy Williams
Located in Toronto, Ontario
"#56 – BOTH WOUNDED A LITTLE" is from Amy Williams' series A Farewell to Arms – wherein the artist is working directly onto page 56 of a found copy of Ernest Hemingway's WWII romance...
Category
21st Century and Contemporary Abstract Ink Mixed Media
Materials
Paper, Found Objects, Ink, Gouache, Pencil
Message From Hannah No. 10
Located in Columbia, MO
For those not already acquainted: Stephen Gammell, in addition to being a very prolific studio artist, is also a great teller, appreciator, and illustrator of stories. For one so con...
Category
21st Century and Contemporary Abstract Ink Mixed Media
Materials
Archival Ink, Watercolor
Temperament Pink
By Taft McWhorter
Located in Santa Monica, CA
Acrylic, gesso, india ink, and resin on wood panel
Category
2010s Abstract Ink Mixed Media
Materials
Gesso, Resin, India Ink, Acrylic, Wood Panel
Gestural Abstraction, Miniature Abstract Expressionist Korean Modernist Painting
By Don Ahn
Located in Surfside, FL
*Card pictured after painting not included.
Dongkuk Ahn (1937-2013), better known as Don Ahn, was a South Korean artist and t'ai chi master who resided in New York City.
Don Ahn (A...
Category
Late 20th Century Abstract Expressionist Ink Mixed Media
Materials
Paper, Ink, Acrylic
Natural Flow Series n13. From the Natural Flow series
Located in Miami Beach, FL
Flow is the ability of liquids to continually move from one place to another. Also, It means accepting each situation as it is. The movement of the liquid comes from life, it is natu...
Category
2010s Abstract Ink Mixed Media
Materials
Archival Paper, Pigment, Ink, Acrylic
"#227 – I WAS AFRAID", ink, pencil, gouache, found book, poetry, coronavirus
By Amy Williams
Located in Toronto, Ontario
"#227 – I WAS AFRAID" is from Amy Williams' series A Farewell to Arms – wherein the artist works directly onto pages of a found copy of Ernest Hemingway's WWII romance novel. The art...
Category
21st Century and Contemporary Abstract Ink Mixed Media
Materials
Paper, Found Objects, Ink, Gouache, Pencil
"#152 – GOOD GIRL", ink, pencil, gouache, found vintage book, hemingway, poetry
By Amy Williams
Located in Toronto, Ontario
"#152 – GOOD GIRL" is from Amy Williams' series A Farewell to Arms – wherein the artist is working directly onto page 152 of a found copy of Ernest Heming...
Category
21st Century and Contemporary Abstract Ink Mixed Media
Materials
Paper, Found Objects, Ink, Gouache, Pencil
The Lapis V, 1954 Mixed Media by Irene Rice Pereira
Located in Long Island City, NY
The Lapis V
Irene Rice Pereira, American (1902-1971)
1954
Watercolor and Ink on Paper, signed, dated and titled
Size: 12 x 15 in. (30.48 x 38.1 cm)
Frame Size: 13.75 x 17 inches
Category
1950s Abstract Ink Mixed Media
Materials
Ink, Watercolor
White Series n1. Abstract Painting
Located in Miami Beach, FL
In this series the artist represent the force of white that invades with its free forms, strongly over the structure of black. White is the absolute color, the purest, the most perfe...
Category
2010s Abstract Ink Mixed Media
Materials
Canvas, Lacquer, India Ink, Watercolor, Pigment
Natural Flow Series n5. Abstract Painting
Located in Miami Beach, FL
Flow is the ability of liquids to continually move from one place to another. Also, It means accepting each situation as it is. The movement of the liquid comes from life, it is natu...
Category
2010s Abstract Ink Mixed Media
Materials
Canvas, Lacquer, India Ink, Watercolor, Pigment
White Series n2. Abstract Painting
Located in Miami Beach, FL
In this series the artist represent the force of white that invades with its free forms, strongly over the structure of black. White is the absolute color, the purest, the most perfect, the most luminous. It speaks of innocence and perfection. It springs from the darkness, the mystery and the seriousness of black. This strong contrast of white on black symbolizes light and shadows, like a fight of those two opposing forces that repel and at the same time attract each other, forming a very strong communion between the two. As if they both needed each other to give him place to the other.
In her work, Rosario Briones...
Category
2010s Abstract Ink Mixed Media
Materials
Canvas, Lacquer, India Ink, Watercolor, Pigment
Natural Flow Series n2. Abstract Painting
Located in Miami Beach, FL
Flow is the ability of liquids to continually move from one place to another. Also, It means accepting each situation as it is. The movement of the liquid comes from life, it is natu...
Category
2010s Abstract Ink Mixed Media
Materials
Canvas, Lacquer, India Ink, Watercolor, Pigment
"Blue No. 2" - Vibrant Mixed Media Textured Modern Abstract with Blue Palette
Located in Carmel, CA
Steven H. Rehfeld (American, born 1954)
"Blue No. 2" 2008-2009
Oil Paint, Ink, Paper, Glue, Tape, Mixed Media, Canvas, Stretcher Bars, Wire
The artist signed the back of the painting...
Category
Early 2000s Abstract Ink Mixed Media
Materials
Wire
Night
Located in Westport, CT
Primarily an experimenter, Goldberg’s work is a collection of variations on the theme of water in movement, through drawings, paintings and sculptures
She works primarily in resins ...
Category
2010s Abstract Ink Mixed Media
Materials
Resin, Plexiglass, Ink
The Green Dress 9
Located in Los Angeles, CA
Bettina Mauel expresses dynamism and sensuality in her paintings: “I paint what I experience,” she articulates. “This includes landscapes, flowers, and people in motion, capturing th...
Category
21st Century and Contemporary Abstract Ink Mixed Media
Materials
Linen, Ink, Mixed Media
Untitled (Līnea Study), 2022
Located in Washington, DC
Original work by Mary Early. Graphite, colored pencil, and sumi ink on Arches paper, 12.25 x 16".
"The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available."
Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries.
Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record.
In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space.
Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007).
Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...
Category
21st Century and Contemporary Abstract Geometric Ink Mixed Media
Materials
Wax Crayon, Sumi Ink, Archival Paper, Graphite
Abstract Beeswax Line Painting Untitled (Study for Līnea)
Located in Washington, DC
Poured beeswax work by Mary Early from her "Study for Līnea" series.
"The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available."
Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries.
Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record.
In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space.
Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007).
Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...
Category
21st Century and Contemporary Abstract Geometric Ink Mixed Media
Materials
Wax Crayon, Sumi Ink, Archival Paper, Graphite
Ink mixed media for sale on 1stDibs.
Find a wide variety of authentic Ink mixed media available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add mixed media created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, pink, red and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Irena Orlov, Francisco Nicolás, Kory Twaddle, and Olivia Munroe. Frequently made by artists working in the Contemporary, Abstract, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Ink mixed media, so small editions measuring 0.1 inches across are also available
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