Paint Mixed Media

30 x24" Acrylic on canvas signed

Aquaessence on Canvas 24" x 30" CANTICLES Series: “[These] are my Chants, my sacred songs of contemplation about my experience in painting the mystery within the Tidepools. These ...

Something so special it's hardly ever seen - creative silver and gold leafing. The face passed through seven stages before it was complete and crushed marble is used to adorn her fac...

Acrylic painting realized by Dario Cusani in 1994. Certificate of authenticity by the Artist on photograph. I BECOME A PROFESSIONAL ARTIST (1986) In the spring of 1986, with the clo...

Female Figure is an original artwork realized in the 1970s by the Italian Contemporary artist Leo Guida (1992 - 2017). Original drawings in china ink and Watercolor on paper. Goo...

Going Deeper has a novel orientation in relation to the rest of Teichert's Connectivity series and with this orientation she has achieved a distinct feeling of falling - or possibly ...

​"My passion for the vestiges of aged surfaces that inspires my painting has been influenced by my travels in Finland, France, Germany, Greece, Italy, Mexico, Russia, and Sweden." --...

When we fall in love with someone, do we see them for who they really are, or only what we dream of seeing in them? Who is the bigger deceiver—the one who pretended, or the one who l...

Breathers (Flora * Fauna * Fungi * Biota) Gouache on 1957 Encyclopedia page Feminist Art and Contemporary Feminist / Geometric Abstraction / Gestural Abstraction / Abstract Art / M...

An oil on canvas painting collage by Terry Elkins (b. 1951 / Vicksburg, Mississippi). Elkins cuts painted canvas into boat silhouettes arranged to sail in opposite directions, each ...

DOUBLE SIDED works and have been created to intentionally depict 2 images, one on each side of the paper. They are created using 100% cotton 300g watercolour paper, watercolour, penc...

Science * Laws of Nature (One of the Arts) Gouache and metallic ink on 1957 Encyclopedia page Feminist Art and Contemporary Feminist / Geometric Abstraction / Gestural Abstraction ...

68 x 44 inches

Jo Stealey is a full-time studio artist, Professor Emerita, former Chair of the Department of Art, and founding Director for the School of Visual Studies at the University of Missour...

Jo Stealey is a full-time studio artist, Professor Emerita, former Chair of the Department of Art, and founding Director for the School of Visual Studies at the University of Missour...

Jo Stealey is a full-time studio artist, Professor Emerita, former Chair of the Department of Art, and founding Director for the School of Visual Studies at the University of Missour...

Oya Bolgun is a visionary artist whose dynamic and ever-evolving abstract style captures the imagination and inspires the senses. Drawing on her deep passion for self-expression and ...

Henry Rayburn Table 2, Couple 1 (unique framed collage by beloved Texas artist), 1995 Acrylic and Mixed media collage on paper Signed in graphite pencil on the front Unique Frame inc...

Carnivore Gouache and metallic ink on 1957 Encyclopedia page Feminist Art and Contemporary Feminist / Geometric Abstraction / Gestural Abstraction / Abstract Art / Minimalism and C...

Oya Bolgun is a visionary artist whose dynamic and ever-evolving abstract style captures the imagination and inspires the senses. Drawing on her deep passion for self-expression and ...

M10-w Miniature sculpture inspired by the Deflated Moon Series, Designed and fully produced by the artist - Edgar Askelovic - Aspencrow. Reflecting on how humans treat Earth, the a...

Teichert's undulating line and dot notation are singular this time and rest upon a field of sensual rose. This painting is Renewal and offers a calming impression that we are arrivin...

Oya Bolgun is a visionary artist whose dynamic and ever-evolving abstract style captures the imagination and inspires the senses. Drawing on her deep passion for self-expression and ...

Amy Smith is a self-educated contemporary artist. Born in New Jersey, she moved to Los Angeles where she found inspiration, mentors, and support in the Street Art community. In her...

Thick whorls in metallic orange swirl within the confines of the picture plane in this Storm Surge painting by Shayne Dark. The baroque sculptural quality of the work is enhanced by ...

Mixed media with frame and "passe-partout" Total size with the frame: 60x50x2 cm

Born in 1944 in the canton of Fribourg, Gilbert Pauli currently lives in Geneva, where he devotes himself to painting and sculpture, a passion he developed from his childhood. His fa...

Born in 1944 in the canton of Fribourg, Gilbert Pauli currently lives in Geneva, where he devotes himself to painting and sculpture, a passion he developed from his childhood. His fa...

Gloria Dudfield Leaning in Chair 1960's Gouache and Charcoal on Paper 11.75"x17.75" unframed. Gloria (Fischer) Dudfield July 12, 1922 – May 27, 2015 Came from a portfolio of her wor...

Masri Hayssam(Lebanese, born 1965) "Armonia" 2018 Oil paint, Acrylic paint, Mixed Media, Canvas, Stretcher bars The artist signed the painting on the back of the canvas. "Armonia" i...

DOUBLE SIDED works and have been created to intentionally depict 2 images, one on each side of the paper. They are created using 100% cotton 300g watercolour paper, watercolour, penc...

"#51 – WE THINK" is from Amy Williams' series "A Farewell to Arms" – wherein the artist works directly onto page 51 of a found copy of Ernest Hemingway's ...

We are excited to bring this incredible painting to public attention. Berlin is renowned for his use of colour, pigments and texture but this piece is truly exceptional. Sumptuous in...

Oya Bolgun is a visionary artist whose dynamic and ever-evolving abstract style captures the imagination and inspires the senses. Drawing on her deep passion for self-expression and ...

Heavily textured with paste, crackle, bitumen, fabric and acrylics. In the words of the artist; “this piece reminds me that we are all more than what we can see on the surface”. Signed on reverse so that it can hang whichever way you choose. NB:- This piece may work well as a diptych with Scar Face...

Paul Manes was born May 4, 1948, in Austin, Texas. He began his professional career in New York City in the early 1980s. His art has been widely exhibited in America and Europe and h...

According to the artist, "everything in life inspires me, not quite with direct interpretation, but as I see and experience faces, words, gestures, colors and shapes – all of it – I ...

Oya Bolgun is a visionary artist whose dynamic and ever-evolving abstract style captures the imagination and inspires the senses. Drawing on her deep passion for self-expression and ...

Oya Bolgun is a visionary artist whose dynamic and ever-evolving abstract style captures the imagination and inspires the senses. Drawing on her deep passion for self-expression and ...

DOUBLE SIDED works and have been created to intentionally depict 2 images, one on each side of the paper. They are created using 100% cotton 300g watercolour paper, watercolour, penc...

Holly Addi, living and working in Salt Lake City, UT, USA is an abstract painter using acrylic and charcoal on canvas. Her gesture and surface quality is reminiscent of the Abstract ...

Late 20th century abstract expressionist mixed media on canvas by French artist Daniel Klein. Signed D. Klein bottom left. Daniel Klein, a French painter, born in 1946, began his ca...

When the world feels like it’s falling apart and pain fills every corner around you, dear, breathe. Don’t forget to breathe, because with each new breath, you grow stronger. The cast...

In front of the swirling maelstrom Fire Bird sits dispassionately awaiting transformation into his next character. Berlin brings hints of the phoenix legend to bear in this piece an...

Vibration * Frequency * Feelings Gouache and metallic ink on 1957 Encyclopedia page Feminist Art and Contemporary Feminist / Geometric Abstraction / Gestural Abstraction / Abstract...

Oya Bolgun is a visionary artist whose dynamic and ever-evolving abstract style captures the imagination and inspires the senses. Drawing on her deep passion for self-expression and ...

When the world feels like it’s falling apart and pain fills every corner around you, dear, breathe. Don’t forget to breathe, because with each new breath, you grow stronger. The cast...

Steven Sorman In Real Time, 2003 Acrylic, gouache, gel medium, oil and beeswax collage painting on paper 48 × 34 inches Signed and dated 2003; The frame also bears the original label...

Guardian Angel Sista was created by Berlin as part of his Neo-expressionism series. He uses sgraffito to evoke the feel of the New York subway and it frames the iconic Guardian Angel...

This circular wood panel artwork from Natasha Lelenco’s Currencies series presents a symbolic female portrait rendered in rich green hues over a saturated blue background. The portra...

When the world feels like it’s falling apart and pain fills every corner around you, dear, breathe. Don’t forget to breathe, because with each new breath, you grow stronger. The cast...

Heavily textured with paste, crackle, acrylics and ink in a heavy box frame. This painting is full of texture and colour and would look great as a diptych with Breaking Up. Signed ...

John Baker’s “Self Portrait Painting” is an acrylic on canvas with collage 32 x 27.5 inches in russets and greys with bursts and dispersions of prismatic highlights, chiefly blues, yellows and reds. The artist, with loaded palette and brush, is simultaneously his actual self and the image of himself...

When the world feels like it’s falling apart and pain fills every corner around you, dear, breathe. Don’t forget to breathe, because with each new breath, you grow stronger. The cast...

Elizabeth Riley’s work addresses questions concerning the complex and changing world we inhabit and our “mixed reality,” living between physical and digital/virtual contexts – are we our everyday, familiar, material past, or our digital future, and is this apparent “mixed reality” of the moment to be embraced or resisted. Is the digital present the bells and whistles of an unchanged and familiar humanity or does it define us, and the future. This project is embodied in tabletop cityscapes, structural wall works and installations including video, inkjet-printed video stills, and found home furnishings. Other continuing threads at play in my body of work are the struggle to overcome oppression as a woman – and a relationship with the urban environment and constructed space, as both personal and paradigmatic space. Exhibited in Excessive Frugalities, Digital Feet and Rocking Posture are three dimensional wall works made from multicolored video stills inkjet-printed on paper, and paint on the tough mylar-like material, duralar. These work combine illusionistic space with constructed elements in a multidimensional mashup of traditional and new mediums. . A long time New Yorker, Elizabeth Riley graduated from Barnard College and received an MFA from Hunter College. In April 2017, the site-specific participatory installation, City Remix, appeared in the exhibition Reconstruct at LIU, in Brooklyn, and in June 2017 the 20 x 20 ft installation, Paper Dragons, Broolyn, which functions as a walk-in, physical video, appeared in Bigger Bolder Better at 470 Vanderbilt Ave, Brooklyn, sponsored by Chashama. In 2016 a multipart tabletop cItyscape, Video City, appeared in the exhibition, Land, Air, Place at Project ARTspace in Manhattan. In 2014-2015 large-scale installations by the artist appeared in exhibitions of site-specific work in Brooklyn at Storefront Ten Eyck, curated by Karin Bravin, and in Atlanta and Duluth, Georgia presented by Dashboard. In 2011-2013 her work was exhibited in a number of 2- and 3-person shows or screenings, including at Kijdome, Boston, and dB Visual Artist Series / Dungeon Beach, Storefront Bushwick, Creon Gallery and Studio Salon curated by David Gibson, all in New York City. Groups shows include exhibitions at Denise Bibro Fine Arts, Lesley Heller Workspace, Van Der Plas Gallery, Janet Kurnatowski Gallery, Norte Maar, Associated Gallery, Brooklyn Fire Proof, Active Space, Sugar in Bushwick, NY Studio Gallery, Sideshow Gallery, PS 122, and Nurtureart. Elizabeth Riley's videos have appeared in screenings at home and abroad, including venues in England, Madrid, Copenhagen and Berlin. She was awarded a BRIC Media Arts Fellowship in 2014 and has been honored with twelve artist residencies, including the Heliker-Lahotan Residency, Great Cranberry Island...

"As an African-American artist in today’s world, I embody the vast differences found in our collective backgrounds. I view them as cultural assets. We are always self discovering and...

TIDEPOOLS Series: “[This series] is an ever-changing fluid eco-world that is filled with life. I can not help but reflect upon these tiny systems, a microcosm of the larger cycle of ...

Mixed media splatter painting. Oil and acrylic paint Signed and dated vers0 Gordon COUCH Born: 1944 It is Gordon Couch’s background as a boat restorer ...

The Redpath Mansion was built in 1886 for members of the Redpath family – wealthy industrialists who constructed the Lachine Canal and founded the sugar refinery that bears their name. This majestic house was erected in the fabled Golden Square Mile of Montreal. By the mid-20th century, it was one of the few remaining Queen Anne style homes in this city. The Sochaczevski family, purchased it in 1986 and within that year, obtained a license to demolish the building. Approximately 40% of the property was leveled. Organizations such as Heritage Montreal and Save Montreal obtained an injunction to suspend the execution of the license and the destruction of the mansion. It was temporarily saved. In 2014, the Mayor of Montreal, Denis Coderre, sided in favour of the Sochaczevski family, granting them the license to level the Redpath Mansion. In a statement to the media, when substantiating his reasoning, Denis Coderre said, “It was too dangerous, so I asked that we demolish the building.” The disappearance of the Redpath Mansion represented a great loss to Montreal’s architectural landscape. Organizations such as Heritage Montreal and Save Montreal, contended that it possessed immense cultural value; and during the course of almost three decades – 1986 to 2014 - struggled to save this rare Queen Anne style home from the wrecking ball. Albeit, the Sochaczevski family argued that it was old and unsafe, and that a restoration of the once stately home would be very costly. During the span marked by the first attempt at a demolition and the final decision by the mayor of Montreal (i.e. 1986 – 2014), The Redpath Mansion’s already dire condition worsened. It stood vacant and exposed to the elements. Nothing to upkeep the house was implemented, neither by the owners, or the city of Montreal; which ultimately compromised its structural viability. The events surrounding the Redpath Mansion, came to my attention in the summer of 2010. It was during a visit to Mount Sinai Hospital, in Montreal, where my father lay stricken by a terminal disease known as pulmonary fibrosis. I came upon a newspaper article in the Montreal Gazette. It described the Redpath Mansion case. I likened the decaying building with the final stages of my father’s life. The Redpath Mansion gained even greater significance for me when I went in person to the Golden Square Mile - in the city centre – and stood before it along Du Musée Street. I experienced it as a powerful metaphor for the transient nature of life. It also inspired thoughts related to generational ties, and how familial bonds act to influence and shape a person’s identity. The program of work I plan to undertake aims at building a scale model of the Redpath Mansion, as it appeared just before its demolition, in 2014. The physical height of this scale model is set at approximately 1 metre. I wish to place emphasis on the craft aspect, by creating a visual idiom based on details and decaying forms that allude to our connection to the past. For example, old pictures found among the rubble, scattered clothing and shoes, all of which are suggestive of a past ethos. I steer clear of political and social issues and aim to view this project with a more poetic lens, hoping to move the focus from societal problems to problems we face inside ourselves. The end result, or the finished piece would make a statement in a more introspective and emotional way, and show that the past weighs on the present, almost to the point of haunting. The viewer of the finished scale model will view it in the round, and in so doing perceive a definite narrative that addresses questions of identity, memory and loss. Ivan Markovic The Redpath Mansion, 2019 mixed media 37h x 20w x 24d in 93.98h x 50.80w x 60.96d cm IVM007 IVAN MARKOVIC was born in Montreal, Quebec in 1970. At an early age, he showed a natural propensity for drawing. At 15 years of age, he went to Paris, France to attend the Fine Arts school Creatione et Future. This experience allowed him to become a better draftsman and encouraged him to take his first steps in the art of oil painting. In 1994, he received a Bachelor of Fine Arts degree from Concordia University in Montreal. During his undergraduate degree he developed an interest for Art History and life drawing. After graduation, Ivan Markovic moved to Madrid, Spain to work at the Prado museum, where he made copies of Old Masters’ paintings, and developed an understanding for the materials and techniques of Spanish, Italian and Flemish art. He received a Master of Fine Arts degree from Bretton Hall College, University of Leeds, in the U.K. in 1997. His graduate work focused on large-scale paintings that alluded to baroque and neoclassical painting. In parallel, he pursued his other passion, teaching, by instructing a figure drawing course. Upon completing his MFA, he returned to Madrid to work as a practicing artist and art teacher for 13 years. During this time, he experimented with a diverse range of media. Of these, he was most captivated by sculpture. In 2010, he came back to his native Montreal, thus completing a formative cycle that has lasted 25 years. Currently, Ivan Markovic lives and works between Montreal, Chicago, and Madrid. He creates three-dimensional renditions of people facing situations of adversity, especially those that live on the fringe of society. His work has been featured in solo exhibitions in Canada, the United States and Europe, and is also on permanent display in privately owned collections of art. Ivan Markovic b. 1970, Montreal, Quebec Education 1997 Master of Fine Arts, Bretton Hall College, University of Leeds, England. 1994 Bachelor of Fine Arts, Concordia University, Montreal, Canada. 1986 Studies at the Fine Arts School, Création et Future, Paris, France. Selected Exhibitions 2020 Double Feature: Art Shay and Ivan Markovic, 2019, Gallery Victor Armendariz, Chicago, IL 2019 SOFA Chicago 2019, Navy Pier, Gallery Victor Armendariz, Chicago, IL 2018 SOFA Chicago 2018, Navy Pier, Gallery Victor Armendariz, Chicago, IL Art Market Hamptons, Gallery Victor Armendariz, Bridgehampton, NY Art On Paper, Gallery Victor Armendariz, New York, NY 2017 Art Toronto, Galerie D’Este, Toronto, Canada. SOFA Chicago, Navy Pier, Option Art, Chicago, IL Papier/10th Edition, Contemporary Art Fair of Works on Paper, Galerie D’Este, Mlt., Canada. 2016 SOFA Chicago, Navy Pier, Option Art, Chicago, U.S.A. 2016 Toronto International Art Fair, Galerie D’Este, Toronto, Canada. 2016 Beyond the Pale, Galerie D’Este, Montreal, Canada. 2014 On the Fringe, Galerie D’Este, Montreal, Canada. Love Art, Galerie D’Este, Toronto, Canada. Papier 14, Contemporary Art Fair of Works on Paper, Galerie D’Este, Montreal, Canada. 2013 Shades of Isolation, Galerie D’Este, Montreal, Canada. 2013 Toronto International Art Fair, Galerie D’Este, Toronto, Canada. Papier 13, Contemporary Art Fair of Works on Paper, Galerie D’Este, Montreal, Canada. 2012 Papier 12, Contemporary Art Fair of Works on Paper, Galerie D’Este, Montreal, Canada. 2011 Papier 11, Contemporary Art Fair of Works on Paper, Galerie D’Este, Montreal, Canada 2004 Galería Francisco Duayer, Madrid, Spain. 2004 Fundación Cultural Mapfre Vida (Premio Penagos de Dibujo), Madrid, Spain. 2003 Centro Intergrado Arganzuela (Ayuntamento de Madrid), Madrid, Spain. 2003 Galería Francisco Duayer, Madrid, Spain. 2001 Galería Francisco Duayer, Madrid, Spain. 2000 Sala Goya, Círculo de Bellas Artes, Madrid, Spain. 1998 Instituto Cervantes, John Hancock Center...

First Draft (#1707) 2019 Signed in black ink, c.r. Watercolor, acrylic, and India ink on paper 22 x 30 inches This work is offered by ClampArt in New York City.