Thread Mixed Media

This work is framed with a simple white float to allow the jewel-like, diaphanous strips of fabric to glow without distraction. Linda Kamille Schmidt received an MA in drawing and a...

Hannah Reeves (American, b. 1981) Hannah Reeves is a Missouri native and holds an MFA in fibers from the University of Missouri. Her work explores themes of memory and the passage of...

These new small-scale paintings were created using gouache on handmade paper. Alexandra Rutsch Brock then “drew” with a sewing machine using various colored threads. Using the thread as a painted line, playing with the marks and motifs the machine allows that creates contrast in both surface and color. They are sewn directly with no preliminary sketches, just instinctive gesture, sometimes in a similar color to enhance a texture, other times contrasting as a new element. The entangled threads that dangle down emphasize the materiality. Working so closely to the surface, she is aware of the senses of seeing, breathing, touching and feeling……………escaping into these new surfaces. Alexandra Rutsch Brock has exhibited in solo and group shows most recently at The Keck School at USC, CA, The Painting Center, NY, Village West Gallery, NJ and Misericordia University, PA. Her work has been featured in Studio Visit Magazine SV Vol44. Her recent co-curations include “HyperAccumulators” with Elizabeth Saperstein at Pelham Art Center, NY and “Among Friends” project with artists Patricia Fabricant and Beth Dary...

These new small-scale paintings were created using gouache on handmade paper. Alexandra Rutsch Brock then “drew” with a sewing machine using various colored threads. Using the thread as a painted line, playing with the marks and motifs the machine allows that creates contrast in both surface and color. They are sewn directly with no preliminary sketches, just instinctive gesture, sometimes in a similar color to enhance a texture, other times contrasting as a new element. The entangled threads that dangle down emphasize the materiality. Working so closely to the surface, she is aware of the senses of seeing, breathing, touching and feeling……………escaping into these new surfaces. Alexandra Rutsch Brock has exhibited in solo and group shows most recently at The Keck School at USC, CA, The Painting Center, NY, Village West Gallery, NJ and Misericordia University, PA. Her work has been featured in Studio Visit Magazine SV Vol44. Her recent co-curations include “HyperAccumulators” with Elizabeth Saperstein at Pelham Art Center, NY and “Among Friends” project with artists Patricia Fabricant and Beth Dary...

This vibrant textile collage is composed of layered sheer fabrics in a luminous palette of jewel tones and saturated brights. Carefully both hand-stitched and machine-stitched, the w...

These new small-scale paintings were created using gouache on handmade paper. Alexandra Rutsch Brock then “drew” with a sewing machine using various colored threads. Using the thread as a painted line, playing with the marks and motifs the machine allows that creates contrast in both surface and color. They are sewn directly with no preliminary sketches, just instinctive gesture, sometimes in a similar color to enhance a texture, other times contrasting as a new element. The entangled threads that dangle down emphasize the materiality. Working so closely to the surface, she is aware of the senses of seeing, breathing, touching and feeling……………escaping into these new surfaces. Alexandra Rutsch Brock has exhibited in solo and group shows most recently at The Keck School at USC, CA, The Painting Center, NY, Village West Gallery, NJ and Misericordia University, PA. Her work has been featured in Studio Visit Magazine SV Vol44. Her recent co-curations include “HyperAccumulators” with Elizabeth Saperstein at Pelham Art Center, NY and “Among Friends” project with artists Patricia Fabricant and Beth Dary...

In this sculptural piece, Linda King Ferguson has cut a piece of linen canvas into a half-diamond shape, with an ellipsis cut-out close to the scalloped right edge. A red cotton thread completes the second half of the diamond shape, then hangs from the bottom corner, evoking the image of a kite. King Ferguson's paintings are abstractions of the female body. She chooses to use linen...

"Window IV" captures the sun peering in behind sheer curtains. This painting is is part of an on-going series that explores the light and landscape in T...

Barcelona native artist Raul de la Torre's vibrant abstract mixed media artworks pay homage to textiles. De La Torre allows the materials to take over during the process and collabor...

Barcelona native artist Raul de la Torre's vibrant abstract mixed media artworks pay homage to textiles. De La Torre allows the materials to take over during the process and collabor...

The black strings in Carrara’s acrylic 3D sculptures form lines that may be thought of as flat or one-dimensional, similar to lines drawn on paper or painted on mylar which are most ...

Barcelona native artist Raul de la Torre's vibrant abstract mixed media artworks pay homage to textiles. De La Torre allows the materials to take over during the process and collabor...

Barcelona native artist Raul de la Torre's vibrant abstract mixed media artworks pay homage to textiles. De La Torre allows the materials to take over during the process and collabor...

ink, flashe, acrylic, coffee, thread on paper

"Framed and Draped: Material Collection", acrylic on abaca, dyes on rayon; woven, 63" x 38", 1989. This contemporary abstract mixed media tapestry was done by California-based Ameri...

Kristy Chettle (American, born 1968) "Untitled No. 27" 2022 Oil Paint, Mixed Media, Mesh, Canvas, Stretcher Bars The artist signed the back of the artwork. "Untitled No. 27" showcas...

Barcelona native artist Raul de la Torre's vibrant abstract mixed media artworks pay homage to textiles. De La Torre allows the materials to take over during the process and collaborates with the unexpected to create works that speak to the natures of dynamism and unity. Experimentation with different materials, textures and techniques in each of his paintings has been a point of discovery and a major part of Raul de la Torre’s work. In his Fils I Colors series he attempts to find the third dimension through the use of different materials. This colorful 30-inch high by 24-inch wide original artwork on canvas is wired and ready to hang. The sides of this artwork are painted white and it does not require framing. It is signed and dated by the artist in the lower right corner. Free local Los Angeles area delivery. Affordable Continental U.S. and worldwide shipping. A certificate of authenticity issued by the art gallery is included. The interaction between the artist, gravity, and the paint is important for the final result. A tilting technique permits the paint to be a major architect of the final result, giving it a life of its own. It results in infinite and timeless color combinations. In many cases, the different layers of color each represent a temporary state of mind, time, and even feelings, places and people. Some of them are embroidered forever in our memory turning to form part of our DNA. To represent the firmness and strength of that past the cotton is mixed with the paint in the works to form a unity. Embroidery provides another layer as it creates thick shadows with organic shapes. De la Torre makes horizontal cuts on the canvas and covers these open areas using color matching cotton thread. When combined with light, these shapes create a more dynamic surface and offer different views of the work to various observers. Raul de la Torre was born in Barcelona in 1964 and attended Massana Art School. About the Fils series, de la Torre remarks: “FILS I COLORS is an attempt to find life, movement and parts that are not static, that change in their interaction with the observer. The different combinations of colors represent different emotions and interpretations for each individual interacting with the works.” Raul de la Torre's artworks can be found in the collections of The Four Seasons Abu Dhabi, the Tropicana Hotel and Casino Las Vegas, the Rothschild Family Collection, and varying Hilton properties. His works have been exhibited and collected worldwide. Artspace Warehouse has been representing and exhibiting Raul de la Torre's original artworks since 2010. The gallery has been a 1stdibs partner since 2014 with consistently excellent reviews from clients worldwide. The gallery exhibits a large selection of affordable original artworks from established and emerging international artists with diverse backgrounds at high standards. Artspace Warehouse is known to provide accurate descriptions, images, reliable services, communication, and delivery. REPRESENTATION Artspace Warehouse, Los Angeles GROUP EXHIBITIONS 2023 "Credible Thread", Artspace Warehouse, Los Angeles, CA 2022 "Clarifying Color", Artspace Warehouse, Los Angeles, CA 2021 825 Gallery, West Hollywood, CA 2021 Pamela Walsh Gallery, Palo Alto, CA 2019 Affordable Art Fair New York 2019 Artspace Warehouse, Los Angeles 2019 Merritt Gallery, Baltimore, MD 2019 Art Project Paia, Maui, Hawaii 2018 Artspace Warehouse, Los Angeles 2016 Affordable Art Fair Hong Kong 2015 Art Project Paja, Maui, HI 2015 Affordable Art Fair Singapore 2015 FP Contemporary, Culver City, CA 2015 Off Ramp Gallery, Pasadena, CA 2015 Love Art Fair Toronto, Canada 2015 Affordable Art Fair New York, NY 2015 Palm Springs Fine Art Fair, CA 2015 LA Art Fair – Artspace Warehouse – Los Angeles, CA 2014 Red Dot Art Fair – Artspace Warehouse – Miami, FL 2014 Art Toronto – Artspace Warehouse - Canada 2014 Houston Fine Art Fair – Artspace Warehouse - TX 2014 Love Art Fair Toronto – Artspace Warehouse - Canada 2014 AAF New York – Artspace Warehouse - NY 2014 LA Art Fair – Los Angeles, CA 2013 825 Gallery – Out There 2013 - West Hollywood 2013 Bluprint Green Gallery – Modernism - Palm Springs, CA 2013 Gallery Y – Collaboration of Circles and Lines – Los Angeles, CA 2012 825 Gallery – Out There 2012 - West Hollywood, CA 2012 Artspace Warehouse – Los Angeles, CA 2012 Bruce Lurie Gallery – Los Angeles, CA 2012 Launch – Artpad San Francisco, CA 2012 825 Gallery – GEM 2012- West Hollywood 2012 Launch – Los Angeles Art Show 2012 2012 825 Gallery – Versus – West Hollywood 2011 Artspace Warehouse - Colors – Los Angeles 2011 Venice Art Walk and Auction – Venice Beach, CA 2011 Cobalt Studio – In Stitches – Chicago, IL 2011 Launch – Merry Karnowsky Gallery – Solid Stripes - Los Angeles, CA 2010 825 Gallery - Aurora - West Hollywood, CA 2010 Fresh Paint Gallery - Gathering - Culver City, CA 2010 Jon Frum Art Foundation – The Strongest of the Strange - Los Angeles, CA 2010 825 GALLERY - OUT THERE - West Hollywood 2010 VENICE ART WALK AND AUCTION - Venice Beach, CA 2010 825 GALLERY - GEM 2010 - West Hollywood 2010 GALERIA GERALDES DA SILVA - Colectiva de artistas espanhois - Porto, Portugal 2010 ARENA-1 GALLERY – Santa Monica, CA 2010 INTERNATIONAL ART FAIR PURO ARTE - Vigo, Spain 2009 ART VERSUS WALLS - Berlin, Germany 2009 ARENA-1 GALLERY - Santa Monica, CA 2009 GODO GALLERY - Highly Toxic - Glendale, CA 2009 SEYHOUN GALLERY - EUROPE NOW 2009 ROBERT DANIEL GALLERY - Tacoma, Washington 2009 Curator of the show "Europe meets America", Seyhoun Gallery 2009 SEYHOUN GALLERY - FREE IRAN – Los Angeles 2009 825 GALLERY - OUT THERE - West Hollywood 2009 SEYHOUN GALLERY - Los Angeles 2009 EL SEXTO...

"PRLS-1000" is part of Eric Mack's urban grid series. Using a grid to create the framework of the painting, Mack creates movement across the piece with dynamic techniques of washy underpainting underneath matted pieces of paper, and thread. His paintings have been described as "intellect on top of emotion." Eric Mack (b.1976, Charleston) creates mathematically based renderings with a distinct post-modern twist. Works are informed with super imposed grids, patterns, and portals. Layered surfaces are created with paint, found objects, natural fibers, and synthetic substrates that explore the systems of our visual world. His most recent show “Charting the Terrain” is on view now at the California African American Museum in Los Angeles was covered by the Los Angeles Times, KCRW, and LALA Magazine. His last solo exhibition was titled "Impossible Architectures" at The University of North Carolina...

Villa is a textile, installation and street artist. Her work primarily explores interconnection. Among her themes are the visionaries creating positive change throughout history, pop...

"Folded Form I", steel mesh, painted, electroplaited, gold and silver leaf, 12 1/4" x 12 1/4" x 12 1/4", 2004. This abstract geometric wall sculpture was done by fiber artist, Jin-S...

Linda Kamille Schmidt is inspired by the colors and textures of transparent and opaque fabrics that she collects and sews into layered, geometric collage...

Thread, nails and acrylic paint on wooden panel, edition of 7 Artwork can be shipped in a tube or framed in a crate

"I don’t see shapes as much as I see the energy of elements interacting to move, stop, support or explode. I mostly use clean bright color to keep my world hot and alive. My painting...

In this sculptural piece, Linda King Ferguson has cut a piece of linen canvas into a somewhat trapezoidal shape, with a scalloped top edge. A red cotton thread completes the remainder of the diamond shape. King Ferguson's paintings are abstractions of the female body. She chooses to use linen...

VIEW is part of an on-going series that explores the light and landscape in Tennessee. Hartman creates an image on paper then stretches a silkscreen on top of the image to create the...

This piece presents to us glossy longitudinal stripes of pastel hues, overlaid on a foggy blue-grey underpainting with meticulously rendered raindrops. The earthy fragrance of spring...

OYV-19 is part of Eric Mack's ongoing body of work utilizing multi-media, complex compositions, and a grid centered around urban design. Using a grid to create the framework of the painting, Mack has re-purposed an old Lenny Kravitz album cover as the structure of the piece. On the edges of the piece you can see a complex edge consisting of a faux leather album cover, nylon mesh, and torn paper. As imagery, Mack has chosen musical notes, tape measure, and other music composition elements through Zerox copy adhered by matte medium to the surface. Mack then creates his own color to further tweak and personalize the piece. Eric Mack (b.1976, Charleston) creates mathematically based renderings with a distinct post-modern twist. Works are informed with super imposed grids, patterns, and portals. Layered surfaces are created with paint, found objects, natural fibers, and synthetic substrates that explore the systems of our visual world. His most recent show “Charting the Terrain” is on view now at the California African American Museum in Los Angeles was covered by the Los Angeles Times, KCRW, and LALA Magazine. His last solo exhibition was titled "Impossible Architectures" at The University of North Carolina at Chapel Hill in 2017. Recent group shows include "Abstract Mind" at the Czong Institute of Contemporary Art, South Korea, "Small Works 2017 at Trestle Gallery, Brooklyn, "Checkered History", Outpost Artist Resources, Brooklyn, N.Y. 2015; Collections include High Museum Atlanta, Ing Investments, Hartsfield Jackson International Airport - Atlanta + Atlanta Gas & Light Co. Pepsi Cola, Tate Properties, Heath Gallery, Harold Dawson Properties, Turner Field/Atlanta Braves...

Nan Van Ryzin (American, born 1952) "Entwined" 2019 Oil Paint, mesh, wire, mixed media, canvas, stretcher bars The artist signed the back of the painting. About the Artist: Based in...

Hannah Reeves (American, b. 1981) Hannah Reeves is a Missouri native and holds an MFA in fibers from the University of Missouri. Her work explores themes of memory and the passage of...

Hannah Reeves (American, b. 1981) Hannah Reeves is a Missouri native and holds an MFA in fibers from the University of Missouri. Her work explores themes of memory and the passage of...

WHIRL II captures the soft patterned shadow of the leaves. This painting is is part of an on-going series that explores the light and landscape in Tennessee. Hartman creates an image...

From the Artist's new series of Kate Moss works where a new techniques is used. Kate #7#3 is a plywood cut (cut using a drill, different drill bits used to form the different size...

This vibrant fiber artwork features sheer, layered fabrics in a glowing spectrum of jewel tones, citrus brights, and soft pastels. The geometric composition is both hand- and machine...

These new small-scale paintings were created using gouache on handmade paper. Alexandra Rutsch Brock then “drew” with a sewing machine using various colored threads. Using the thread as a painted line, playing with the marks and motifs the machine allows that creates contrast in both surface and color. They are sewn directly with no preliminary sketches, just instinctive gesture, sometimes in a similar color to enhance a texture, other times contrasting as a new element. The entangled threads that dangle down emphasize the materiality. Working so closely to the surface, she is aware of the senses of seeing, breathing, touching and feeling……………escaping into these new surfaces. Alexandra Rutsch Brock has exhibited in solo and group shows most recently at The Keck School at USC, CA, The Painting Center, NY, Village West Gallery, NJ and Misericordia University, PA. Her work has been featured in Studio Visit Magazine SV Vol44. Her recent co-curations include “HyperAccumulators” with Elizabeth Saperstein at Pelham Art Center, NY and “Among Friends” project with artists Patricia Fabricant and Beth Dary...

These new small-scale paintings were created using gouache on handmade paper. Alexandra Rutsch Brock then “drew” with a sewing machine using various colored threads. Using the thread as a painted line, playing with the marks and motifs the machine allows that creates contrast in both surface and color. They are sewn directly with no preliminary sketches, just instinctive gesture, sometimes in a similar color to enhance a texture, other times contrasting as a new element. The entangled threads that dangle down emphasize the materiality. Working so closely to the surface, she is aware of the senses of seeing, breathing, touching and feeling……………escaping into these new surfaces. Alexandra Rutsch Brock has exhibited in solo and group shows most recently at The Keck School at USC, CA, The Painting Center, NY, Village West Gallery, NJ and Misericordia University, PA. Her work has been featured in Studio Visit Magazine SV Vol44. Her recent co-curations include “HyperAccumulators” with Elizabeth Saperstein at Pelham Art Center, NY and “Among Friends” project with artists Patricia Fabricant and Beth Dary...

These new small-scale paintings were created using gouache on handmade paper. Alexandra Rutsch Brock then “drew” with a sewing machine using various colored threads. Using the thread as a painted line, playing with the marks and motifs the machine allows that creates contrast in both surface and color. They are sewn directly with no preliminary sketches, just instinctive gesture, sometimes in a similar color to enhance a texture, other times contrasting as a new element. The entangled threads that dangle down emphasize the materiality. Working so closely to the surface, she is aware of the senses of seeing, breathing, touching and feeling……………escaping into these new surfaces. Alexandra Rutsch Brock has exhibited in solo and group shows most recently at The Keck School at USC, CA, The Painting Center, NY, Village West Gallery, NJ and Misericordia University, PA. Her work has been featured in Studio Visit Magazine SV Vol44. Her recent co-curations include “HyperAccumulators” with Elizabeth Saperstein at Pelham Art Center, NY and “Among Friends” project with artists Patricia Fabricant and Beth Dary...

The 3 paintings in this small body of work reflect some of the influences from my visit to Menorca. The needlepoint especially is inspired by the cobbled streets and fences that mean...

Andresen’s work focuses on the art of repair; more specifically how such actions have consequences both intended and unintended. Using a variety of materially driven processes the wo...

Nailed It Series No.60 27 x 51 x 2 in acrylic paint and thread an wood Born in 1986 in Agra, India Lives & works in New Delhi, India Sumit Mehndiratta is a multi-disciplinary artist from India whose works have been exhibited in the United Arab Emirates, Italy, India and Japan. Always open to new techniques and styles and weary of how repetition can stifle creativity, he creates abstract works that move from geometric and structured to soft and shaded. Education MSc. International Fashion Marketing, Manchester Metropolitan University, Manchester, UK, 2007-08 ​BSc Hons. Marketing, University of Bradford, UK, 2004-07 ​ Solo Exhbitions 'Fluid Resonance', Solo exhibit by Sumit Mehndiratta, Bestcollegeart Gallery, New Delhi, India, 2017 'Solo show by Sumit Mehndiratta', Gallery Alerid, Impulse arts Gallery, New Delhi, India. September 2011 ​ Group Exhibitions Movement in Art, Group exhibit of 8 artists at Pullman, Dubai Creek City Centre, February-April 2020, UAE. ​Goa Affordable Art Fair, 2nd Edition, Museum of Goa, Goa, India 2019-2020 "Awakening", LGBT Group show at Hotel Lalit Great Eastern, Kolkata, organised by InsideOut Delhi, 2019 ​"Awakening", LGBT Group show at Art Junction Gallery, Hotel Lalit, organised by InsideOut Delhi, Connaught Place, New Delhi, 2019 ​Group show by Art4You Gallery at The Art Expo, New York, 2019 "Nailed it Series", Group exhibit by PetitMorpho Gallery at Art Future Taipei, Taiwan, 2019 "Karmascope Series", Exhibit by ArtRooms London, Melia White House, London, UK, 2019 ​"Refracted Lives", LGBT Group show at Art Junction Gallery, Hotel Lalit, Connaught Place, New Delhi, 2018 ​Group show at MAD Gallery Milano from October 2018 to October 2019, Milan, Italy 'WeContemporary Palermo', MUSA International Art Space, Palazzo Castrone di Santa Ninfa, Palermo, Italy, 2018 ​"Nailed it Series", Wall sculpture exhibit by Petit Morpho Gallery at Art Fair Asia Fukuoka, Japan, September 2018 ​"Value Beyond", Group Exhibition by Gallery Veda, July 2018, Chennai, India. "Absolute Abstract", Group Exhibition by Art Smiley Art Gallery at Hilton, Dubai, UAE, May 2018 ​"Neoflora", Group exhibition with Art Smiley Art Gallery at World Art Dubai Art Fair, April 2018, Dubai, UAE ​"Edelweiss Pallate Art Show Part 2" Charity Fundraiser by Edelgive Foundation, February 2018, New Delhi, India. "Within Reach", 7th Edition Presented by Burgundy Events at Gallery Nvya, Saket, 2016, New Delhi, India. "Edelweiss Pallate Art Show" Charity Fundraiser by EdelGive Foundation, February, 2016, Mumbai, India. "God Particle", AIFACS (All India Fine Art & Crafts Society), New Delhi, August 2015, India. "Indian Art Foundation Group Exhibition", Open Palm Court Gallery, India Habitat Centre, February 2015 New Delhi, India. 'Strings Attached', United Art Fair 2nd Edition, Pragati Maidan, New Delhi, 2013, India 'Art to heart, season 4', Lalit Kala Academi, New Delhi, April 2013, India. 'Simply Strokes Part 2', Open palm court gallery, India Habitat Centre New Delhi, Jan 2013, India 'Simply Strokes part 1', Visual arts gallery, India Habitat Center, New Delhi, Nov, 2012, India 'Shutters and brushes', Manchester amateur photographic arts society, Manchester, UK, August 2008 ​ Projects ​ Series of Limited edition prints for the Raffles Resort, 5 star luxury resort based in Maldives, January 2020. Large scale abstract works for a Chinese Bank in Houston, Texas 2019. ​Black and white abstract drawings and painting Project with FSCA in collaboration with K. Associates for drawing and acrylic works in Mumbai, India. Triptych Wall art installation at WIPRO headquarters in Coimbatore, TN, commissioned through ArtFlute Gallery based in Coimbatore, India, 2019. Thread Artworks commissioned by Indiewalls for display at Dulles Airport Terminal, Washington DC, USA, 2019. ​Limited edition archival prints for a project in Hyatt Place/House, Indianapolis, USA, 2019. ​The Four Seasons, Dubai, Wall Sculpture installations at Burj Alshaya, Kuwait, 2018 The AC Hotels Project- Wall sculpture installations for AC Hotels by JW Marriott, Texas, USA, 2017 ​The Bahamas Resort Project - Commissioned black and white floral photographic prints...

Andresen’s work focuses on the art of repair; more specifically how such actions have consequences both intended and unintended. Using a variety of materially driven processes the wo...

Andresen’s work focuses on the art of repair; more specifically how such actions have consequences both intended and unintended. Using a variety of materially driven processes the wo...

Andresen’s work focuses on the art of repair; more specifically how such actions have consequences both intended and unintended. Using a variety of materially driven processes the wo...

Andresen’s work focuses on the art of repair; more specifically how such actions have consequences both intended and unintended. Using a variety of materially driven processes the wo...

"Blue #16" is an artwork created by Gianluca Patti in 2019. This piece is the part of the Floating Series, which Patti created in 2019. Made using natur...

"Sign (black)" is an artwork created by Gianluca Patti in 2019. This piece is the part of the Floating Series, which Patti created in 2019. Made using n...

Rachel Wickremer is a Canterbury based painter known for her colourful work exploring the relationship between the maker and the prefabricated, she is...

Ann Parkin’s current work is an exploration of new possibilities in technique and materials, as well as the expression of a new imagery for art jewelry. Historically, art and particularly craft, have been vehicles for the symbols, images and visual metaphors of society’s current view of its world and the “nature” of which it finds itself a part. Discoveries and techniques at the leading edge of science have given us astounding views of new levels of nature and reality and have provided opportunities for the development of a new set of imagery and symbols for our time. Parkin’s work has been inspired by the vast visual potential of such scientific areas as electron microscopy, nuclear imaging, “Chaos” physics, and particularly subatomic particle physics. The graphic imagery of Parkin’s current work is not, in the traditional sense, abstract but rather is a representational view of nature that we are among the first generations to see. The images of the Particle Shower series are based upon the visual records of subatomic particle physics, which show the tracks left by subatomic particles as they pass through the bubble and cloud chambers once used by nuclear physicists. Parkin reflects that, “It has been said that Science is the Religion of the modern age. If that is even in part true, then it points the way to an exciting new approach to ornamentation and imagery that goes beyond the commonly observable surface reality to re-establish the fundamental role of art/craft - the articulation and expression of underlying patterns of the natural order as an integral aspect of our created personal environment.” Born in Toronto, Canada in 1956, Ann Parkin received a Bachelor of Fine Arts degree from New York University in 1978 and a Gemological Diploma from the Gemological Association of Great Britain in 1987. She studied metalwork, jewelry and enameling at the 92nd Street Y in New York City with renowned jewelry artists Robert Ebendorf, Rebekah Laskin, Charles Lewton-Brain and John Cogswell. Parkin’s work has appeared in group exhibitions, and as a featured artist, at Aaron Faber Gallery, NYC; Oms Gallery, NJ; Objects of Desire, Louisville, KY; Society of Arts and Crafts, Boston, MA; Newport Harbor Art Museum, Newport Beach, CA; New Jersey Designer Craftsmen Gallery, New Brunswick, NJ; Greater Denton Arts Council, Denton, TX; Artist-Craftsmen of New York, NYC; Crafts National 26, Penn State University, PA; The Farrell Collection, Washington, DC; Contemporary Crafts Gallery, Portland, OR; Views Gallery, Manayunk, PA; Sculpture to Wear, Los Angeles, CA; Craft Students League, NYC; Joan Michlin...

Ann Parkin’s current work is an exploration of new possibilities in technique and materials, as well as the expression of a new imagery for art jewelry. Historically, art and particularly craft, have been vehicles for the symbols, images and visual metaphors of society’s current view of its world and the “nature” of which it finds itself a part. Discoveries and techniques at the leading edge of science have given us astounding views of new levels of nature and reality and have provided opportunities for the development of a new set of imagery and symbols for our time. Parkin’s work has been inspired by the vast visual potential of such scientific areas as electron microscopy, nuclear imaging, “Chaos” physics, and particularly subatomic particle physics. The graphic imagery of Parkin’s current work is not, in the traditional sense, abstract but rather is a representational view of nature that we are among the first generations to see. The images of the Particle Shower series are based upon the visual records of subatomic particle physics, which show the tracks left by subatomic particles as they pass through the bubble and cloud chambers once used by nuclear physicists. Parkin reflects that, “It has been said that Science is the Religion of the modern age. If that is even in part true, then it points the way to an exciting new approach to ornamentation and imagery that goes beyond the commonly observable surface reality to re-establish the fundamental role of art/craft - the articulation and expression of underlying patterns of the natural order as an integral aspect of our created personal environment.” Born in Toronto, Canada in 1956, Ann Parkin received a Bachelor of Fine Arts degree from New York University in 1978 and a Gemological Diploma from the Gemological Association of Great Britain in 1987. She studied metalwork, jewelry and enameling at the 92nd Street Y in New York City with renowned jewelry artists Robert Ebendorf, Rebekah Laskin, Charles Lewton-Brain and John Cogswell. Parkin’s work has appeared in group exhibitions, and as a featured artist, at Aaron Faber Gallery, NYC; Oms Gallery, NJ; Objects of Desire, Louisville, KY; Society of Arts and Crafts, Boston, MA; Newport Harbor Art Museum, Newport Beach, CA; New Jersey Designer Craftsmen Gallery, New Brunswick, NJ; Greater Denton Arts Council, Denton, TX; Artist-Craftsmen of New York, NYC; Crafts National 26, Penn State University, PA; The Farrell Collection, Washington, DC; Contemporary Crafts Gallery, Portland, OR; Views Gallery, Manayunk, PA; Sculpture to Wear, Los Angeles, CA; Craft Students League, NYC; Joan Michlin...

Anthea Kerou Untitled, 2023 Acrylic paint, oil pastel, resin & thread on canvas 40 x 30 in Anthea Kerou is an American artist of Greek and English descent, known for her diverse and...

Ann Parkin’s current work is an exploration of new possibilities in technique and materials, as well as the expression of a new imagery for art jewelry. Historically, art and particularly craft, have been vehicles for the symbols, images and visual metaphors of society’s current view of its world and the “nature” of which it finds itself a part. Discoveries and techniques at the leading edge of science have given us astounding views of new levels of nature and reality and have provided opportunities for the development of a new set of imagery and symbols for our time. Parkin’s work has been inspired by the vast visual potential of such scientific areas as electron microscopy, nuclear imaging, “Chaos” physics, and particularly subatomic particle physics. The graphic imagery of Parkin’s current work is not, in the traditional sense, abstract but rather is a representational view of nature that we are among the first generations to see. The images of the Particle Shower series are based upon the visual records of subatomic particle physics, which show the tracks left by subatomic particles as they pass through the bubble and cloud chambers once used by nuclear physicists. Parkin reflects that, “It has been said that Science is the Religion of the modern age. If that is even in part true, then it points the way to an exciting new approach to ornamentation and imagery that goes beyond the commonly observable surface reality to re-establish the fundamental role of art/craft - the articulation and expression of underlying patterns of the natural order as an integral aspect of our created personal environment.” Born in Toronto, Canada in 1956, Ann Parkin received a Bachelor of Fine Arts degree from New York University in 1978 and a Gemological Diploma from the Gemological Association of Great Britain in 1987. She studied metalwork, jewelry and enameling at the 92nd Street Y in New York City with renowned jewelry artists Robert Ebendorf, Rebekah Laskin, Charles Lewton-Brain and John Cogswell. Parkin’s work has appeared in group exhibitions, and as a featured artist, at Aaron Faber Gallery, NYC; Oms Gallery, NJ; Objects of Desire, Louisville, KY; Society of Arts and Crafts, Boston, MA; Newport Harbor Art Museum, Newport Beach, CA; New Jersey Designer Craftsmen Gallery, New Brunswick, NJ; Greater Denton Arts Council, Denton, TX; Artist-Craftsmen of New York, NYC; Crafts National 26, Penn State University, PA; The Farrell Collection, Washington, DC; Contemporary Crafts Gallery, Portland, OR; Views Gallery, Manayunk, PA; Sculpture to Wear, Los Angeles, CA; Craft Students League, NYC; Joan Michlin...

This painting is part of a series that explores the light and landscape in Tennessee. Hartman creates an image on paper then stretches a silkscreen on top of the image to create the ...

Andresen’s work focuses on the art of repair; more specifically how such actions have consequences both intended and unintended. Using a variety of materially driven processes the wo...

Mixed media (70″ x 30″) ABOUT THE ARTIST - Miami based artist Anthony Liggins is best known for his dreamlike, abstract artwork and his process in multi-layered painting. The creati...

Andresen’s work focuses on the art of repair; more specifically how such actions have consequences both intended and unintended. Using a variety of materially driven processes the wo...

Andresen’s work focuses on the art of repair; more specifically how such actions have consequences both intended and unintended. Using a variety of materially driven processes the wo...

Andresen’s work focuses on the art of repair; more specifically how such actions have consequences both intended and unintended. Using a variety of materially driven processes the wo...

Andresen’s work focuses on the art of repair; more specifically how such actions have consequences both intended and unintended. Using a variety of materially driven processes the wo...

Contemporary collage by Roxane Hollosi. In her art Hollosi documents the emotional, social and environmental energies she encounter in the moment of creation. The artist founds her ...

Anthea Kerou Acrylic paint, oil pastel, resin & thread on canvas 40 x 30 in Untitled, 2023 Anthea Kerou is an American artist of Greek and English descent, known for her diverse and...

Anthea Kerou Enso #2 Acrylic paint, oil pastel, resin & thread on canvas 20 x 16 in Anthea Kerou is an American artist of Greek and English descent, known for her diverse and experi...