Wood Mixed Media

Contemporary abstract expressionist mixed media piece featuring found object collage layered with blue, black and white paint by Bay Area artist M...

Cotton fabric hand dyed with natural dyes including barberry and avocado.

Amy Smith is a self-educated contemporary artist. Born in New Jersey, she moved to Los Angeles where she found inspiration, mentors, and support in the Street Art community. In her Collage Portrait Series, Amy Smith uses photography, and layers of hand cut stencils, and torn recycled fashion magazine pieces to simultaneously represent her love of fashion and her contempt for excessive consumerism. In addition, she showcases female portraits to empower and unify, creating a space to feel connected to oneself and to each other. Smith’s mixed media collages have been shown at Wallspace, Saatchi’s The Other Art Fair, La Art Fair to name a few and been part of auctions such as revered Julien’s Auctions...

Encaustic and Digital Print on Plywood American artist, Richard Purdy, born in Chicago, IL, 1956. Received his B.F.A. Indiana University of Pennsylvania Indiana, PA Exhibitions 2...

Contemporary abstract mixed media on paper by Belgian artist Francis Besson, signed bottom right. Francis was born in Dundee (Scotland) in 1943 however...

Part of Natasha Lelenco’s Currencies series, Currency #261 presents a striking profile portrait of a young woman in greenish tones against a luminous yellow background. Her face, par...

Artist: Roger König b. Dessau, Germany (1968) Master student of Kurt Schönburg, HWK Halle, Germany. Art Awards Winner 2019 - Art Fair Leipzig Acrylic, Clay, Paper, Wood on Canvas ...

"Enchanted Forrest" is an original mixed media artwork by Volker Kuhn. The work is hand-signed by the artist below the artwork on the mat. 28 x 25 cm framed in a silver-gold wood-fra...

Air Max is a unique fused and painted stained glass panel handmade by TF Dutchman. This piece is a painting of a pair of the iconic Nike Air Max 87's in ...

"Roped into Duality" Abstract Relief Sculpture. Carved sculpture and painting by Mickey "Kano" Kane (American, 20th century). This eye-catc...

A native New Yorker, Diane had an earlier career including 17 years as a management consultant to local nonprofits concerned with poverty or disenfranchisement; work in NYC governmen...

“Currency #200” is a circular portrait in acrylic on wood depicting a Latin female figure painted in cobalt and ultramarine tones against a luminous orange background. The inscriptio...

This circular wood panel artwork from Natasha Lelenco’s Currencies series presents a symbolic female portrait rendered in rich green hues over a saturated blue background. The portra...

Helder Batista is a self-taught artist who works both sculpture and painting. He was born in 1964 in Paris where he attended the evening classes of the Beaux-arts. He lives and works...

"Outlier" is a modern, minimalist, wood wall sculpture made from birch, washed and metallic acrylic and finished with furniture wax. The paint has been sanded back on the edges of th...

Keith Young Pow! Collage on Canvas; Rubber, Glue, Wood, Cotton Canvas Year: 2022 Size: 12.25x11.5x3in Signed by hand COA provided Ready to hang Ref.: 924802-1134 -------------------...

The extraordinary polygon sculpture "Horse" on a pedestal of oxidised oak for our garden. The mane is made of stainless steel. We manufacture this object in our own locksmith's sho...

The Redpath Mansion was built in 1886 for members of the Redpath family – wealthy industrialists who constructed the Lachine Canal and founded the sugar refinery that bears their name. This majestic house was erected in the fabled Golden Square Mile of Montreal. By the mid-20th century, it was one of the few remaining Queen Anne style homes in this city. The Sochaczevski family, purchased it in 1986 and within that year, obtained a license to demolish the building. Approximately 40% of the property was leveled. Organizations such as Heritage Montreal and Save Montreal obtained an injunction to suspend the execution of the license and the destruction of the mansion. It was temporarily saved. In 2014, the Mayor of Montreal, Denis Coderre, sided in favour of the Sochaczevski family, granting them the license to level the Redpath Mansion. In a statement to the media, when substantiating his reasoning, Denis Coderre said, “It was too dangerous, so I asked that we demolish the building.” The disappearance of the Redpath Mansion represented a great loss to Montreal’s architectural landscape. Organizations such as Heritage Montreal and Save Montreal, contended that it possessed immense cultural value; and during the course of almost three decades – 1986 to 2014 - struggled to save this rare Queen Anne style home from the wrecking ball. Albeit, the Sochaczevski family argued that it was old and unsafe, and that a restoration of the once stately home would be very costly. During the span marked by the first attempt at a demolition and the final decision by the mayor of Montreal (i.e. 1986 – 2014), The Redpath Mansion’s already dire condition worsened. It stood vacant and exposed to the elements. Nothing to upkeep the house was implemented, neither by the owners, or the city of Montreal; which ultimately compromised its structural viability. The events surrounding the Redpath Mansion, came to my attention in the summer of 2010. It was during a visit to Mount Sinai Hospital, in Montreal, where my father lay stricken by a terminal disease known as pulmonary fibrosis. I came upon a newspaper article in the Montreal Gazette. It described the Redpath Mansion case. I likened the decaying building with the final stages of my father’s life. The Redpath Mansion gained even greater significance for me when I went in person to the Golden Square Mile - in the city centre – and stood before it along Du Musée Street. I experienced it as a powerful metaphor for the transient nature of life. It also inspired thoughts related to generational ties, and how familial bonds act to influence and shape a person’s identity. The program of work I plan to undertake aims at building a scale model of the Redpath Mansion, as it appeared just before its demolition, in 2014. The physical height of this scale model is set at approximately 1 metre. I wish to place emphasis on the craft aspect, by creating a visual idiom based on details and decaying forms that allude to our connection to the past. For example, old pictures found among the rubble, scattered clothing and shoes, all of which are suggestive of a past ethos. I steer clear of political and social issues and aim to view this project with a more poetic lens, hoping to move the focus from societal problems to problems we face inside ourselves. The end result, or the finished piece would make a statement in a more introspective and emotional way, and show that the past weighs on the present, almost to the point of haunting. The viewer of the finished scale model will view it in the round, and in so doing perceive a definite narrative that addresses questions of identity, memory and loss. Ivan Markovic The Redpath Mansion, 2019 mixed media 37h x 20w x 24d in 93.98h x 50.80w x 60.96d cm IVM007 IVAN MARKOVIC was born in Montreal, Quebec in 1970. At an early age, he showed a natural propensity for drawing. At 15 years of age, he went to Paris, France to attend the Fine Arts school Creatione et Future. This experience allowed him to become a better draftsman and encouraged him to take his first steps in the art of oil painting. In 1994, he received a Bachelor of Fine Arts degree from Concordia University in Montreal. During his undergraduate degree he developed an interest for Art History and life drawing. After graduation, Ivan Markovic moved to Madrid, Spain to work at the Prado museum, where he made copies of Old Masters’ paintings, and developed an understanding for the materials and techniques of Spanish, Italian and Flemish art. He received a Master of Fine Arts degree from Bretton Hall College, University of Leeds, in the U.K. in 1997. His graduate work focused on large-scale paintings that alluded to baroque and neoclassical painting. In parallel, he pursued his other passion, teaching, by instructing a figure drawing course. Upon completing his MFA, he returned to Madrid to work as a practicing artist and art teacher for 13 years. During this time, he experimented with a diverse range of media. Of these, he was most captivated by sculpture. In 2010, he came back to his native Montreal, thus completing a formative cycle that has lasted 25 years. Currently, Ivan Markovic lives and works between Montreal, Chicago, and Madrid. He creates three-dimensional renditions of people facing situations of adversity, especially those that live on the fringe of society. His work has been featured in solo exhibitions in Canada, the United States and Europe, and is also on permanent display in privately owned collections of art. Ivan Markovic b. 1970, Montreal, Quebec Education 1997 Master of Fine Arts, Bretton Hall College, University of Leeds, England. 1994 Bachelor of Fine Arts, Concordia University, Montreal, Canada. 1986 Studies at the Fine Arts School, Création et Future, Paris, France. Selected Exhibitions 2020 Double Feature: Art Shay and Ivan Markovic, 2019, Gallery Victor Armendariz, Chicago, IL 2019 SOFA Chicago 2019, Navy Pier, Gallery Victor Armendariz, Chicago, IL 2018 SOFA Chicago 2018, Navy Pier, Gallery Victor Armendariz, Chicago, IL Art Market Hamptons, Gallery Victor Armendariz, Bridgehampton, NY Art On Paper, Gallery Victor Armendariz, New York, NY 2017 Art Toronto, Galerie D’Este, Toronto, Canada. SOFA Chicago, Navy Pier, Option Art, Chicago, IL Papier/10th Edition, Contemporary Art Fair of Works on Paper, Galerie D’Este, Mlt., Canada. 2016 SOFA Chicago, Navy Pier, Option Art, Chicago, U.S.A. 2016 Toronto International Art Fair, Galerie D’Este, Toronto, Canada. 2016 Beyond the Pale, Galerie D’Este, Montreal, Canada. 2014 On the Fringe, Galerie D’Este, Montreal, Canada. Love Art, Galerie D’Este, Toronto, Canada. Papier 14, Contemporary Art Fair of Works on Paper, Galerie D’Este, Montreal, Canada. 2013 Shades of Isolation, Galerie D’Este, Montreal, Canada. 2013 Toronto International Art Fair, Galerie D’Este, Toronto, Canada. Papier 13, Contemporary Art Fair of Works on Paper, Galerie D’Este, Montreal, Canada. 2012 Papier 12, Contemporary Art Fair of Works on Paper, Galerie D’Este, Montreal, Canada. 2011 Papier 11, Contemporary Art Fair of Works on Paper, Galerie D’Este, Montreal, Canada 2004 Galería Francisco Duayer, Madrid, Spain. 2004 Fundación Cultural Mapfre Vida (Premio Penagos de Dibujo), Madrid, Spain. 2003 Centro Intergrado Arganzuela (Ayuntamento de Madrid), Madrid, Spain. 2003 Galería Francisco Duayer, Madrid, Spain. 2001 Galería Francisco Duayer, Madrid, Spain. 2000 Sala Goya, Círculo de Bellas Artes, Madrid, Spain. 1998 Instituto Cervantes, John Hancock Center...

The artistic collaboration of Kelly Bugden + Van Wifvat has produced a thought-provoking body of sculptures, paintings, and constructions. Nature, childhood memories, and everyday archetypes take shape in unexpected combinations of materials. The works emerged as the tactile and visual senses channeled the ritualistic power and materiality of selected artifacts. The resulting objects exist in a space between what they were originally and what they could become. A wheel, for example, is distorted as if seen through a prism. Their collaboration grew out of years of shaping materials into one-of-a-kind objects. Intuitively, the process of creating with their hands took an inward turn. Prism is a travelogue through memories and dreams, yielding abstract forms that capture moments of transformation. Van Wifvat grew up with eight siblings and studied sculpture and environmental design in Minneapolis at MCAD. In 1979, he opened a storefront art gallery to promote the work of local artists. The space featured printed materials—art books, periodicals, fanzines, and postcard’s. Wifvat moved to New York in 1983 to study at the Fashion Institute of Technology and Parsons. In 1987, he co-founded Van Gregory & Norton design studio, specializing in convex mirrors and curtain hardware...

encaustic on panel b. 1954, Reno Nevada Michael David is best known for his use of encaustic on large abstract paintings. A practitioner of Abstract Expressionism, David layers bees...

A very large triptych each panel 48” x 36” This artwork arose from improvised music, expressing the nuances of harmony, rhythm and melody in visual form. Mixed media on marine ply.

Pink, indigo, purple, red, blue, yellow, green, brown, white and black painting on layered hand cut birch plywood panels that are stacked crea...

Artist: Robert Kuszek Title: 6000 Feet Beyond Year: 1990 Medium: Mixed Media on masonite: Oil, Acrylic and Enamel Size: 40 x 32 in. (101.6 x 81.28 cm)

Original wooden and hand painted canvas deckchair. This incredible deckchair would make a wonderful statement piece for a feature wall. and it would also be a great investment piece...

Keith Young Oops! Collage on Canvas; Rubber, Glue, Wood, Cotton Canvas Year: 2022 Size: 22x12.5x3in Signed by hand COA provided Ready to hang Ref.: 924802-1137 ---------------------...

Tom Pfannerstill recreates found objects on carved basswood and paints over them.

"Laguna II" is a minimalist and modernist solid wood wall sculpture that brings bold statement to wherever it is placed. The piece is part of my popular "Small Pops" Series which are...

Eye Above III, 2021, embroidery and crystals on hand dyed canvas, eye, yellow, blue, red, and orange. Hand signed by artist Certificate of Authenticity in...

Mixed media on Marine Ply Signed

This extraordinary garden torch "Cube" on oxidised oak pedestal is a real eye-catcher for your house or garden. The included burner already contains individual lava stones, so this ...

This powerful circular portrait painting by Natasha Lelenco explores the themes of identity, estrangement, and displacement through a vivid figurative language. In this work from the...

"SYMBIOSIS IN EXOTICA" Abstract Painting 96" x 96" inch by Cameron Michel Michel has been an apprentice to established artists Matthew Barney (NY), Sterling Ruby (LA), and The Haas ...

"Birth of Christ", after a Russian icon of the 15th century. Tempera and gold leaves on gesso, wooden board. Dimensions: (H) 68 x (W) 52 x (D) 4 cm. This icon sums up the events of the birth of Christ. At the top left the three wise men from the Orient approach on horses. ABOUT THE ARTIST Oliver...

Rebecca Warren 1990 2007 Lithographic print on MDF, with pom-pom, cotton thread, wood shaving, twig, and wood chip 16 x 9 x 3 inches; 41 x 23 x 8 cm Edi...

This is acrylic, paint can stir stick, consumer packaging, fabric, wood, graphite, charcoal, sandpaper and sand.

In this portrait painting from Natasha Lelenco’s Currencies series, themes of queer identity, miscommunication, and emotional opacity are ex...

"Currency #237" by Natasha Lelenco features a striking profile of a woman with meticulously braided hair, set against a vibrant blue background. The figure’s skin, rendered in shades...

This circular portrait painting by Natasha Lelenco belongs to the Currencies series and centers on themes of gender identity, migration, and queer resilience. Rendered in striking cr...

Celadon 6 from Chloe Hedden’s Fold Series envelops the viewer in the quiet drama of form, color, and materiality. Created from hand-dyed linen on linen, the piece merges tonal subtle...

Based in Chicago, IL, contemporary artist Michael Thompson creates unique kites, collages and mixed media works assembled from material fragments of past and present collected in his...

Circular female portrait with Russian inscription, exploring expectation, displacement, and symbolic value through the format of a sculptural painted coin. Currency #238 is an acryl...

These yellow monotypes look like block prints or screen prints but are actually lensless photographs. They began as blue cyanotypes and were turned yellow through a process called "t...

BRYAN INGHAM (BRITISH 1936-1997) COLLE VAL D'ELSA, 1991-92 oil and pencil on wood relief signed, titled and dated 'Bryan Ingham Colle Val d'Elsa 1991-1992 (relief)' (on the reverse)...

Circular conceptual portrait in acrylic on wood exploring identity, empathy, and shared experience through symbolic inscription and sculptural presence. Currency #323 by Natasha Lel...

This artwork by Natasha Lelenco, part of her Currency Exchange series, features a striking orange coin portrait of a Cuban woman, symbolizing themes of foreignness, identity, and mig...

On a circular wooden panel, Currency #218 features a profile portrait inspired by Maori culture. Painted in warm ochre and yellow tones, the piece is encircled by the Maori phrase “K...

This piece belongs to the "Exchange Currency Series" created by Natasha Lelenco in 2024, starting from the concept of the "face" on coins. In this case, the painting is a profile por...

Contemporary mixed media portrait artwork on circular wood panel, inspired by the design of coins and their symbolic relationship with human worth. This collectible wall piece featur...

Carol Shinn is a studio artist who lives in Fort Collins, Colorado. She is known internationally for photo-based machine-stitched images. She has taught many classes and workshops ac...

Extraordinary garden torch with one burner insert on an untreated oak spot. Customization possible and designed in 2010. Also available to order in stainless steel. The included bur...

Circular portrait in red and blue with Spanish text, addressing identity, origin, and perceived value through the visual logic of currency. Currency #236 is a painting in acrylic on...

In "Currency #234", Natasha Lelenco presents a striking portrait set against a vibrant pink background, rendered in vivid green tones that give the profile a surreal and almost alien...

Mary Baumeister Studio Leftover Fetich, 1953, 1967 Unique Mixed Media 3-D Assemblage Ink Signed, dated, titled, annotated "Edition Original" and numbered 52/75. Shadow box frame Incl...

"Blue Zebra" is a minimalist and modernist wood wall sculpture reminiscent of both mid century modern forms and bold graphic design. Blue Zebra is part of my "Small Pops" Series whic...

Soaring Sky High, part of the “Wooden Postcards” series, lifts the viewer above Union Square’s rooftops, capturing New York’s iconic water towers against a vast blue sky. Shot with a...

"Homage to Mondrian - The Pool" is an original mixed media artwork by Volker Kuhn. The work is hand-signed and numbered by the artist below the artwork on the mat. It is a witty refe...

Texas Mesquite wood with steel base It’s all about the materials. That simple thought keeps me grounded in the moment. It’s how I stay focused on my art and approach to creating f...

This original and unique of a kind artwork by Natasha Lelenco, part of the Exchange Currencies series, presents a hyperrealistic profile portrait painted with acrylics in ochre and y...

Item Description Blue Fairy in Jar Mixed media video sculpture 14 x 10 x 10 inches, 2014, Limited edition of 25 Comes in a black box that can be hung on the wall or displayed on a ta...

Walnut wood It’s all about the materials. That simple thought keeps me grounded in the moment. It’s how I stay focused on my art and approach to creating furniture that solves des...