Patrick Rubinstein

Love dans tous ses etats

2024

Richard Anuszkiewicz Op Art Bowl for Hirshhorn Museum, 1976 Glazed Enamel on Metal Bowl. Artists Signature Fired in Plate Anuszkiewicz' signature fired onto the underside of bowl Lim...

* Youth has no age * Action is the foundational key to all success * It takes a long time to become young * The chief enemy of creativity is good sense * Learn the rules like a pro,...

Label from Obelisk Gallery verso. Henry C. Pearson (October 8, 1914 – December 3, 2006) was an American abstract and modernist painter. Pearson was born in Kinston, North Carolina, graduated from the University of North Carolina in 1938, and studied theatrical design at Yale University. He served in the U.S. Army Air Corps in the Second World War, designing maps for the Okinawa campaign, and then re-enlisted to serve in the US occupation of Japan, where he was influenced by Japanese art and theatre forms. Henry Pearson is perhaps best known for a mildly optical manner of painting, featuring a mutable labyrinth of undulating parallel lines, which somewhat inadvertently linked him to the Op Art movement of the 1960s. Although included in the Museum of Modern Art's landmark exhibition The Responsive Eye in 1965, his work displays an intuitive rhythm and poetic elegance that falls well outside of the calculated, often hard-edged quality normally associated with the Op group of artists. Pearson came late to the visual arts. His first career, in theatre design, was cut short by the Second World War. He entered the U.S. Army in 1942, and at war's end requested duty in occupied Japan, where a prolonged contact with Japanese culture nurtured a passion for painting. Upon his discharge from the army, in 1953, he enrolled in the Art Students League in New York City, where he studied with, among others, Reginald Marsh and Will Barnet. Inspired by Malevich, he turned to rectilinear abstraction, and employed it as the dominant means of expression in his painting between 1954 and 1961. As early as 1959, however, sensing an incipient decadence in his geometric canvases...

RICHARD ANUSZKIEWICZ Grey Tinted Rainbow, 1992 Assemblage with 14 Color Silkscreen and Lithograph Pencil signed and numbered 11/40 on the front Frame included: elegantly framed in a ...

Richard Anuszkiewicz Metallic Water, 1964 Painting with Liquitex on canvas. (1964 Art Institute of Chicago Exhibition and J.L. Hudson Gallery) Signed boldly and dated 1964 on the ver...

The Physichromie is a structure designed to reveal certain circumstances and conditions related to color, changing according to the movement of the viewer and the intensity of the li...

Yaacov Agam Tactile Bleu, 1964 Oil on board with springs and 40 painted metal discs 55.9 x 78.7 x 2.5 cm 22 x 31 x 1 in

EMBEDDED MESSAGES / TERMS Sing us the song, you’re the piano man / Sing us a song tonight / Well, we’re all in the mood for a melody / And you’ve got us feelin’ alright - BILLY JOEL...

3-d lenticulary photography

American artist L. L. Long created this striking composition in 1980. The artwork features a kinetic optical Op Art geometric cityscape design using reverse spray paint on a Lucite o...