Scott Sandell

“Mecox Vault Club” Red, Black, and Yellow Abstract Mixed Media

1978

' Avon Walk . no 8 ; Avoncliff' ,mixed media original painting by Gradwell. circa 2009. signed and dated work by the artist.. Painting : 35cm x 48cm. Silver giltwood glazed frame: ...

Frank Stella Vortex Engravings #5 - 8: Gift Box of Four Limited Edition Porcelain Plates with COA hand signed by Frank Stella and David Mirvish, 2000 Suite of four (4) Fine Bone Chin...

Stanley WIlliam (Bill) Hayter Meduse, 1958 High Viscosity Etching & Engraving Pencil signed, titled and numbered from the edition of 50 (10/50) on th...

A collage by Conrad Marca-Relli from 1968. An iconic piece of 1960's minimalist multi-media art. Artist: Conrad Marca-Relli, American (1913 - 2000) Title: Ibiza Year: 1968 Medium:...

Lively abstract expressionist oil painting/collage of what resembles a corridor as the focal point, with imported cigar cut outs and pops of vibrant color by...

Colors Through My Hopeful Eyes (9C) 12.0 x 12.0 x 0.1, 8.0 lbs Paper Hand signed by artist Artist's Commentary: "The Works on Paper Series was born out of the COVID pandemic. Due...

Colors Through My Hopeful Eyes (8C) 12.0 x 12.0 x 0.1, 8.0 lbs Paper Hand signed by artist Artist's Commentary: "The Works on Paper Series was born out of the COVID pandemic. Due...

Colors Through My Hopeful Eyes (10C) 12.0 x 12.0 x 0.1, 8.0 lbs Paper Hand signed by artist Artist's Commentary: "The Works on Paper Series was born out of the COVID pandemic. Du...

Colors Through My Hopeful Eyes (2C) 12.0 x 12.0 x 0.1, 8.0 lbs Paper Hand signed by artist Artist's Commentary: "The Works on Paper Series was born out of the COVID pandemic. Due...

Sam Gilliam Buoy Landscape IV, 1982 Color relief print, etching, screenprint, drypoint, aquatint and roulette all from deeply etched copper plates, on handmade wove paper 31 1/2 × 24 inches Hand signed and numbered 3/25 in graphite pencil Hand-signed by artist, Signed by artist, numbered, and dated in pencil and blind-stamped by printer-publisher on lower right, titled in pencil on lower left, recto Unframed with elegant deckled edges Rare vintage intaglio and relief, all from deeply etched copper plates. Other works from this series are in the permanent collections of major museums institutions like the Smithsonian, so they are quite scarce on the open market. Steven M. Andersen (Printer) Philip Barber (Printer) Hang Nguyen (Printer) Stephanie Nowack (Printer) Michael Reid (Printer) Daniel Rounds (Printer) Vermillion Editions Limited (Publisher) Sam Gilliam Biography: Sam Gilliam was one of the great innovators in postwar American painting. He emerged from the Washington, D.C. scene in the mid 1960s with works that elaborated upon and disrupted the ethos of Color School painting. A series of formal breakthroughs would soon result in his canonical Drape paintings, which expanded upon the tenets of Abstract Expressionism in entirely new ways. Suspending stretcherless lengths of painted canvas from the walls or ceilings of exhibition spaces, Gilliam transformed his medium and the contexts in which it was viewed. As an artist in the nation’s capital at the height of the Civil Rights Movement, this was not merely an aesthetic proposition; it was a way of defining art’s role in a society undergoing dramatic change. Gilliam pursued a pioneering course in which experimentation was the only constant. Inspired by the improvisatory ethos of jazz, his lyrical abstractions took on an increasing variety of forms, moods, and materials. In addition to a traveling retrospective organized by the Corcoran Gallery of Art, Washington, D.C. in 2005, Sam Gilliam was the subject of solo exhibitions at the Museum of Modern Art, New York (1971); The Studio Museum in Harlem, New York (1982); Whitney Museum of American Art, Philip Morris Branch, New York (1993); J.B. Speed Memorial Museum, Louisville, Kentucky (1996); Phillips Collection, Washington, D.C. (2011); and Kunstmuseum Basel, Switzerland (2018), among many other institutions. A semi-permanent installation of Gilliam’s paintings opened at Dia:Beacon in August 2019. His work is included in over fifty public collections, including those of the Musée d’Art Moderne de la Ville de Paris; Tate Modern, London; the Museum of Modern Art, New York; the Metropolitan Museum of Art, New York; and the Art Institute of Chicago. Sam Gilliam, Green April, 1969, acrylic on canvas, 98 x 271 x 3 7/8 inches (248.9 x 688.3 x 9.8 cm), Collection of Kunstmuseum Basel, Basel, Switzerland, Courtesy of David Kordansky Gallery, Los Angeles, photography by Lee Thompson...