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Style: American Impressionist
An Old Military Road, The Road over Dovrefjell, Norway
Located in Stockholm, SE
Carl Oscar Borg (1879–1947) An Old Military Road, The Road over Dovrefjell, Norway gouache on paper, ca. 1900 signed sheet 12.5 cm x 17.5 (4.9 x 6.9 in) framed 23 × 28 cm (9 × 11...
Category

1890s American Impressionist Mixed Media

Materials

Paper, Gouache

Multi-Exhibition Labels FRENCH IMPRESSIONIST Washerwoman Banks of Loing River
Located in New York, NY
Here I’m selling a very interesting work by an Important female American impressionist painter Lee Lufkin Kaula (1865-1957). Painting has Four Different EXHIBITION Labels: 1. Boston Art Club Exhibition 2. Pennsylvania Academy Fine Arts 1907 Exhibition 3. Poland Spring Gallery Exhibition 1908 4. The Arts Student League Of New York I Purchased this painting a few weeks ago as an unsigned impressionist...
Category

Early 1900s American Impressionist Mixed Media

Materials

Gouache

Gathered by the Easter Fire, Dalsland
Located in Stockholm, SE
A rare and atmospheric work from Carl Oscar Borg’s early years in Sweden, this evocative gouache captures the tradition of Easter fires (påskeldar) in the rural region of Dalsland. A...
Category

Late 19th Century American Impressionist Mixed Media

Materials

Paper, Gouache

"Icy Pond" Winter Landscape
Located in Soquel, CA
Serene winter landscape by Grace Eichholz (American, b. 1927). Signed "G. EICHHOLZ" in the lower left corner. Artist info and title on verso. Presented in a double mat of cream and w...
Category

Late 20th Century American Impressionist Mixed Media

Materials

Paper, Watercolor, Pen

Lunch at the Club, Mixed Media, Drawing , Archival Frame, Texas Artist, Lindbergh
Located in Houston, TX
"People, the human figure, fascinate me. Regardless of age or social status, I take particular interest in grasping the one moment that belongs solely to an individual." - Rosemary Mahoney...
Category

1990s American Impressionist Mixed Media

Materials

Charcoal, Mixed Media, Carbon Pencil

"Galleons"
Located in Lambertville, NJ
Jim’s of Lambertville is proud to offer this artwork by: M. Elizabeth Price (1877 – 1965) Harer signed period frame. Mary Elizabeth Price was born in West Virginia and raised on a farm in Solebury, Pennsylvania, on the outskirts of New Hope. She studied at the Pennsylvania School of Industrial Arts and the Pennsylvania Academy of the Fine Arts under Hugh Breckenridge. Additionally, she studied in New Hope with William Lathrop. Following her art studies, Price went to New York. While there, she conducted the “Baby...
Category

1920s American Impressionist Mixed Media

Materials

Gold Leaf

Midcentury Nude Portrait by Kevin McAlpin
Located in New York, NY
Kevin McAlpin (American, 20th Century) Untitled, c. mid-20th century Mixed media on canvas 24 x 19 7/8 in. Framed: 30 x 26 x 1 1/4 in. Signed lower right: Kevin McAlpin
Category

20th Century American Impressionist Mixed Media

Materials

Canvas, Pastel, Mixed Media, Oil

Adorable Deer Pastel Signed by Herman Palmer
Located in New York, NY
Herman Palmer (American, 1894-1946) Untitled, 20th century Pastel on board Sight size: 11 1/2 x 14 3/4 in. Framed: 18 1/4 x 21 in. Signed lower right: Herman Palmer Herman Palmer ...
Category

Early 20th Century American Impressionist Mixed Media

Materials

Mixed Media, Pastel

Original Herman Palmer - Two Animals Resting
Located in New York, NY
Herman Palmer (American, 1894-1946) Two Animals, 20th century Mixed media on board Sight size: 11 1/2 x 14 3/4 in. Framed: 18 1/4 x 21 in. Signed lower right: Herman Palmer Herman...
Category

Early 20th Century American Impressionist Mixed Media

Materials

Mixed Media

"Floating Shadows" - Cyanotype / Watercolor Forest Landscape
Located in Soquel, CA
Soft watercolor accents add to the beauty of this cyanotype and watercolor landscape of forest trees, titled "Floating Shadows", by Cheryl Trotter (American, 20th century), c. 1980's...
Category

1980s American Impressionist Mixed Media

Materials

Watercolor, Laid Paper, Photographic Paper

Red Carnations, Mid Century Textured Floral Bouquet Still Life
Located in Soquel, CA
Heavily textured still life of a bouquet of carnations by an unknown artist, Singed "Gavincy" possibly. This background of this piece has layers of texture created by paper squares a...
Category

Mid-20th Century American Impressionist Mixed Media

Materials

Paper, Glaze, Mixed Media, Oil

Hachiya Persimmons Fan, Modern Still Life with Red-Orange and Blue
Located in Soquel, CA
Hachiya Persimmons & Fan, Modern Still Life with Red-Orange and Blue Lovely modern still-life of a fan and persimmons by Santa Cruz, California artist Anita Heckman (American, b.20th Century). This 1987 mixed media work on paper depicts three vivid Hachiya persimmons on a windowsill beside an elegant paper fan with a tassel. A decorative window drape...
Category

1980s American Impressionist Mixed Media

Materials

Gouache, Color Pencil, Paper, Oil Pastel

Artist s Palette - unique SIGNED mixed media painting in Shadow Box + provenance
Located in New York, NY
JANE HAMMOND with ARDEN MASON (Jane Hammond is a renowned contemporary artist and Arden Mason is a celebrated 'plein air" painter) Artist's Palette (from the Estate of Ashton Hawkin...
Category

Early 2000s American Impressionist Mixed Media

Materials

Fabric, Plastic, Wood, Paper, Chalk, Sailcloth, Mixed Media, Oil

The Promise, American Artist, Impression, Figurative Painting, Women in the Arts
Located in Houston, TX
The Promise, oil on canvas and plexiglass by artist Honora Jacob, is rich in color, symbols and imagery, Honora's work references a personal vocabulary o...
Category

2010s American Impressionist Mixed Media

Materials

Oil

Craven A Tobacco Tin, painted antique tobacco tins, New Orleans Street Scenes
Located in Houston, TX
I love patina- “a green or brown film on the surface of bronze or similar metals, produced by oxidation over a long period...a gloss or sheen on a surface resulting from age or polishing.” I’ve always enjoyed antique stores and junk yards because of the patina on the objects there and the quality of craftsmanship and solid materials. These tiny tins represent my love of a time when things were made to last, when the lettering and imagery for advertising on objects spared no expense or level of quality to impress. The tins themselves are highly collectible and beautiful all on their own and are the perfect vessels for my timeless representations of the dark beauty and energy of both New Orleans and ‘70’s Times Square. Frankly my lifelong approach in art has been mostly about discovering new ways to produce a “gloss or sheen or film” that interests me, I find beautiful in its way and which I’d want to replicate and study for a few years. When you open these tiny tins and first see the energy and color contained within, the realization of just how small and significant each brushstroke is, you can almost hear and feel the noise of loud intoxicated people celebrating, car horns...
Category

2010s American Impressionist Mixed Media

Materials

Metal

Persian Forest, dark patterns, birch trees female figure Arabic writing text
Located in Brooklyn, NY
These collages were created first in the presence of a live model, working quickly, in charcoal and pastel, and again, later, alone in the studio, furiously tearing and pasting image...
Category

2010s American Impressionist Mixed Media

Materials

Mixed Media

Original Bruno SamMartino vs. Baron Mikel Scicluna 2
Located in Saint Petersburg, FL
LeRoy Neiman Original Mixed media on paper; including tempera, acrylic, pastel, watercolor, and conte' crayon Dated 1966 8 1/2″ x 16 1/4″ viewab...
Category

1960s American Impressionist Mixed Media

Materials

Conté, Pastel, Mixed Media, Tempera, Watercolor

American Western TEXAS FAMILY REUNION watercolor mixed media
Located in New York, NY
Born Plattsmouth, NB, Feb. 28, 1910; died Philadelphia, May 1982. Illustrator. Painter, specialized in scenes from his childhood in Kansas and Nebraska, portraits, American history. ...
Category

1970s American Impressionist Mixed Media

Materials

Mixed Media, Watercolor

Original Bruno SamMartino vs. Baron Mikel Scicluna 1
Located in Saint Petersburg, FL
LeRoy Neiman Original Mixed media on paper; including tempera, acrylic, pastel, watercolor, and conti crayon Dated 1966 9 1/2″ x 9 1/4″ viewabl...
Category

1960s American Impressionist Mixed Media

Materials

Conté, Pastel, Acrylic, Watercolor

Miracle on Ice Study
Located in Saint Petersburg, FL
LeRoy Neiman "Miracle on Ice Study" Original Mixed Media on Artist Board 11 1/2″ x 14 1/2″
Category

1980s American Impressionist Mixed Media

Materials

Permanent Marker

Brad Park
Located in Saint Petersburg, FL
Original Mixed Media on Paper Dimensions 14.25″ x 11.25″ unframed. Approximately 28.25″ x 25.25″ Framed Dated 1971.
Category

1970s American Impressionist Mixed Media

Materials

Mixed Media

Sunbather
Located in Saint Petersburg, FL
Original mixed-media on paper Dimensions 6″ x 7″ unframed 20.5″ x 21.5″ framed. This is a study for a work entitled “Les Baigneuses” dated 1971 and is included in LeRoy Neiman’s cat...
Category

1970s American Impressionist Mixed Media

Materials

Mixed Media

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Montparnasse Paris Mid Century French Picture Frame original
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"Train Station, " Max Kuehne, Industrial City Scene, American Impressionism
Located in New York, NY
Max Kuehne (1880 - 1968) Train Station, circa 1910 Watercolor on paper 8 1/4 x 10 1/4 inches Signed lower right Provenance: Private Collection, Illinois Max Kuehne was born in Halle, Germany on November 7, 1880. During his adolescence the family immigrated to America and settled in Flushing, New York. As a young man, Max was active in rowing events, bicycle racing, swimming and sailing. After experimenting with various occupations, Kuehne decided to study art, which led him to William Merritt Chase's famous school in New York; he was trained by Chase himself, then by Kenneth Hayes Miller. Chase was at the peak of his career, and his portraits were especially in demand. Kuehne would have profited from Chase's invaluable lessons in technique, as well as his inspirational personality. Miller, only four years older than Kuehne, was another of the many artists to benefit from Chase's teachings. Even though Miller still would have been under the spell of Chase upon Kuehne's arrival, he was already experimenting with an aestheticism that went beyond Chase's realism and virtuosity of the brush. Later Miller developed a style dependent upon volumetric figures that recall Italian Renaissance prototypes. Kuehne moved from Miller to Robert Henri in 1909. Rockwell Kent, who also studied under Chase, Miller, and Henri, expressed what he felt were their respective contributions: "As Chase had taught us to use our eyes, and Henri to enlist our hearts, Miller called on us to use our heads." (Rockwell Kent, It's Me O Lord: The Autobiography of Rockwell Kent. New York: Dodd, Mead and Co., 1955, p. 83). Henri prompted Kuehne to search out the unvarnished realities of urban living; a notable portion of Henri's stylistic formula was incorporated into his work. Having received such a thorough foundation in art, Kuehne spent a year in Europe's major art museums to study techniques of the old masters. His son Richard named Ernest Lawson as one of Max Kuehne's European traveling companions. In 1911 Kuehne moved to New York where he maintained a studio and painted everyday scenes around him, using the rather Manet-like, dark palette of Henri. A trip to Gloucester during the following summer engendered a brighter palette. In the words of Gallatin (1924, p. 60), during that summer Kuehne "executed some of his most successful pictures, paintings full of sunlight . . . revealing the fact that he was becoming a colorist of considerable distinction." Kuehne was away in England the year of the Armory Show (1913), where he worked on powerful, painterly seascapes on the rocky shores of Cornwall. Possibly inspired by Henri - who had discovered Madrid in 1900 then took classes there in 1906, 1908 and 1912 - Kuehne visited Spain in 1914; in all, he would spend three years there, maintaining a studio in Granada. He developed his own impressionism and a greater simplicity while in Spain, under the influence of the brilliant Mediterranean light. George Bellows convinced Kuehne to spend the summer of 1919 in Rockport, Maine (near Camden). The influence of Bellows was more than casual; he would have intensified Kuehne's commitment to paint life "in the raw" around him. After another brief trip to Spain in 1920, Kuehne went to the other Rockport (Cape Ann, Massachusetts) where he was accepted as a member of the vigorous art colony, spearheaded by Aldro T. Hibbard. Rockport's picturesque ambiance fulfilled the needs of an artist-sailor: as a writer in the Gloucester Daily Times explained, "Max Kuehne came to Rockport to paint, but he stayed to sail." 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Located in Cirencester, Gloucestershire
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Located in Doylestown, PA
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1930s American Impressionist Mixed Media

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Zia Mission, New Mexico Landscape, Adobe Church, Sun Painting, Brown Beige White
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Located in Denver, CO
Zia Mission, adobe church in a New Mexico southwestern landscape, vintage circa 1930s Sun Painting by early Colorado and New Mexico woman artist, Pansy Stockton (1895-1972). Stockton referred to these mixed media assemblage of botanical elements as "Sun Paintings". Colors include light brown, dark brown, red brown, beige, tan, white and gray. Presented in a custom frame with archival materials and UV 70 glass, outer dimensions measure 10 ½ x 12 ½ x ¾ inches. Pansy Stockton was born in Eldorado Springs, Colorado, outside of Boulder, where her parents David and Jennie Ferguson ran the Grand View Hotel. In this setting, she most likely developed her love of nature, which later she would literally include in her assemblage art. In 1918, she married Roscoe Stockton, a public school teacher, and the couple lived on Holly Street in Denver. After working in oils, watercolors, and tempera, around 1920 Stockton began created what she called her "sun paintings." She coined the term "sun painting," because "The materials I use get their colors from the sun, and the finished picture looks like a painting. I let the various things of nature, leaves, grass, weeds and the like, dry and fade in the sunlight until they won't fade anymore. When they have reached this stage they are ready for use." Harkening back to a Victorian art form, Stockton assembled botanical materials, such as barks, weeds, leaves, ferns, and twigs, which she used to construct realist landscapes: "My palette is composed of some two hundred and fifty types of colorful wild growing things from everywhere," On some of the backs of these pieces, she listed the organic elements and where she found them. Mounting the pieces to a board, she might include as many as 10,000 components, which were deftly arranged with attention paid to both their tonal value and texture, and her depictions of places like Mount of the Holy Cross, Gardens of the Gods, and Spruce Tree House at Mesa Verde are tours de force. In 1941, Stockton moved to Santa Fe, where she accordingly introduced New Mexico subjects such as the oft-depicted Mission at Rancho de Taos...
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1930s American Impressionist Mixed Media

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2010s American Impressionist Mixed Media

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2010s American Impressionist Mixed Media

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Hillside, New Mexico, Landscape with Adobe, Botanical Mixed Media Assemblage
By Pansy Stockton
Located in Denver, CO
Sun Painting (mixed media assemblage of botanical elements). Presented in the original/vintage frame, outer dimensions measure 9 ¾ x 11 ½ x 1 ¼ inches. Image size is 7 ¾ x 10 inches. About the artist: Born Pansy Cornelia RePass, she relocated with her family to Colorado as a young girl, initially living in Durango and Grand Junction before finally settling in Eldorado Springs in Boulder County where her parents ran the Grand View Hotel. She began studying oil painting and watercolor in Durango, winning her first award at age nine in an adult art exhibition. She later studied at the Cory School of Art in Denver and artists with Robert Graham and Adma Green Kerr. She also studied with Eliot O’Hara, a widely respected watercolorist who ran the O’Hara Watercolor School in Kennebunkport, Maine. In 1918 she married her first husband, Roscoe K. Stockton, a school principal and songwriter who later taught English and radio drama at the University of Denver. They had two sons, Oakley and Paul, and later divorced. In 1950 she married her second husband, Captain Howard W. Fatheree, whom she met in Taos, New Mexico, and who predeceased her. Although initially painting in oil, watercolor and tempera, Pansy Stockton became best known for her “sun paintings.” She so named them because all of the organic materials she used got their colors from the sun. She started doing them in the search to give her paintings the quality of depth. They were creations composed of up to 250 types of vegetation such as ferns, bark, milkweed, leaves, twigs, feathers, and other ingredients which she collected and dried. As her work became better known people from all over the world sent her things to use in her sun paintings – birch bark from New England, shrubs from the Holy Land and kelp and sea grass from the depths of the Pacific Ocean. In 1916 she first sold a sun painting to the president of the Colorado Fuel and Iron Company in Pueblo for the biggest $25 dollars of her life. Over the next five decades she did a thousand sun paintings. She started by gluing down the individual, unaltered organic elements in her paintings, weighing them down with an old flat iron until dry and then framing each completed composition under glass to give it the three-dimensionality of an oil painting. The reverse of each sun painting contains a “Botanical Personnel” listing the various pieces of vegetation she used in the painting. Her Colorado pieces depict scenes of Mount of the Holy Cross, Spruce Tree House at Mesa Verde, Gateway of the Garden of the Gods, Copeland and Maroon Lakes, regattas on Grand Lake and the Long’s Peak Trail in Estes Park. In the 1920s she began showing her sun paintings at Chappell House, the first home of the Denver Art Museum. Over the years she exhibited in Santa Fe, Taos, Albuquerque, Los Angeles, Oklahoma City, Chicago and New York, as well as in Paris, London and Vienna. In addition to her sun paintings, Stockton was one of fifty-two founding members in 1928 of the Denver Artists Guild that became the city’s leading art organization for the next twenty years. Its charter members contributed to the fine and decorative arts of Colorado and enhanced the state’s national reputation. In the 1930s she conducted public relations for Denver’s National Art Week celebrations, including interview programs on KOA radio publicizing the event. “Poncita” (Sweet Girl), as she was known, became formally adopted into the Ogalala Lakota Sioux tribe in 1936 in thanks for interceding on their behalf to help preserve their land and rights. Her tribal father became Chief David Flies, a compatriot of Buffalo Bill. Her tribal name given to her by Native American dancer Charles Eagle Plume was Wanashta Wastaywin – “Flower that Beautifies the Earth.” She danced in Sioux tribal ceremonies in authentic tribal costume and rode in parades with her new kinsmen in Denver and Wyoming. By the late 1930s she began spending most of her time in Santa Fe, New Mexico, relocating there permanently a few years later. At Fremont Ellis’ San Sebastian Ranch south of Santa Fe she built an adobe home with a replica of the Nambé Pueblo kiva, the round ceremonial building of the Pueblo Indians. The kiva housed her extensive Native American collection and hosted all night music sessions for the ranch’s resident artists. She lectured on “Customs and Costumes of American Indians” illustrated with Kachina dolls from her collection. She also cared for her little brother Paul who lived with her in Santa Fe in the latter years of his life. She continued doing her sun paintings “to give people new vision when they wander over our Southwest mesas, mountains and deserts.” In addition to depictions of well-known locations in New Mexico and Arizona such as Sandia near Albuquerque, San Francisco Peaks, Mission at Rancho de Taos, Old Tesuque Plaza, and the Grand Canyon, she did some Native American portraits in the medium. Her friend and fellow artist, Gustave Baumann, of Santa Fe made the stamp for the back of her sun paintings. Purchasers included, among others, the Prince of Wales in London and Juliana Force of the Whitney Museum in New York. Stockton gifted her sun painting, Navajo Woman...
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1950s American Impressionist Mixed Media

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Coastal Reflections Landscape
Located in Soquel, CA
Soft watercolor accents add to the beauty of this cyanotype and watercolor by California artist Cheryl Trotter (American, 20th century). Signed lower right "Cheryl Trotter." Displaye...
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1980s American Impressionist Mixed Media

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Watercolor, Photographic Paper

American Impressionist mixed media for sale on 1stDibs.

Find a wide variety of authentic American Impressionist mixed media available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. Many Pop art paintings were created by popular artists on 1stDibs, including Leroy Neiman, Cheryl Trotter, Audrey Anastasi, and Grace Eichholz. Frequently made by artists working with Paint, and Paper and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large American Impressionist mixed media, so small editions measuring 5.75 inches across are also available. Prices for mixed media made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $348 and tops out at $61,875, while the average work sells for $1,900.

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