English School Mixed Media

José WEISS Neuilly-sur-Seine, 1859 - Houghton (England), 1919 Oil on wooden panel Signed lower left “José Weiss” 40 x 61.5 cm (54 x 75 cm with the frame) Joseph Vincent Nicholas Fr...

Three whippet dogs in a landscape oil painting reminiscent of 19th century British style or English School, this artwork is 45” long and nearly three feet high. Painted in the 20th ...

Portrait of a Horse in a Landscape English artist, mid 20th century indistinctly signed oil on board, framed: 14.5 x 18.5 inches board: 12 x 16 inches provenance: private collection...

Softly rendered European street scene by an unknown artist (20th Century). A group of well-dressed women are standing at the side of the road, near some trees. To the right and in the background, a horse an carriage is passing by. The scene is executed with small, circular strokes, giving the piece a soft yet dynamic feel. Signed in the lower right corner. Presented in an ornate gilded frame...

Picturesque scene of two children by a thatched cottage, pasture with sheep, pond and hills is signed W. Williams, attributed to a prominent 19th century artist in a family of Britis...

The Blacksmiths Forge British artist, late 18th century Circle of Julius Caesar Ibbetson (1759-1817) oil on board, unframed board: 11 x 14.5 inches provenance: private collection, En...

Vibrant coastal village scene by Ramoz (Ramos) (20th Century). The setting sun casts an orange glow across a coastal village. Two people carry baskets on their heads as they unload a...

A painting of a chestnut hunter in a landscape with a horse and rider accompanied by two hounds by a woodland river in the distance. Signed and inscribed 'Melton Mowbray', lower left. Oil on canvas in a giltwood frame. John Ferneley Sr (1782-1860) was born the son of a Leicestershire wheelwright, the youngest of six children. He is known as one of the great British equine artists, perhaps only second to Stubbs in terms of raw ability. Ferneley originally worked with his father, until by chance the Duke of Rutland saw some of his work on the side of a cart on which Ferneley and his father had been working. The Duke was so impressed with Ferneley that he persuaded John's father to allow him to become the pupil of Benjamin Marshall. Ferneley was so talented that apparently he produced almost perfect copies of his tutor's paintings and they were said to have been indistinguishable from the master’s. Marshall also enrolled him as a student of the Royal Academy Schools. In 1804 Ferneley paid a man named Thomas Harrison...

The Rat Catcher English School, 1920's signed, dated, "R. Esom" oil on canvas, framed framed: 12 x 16 inches canvas : 8 x 12 inches Provenance: private collection, Cotswolds, Englan...

Idyllic Watermill Scene English School, circa 1840's period (there is an old frame plaque with the frame but we do not think this work is by that artist named on it, unsigned) oil on...

Sailing on Choppy Seas by Jean Laurent (French 1898-1988) signed oil on board, framed framed: 22.5 x 27 inches board: 18 x 21 inches provenance: private collection, UK condition: ove...

Signed lower right "Nasmyth" leading to one of the whole pleiad of renowned Scottish artists starting with Alexander Nasmyth (1758 -1840). This painting showcases a scene of a landscape with shallow water, where a family is seen wading through a river ford in knee-deep water. The presence of a shepherdess on a high bank, observing the travelers with keen interest, adds a sense of pastoral charm to the composition. One of the focal points of the painting is a picturesque tree that has fallen into the river, adding a touch of drama to the overall scene. The contrast between the lush woodland and bushes on the right side of the foreground and the rolling valley on the left side further enhances the depth and perspective of the painting and superbly illustrates the traditions of the early 19th century British Art...