Summer J. Hart

Ferns Through Basalt, Hand-cut Paper Scroll, White Tyvek Wall Hangings, 80"x36"

2021

This piece titled "Orientarse o Perderse II, Knife Drawing" is an original piece by Lucha Rodríguez and is made from hand scoring giclée print on metallic paper. This piece measure 1...

Music Sonata In A Shadow Box 2023 Mixed Media, artist signed, front Plexiglas. This sculpture is perfect for the wall or a coffee table. This 3D music diorama found its home in a drawer from an antique Tansu Chest. Some of the 3D elements were made by Erikson. Antique materials achieve a vintage and interesting aesthetic. The depth of the case creates a stage like atmosphere as sort of a visual guide for the viewers eye. The overlapping and juxtaposition of the elements creates a intriguing and appealing composition. Very often Erikson art echoes and fuses antiquity and modernity. Erikson’s central imagery concerns itself with intrigue and a sense of surprise. His body of work is often dispersed with visual, tactile and intellectual delights that lead the viewer on their own form of discovery. Erikson’s awareness of the aesthetic in sending things back in time is a result of studying the Renaissance and other periods of art history. This infusion of historical art references has had a vital effect on his body of work. Heavily influenced by the well known New York art dealer Allan Stone (who represented, among other giants, Joseph Cornell, and Willem de Kooning, Erikson has never departed from Stone’s insistence that “surprise” should remain with a piece of art no matter how long it is viewed. The discipline of archeology decodes messages of the past to find meanings of objects and classify them. This observation takes the viewer on a deeper understanding of the interplay. As a curator of his own “museum cases” in other work, Erikson’s personal vocabulary evokes images of extreme preciousness combined in miniature settings. Despite its minute scale his work commands presence and a sense of vastness. In his body of work, Erikson attempts to introduce sculpture to painting as a way of integrating the second and third dimensions. Exhibited: Allan Stone Gallery - New York, New York Elaine Baker Gallery - Boca Raton, Florida Renata Fine Arts Gallery - West Palm Beach, Florida Winfield Gallery...

Glover did not begin her career as an artist. After receiving an MBA from Harvard Business School, she served as an international consultant in strategy, industry best practices, and...

Eva Vargo fuses paper and linen-thread materials into her weaving techniques. No. 55 (Book of Changes) was hand woven with linen, thread, paper strings and g...

Akiko Sugiyama (Japanese/American, B.1947) Collage, Lucite Shadow Box Painting, mixed media Japanese paper sculpture in plexiglass display box...

Original hand-cut paper and wallpaper on distressed drywall sculpture by Charles Clary measuring 19”h x 23.75”w x 3”d. Bio//Charles Clary was born in 1980 in Morristown, Tennessee...

Samuelle Green’s work has always been multidisciplinary. Throughout all her mediums; painting, drawing, sculpture, and installation, there is a common thread of subject matter – that...

Raymond Graber‘s celestial light sculptures transform the sense of perception, challenging the human eye’s sense for scale and time with a transcendenta...

"Without Floorboards 2-4" is an original hand-cut wood collage by Matt R. Phillips. The piece ships in the pictured, artist-made, wood floater frame and measures 24"h x 36"w. Matt ...

Linda Stein began to produce sculptural tapestries in 2013, in which she combines archival images of a subject with multiple fabrics and leather. Toward Words 1205 is one of Stein's abstract works, in which she repeats the same letters through the artwork: a demonstration of how letters are used toward making words. All the other tapestries from this abstract series are in the Permanent Collection...