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Vera Vizzi
Foam Clay Draped Relief Sculptural Painting in Deep Blue Tones on Fir Wood

2024

$807.63
$1,009.5420% Off
£605.37
£756.7220% Off
€680
€85020% Off
CA$1,116.83
CA$1,396.0420% Off
A$1,215.94
A$1,519.9320% Off
CHF 649.27
CHF 811.5920% Off
MX$14,678.32
MX$18,347.9020% Off
NOK 8,162.54
NOK 10,203.1720% Off
SEK 7,592.11
SEK 9,490.1420% Off
DKK 5,180.85
DKK 6,476.0720% Off

About the Item

Foam clay relief in deep blue tones on fir wood that sculpts a draped form, suggesting an enclosed oceanic presence at the edge of the field. This sculptural painting is executed in foam clay with layered acrylic colors and enamel highlights on a fir-wood support; the technique—foam clay modelling, acrylic washes and enamel accents—is integral to the work’s tactile language and is visible across the surface. Foam clay provides the voluminous, clothlike folds while acrylic colors modulate light across the blue tones and enamel gives occasional luminous reflections. The materials foam clay, acrylic and enamel are used repeatedly to shape both volume and surface, reinforcing the work’s hybrid status between relief sculpture and painted object. Formally the composition reads as a draped, wave-like apparition that spills from a vertical plank of fir, its saturated blue tones set against the white mount. The piece occupies the threshold between garment, sea and thought: a wrapped blue mass that both conceals and gestures outward. Close looking reveals subtle modelling marks and enamel highlights; from a distance the work resolves as a single, calm swell. The repeated use of foam clay and acrylic emphasizes the correspondence between material process and pictorial effect—foam clay constructs the fold, acrylic animates the depth, and enamel punctuates focal moments of reflection. Conceptually SAVING BLUE stages an encounter between interiority and elemental force. The “blue” functions as both image and metaphor—blue tones that echo oceanic depth, waves of feeling that gather and then calm. The draped form can be read as a containment of emotion, a caged tide that smooths the rigid lines of being, or as a rescue: an attempt to hold and preserve a vital chromatic current. In this sense the work joins concerns visible elsewhere in the artist’s practice—material experimentation, a play between small-scale figuration and larger affective fields, and a recurrent interest in how sculptural surfaces carry psychological meaning. The piece invites readings that move from the bodily (a folded cloth, a cape) to the psychic (waves of feeling, containment, rescue), always attentive to how material choices shape interpretation. SAVING BLUE is designed for wall display and reads both as an intimate object and as a compelling accent within a group installation. Its vertical orientation and modest projection make it suitable for domestic or institutional interiors; the textured surface rewards proximity while the saturated blue maintains a strong presence from a distance. We operate globally with the same attention and proximity we extend to our local neighbors. We oversee every detail and guide you through the purchase process with the utmost professionalism, ensuring complete satisfaction for each client, regarded as valued members of our community. As a small, specialist team driven by a deep commitment to art, we carefully select every artist and artwork, presenting our curated collection to an international audience from our corner of the Galician coast. Read our clients’ testimonials and join the discerning collectors who trust our expertise.
  • Creator:
    Vera Vizzi (1983, Italian)
  • Creation Year:
    2024
  • Dimensions:
    Height: 15.36 in (39 cm)Width: 5.12 in (13 cm)Depth: 4.73 in (12 cm)
  • Medium:
  • Movement Style:
  • Period:
  • Condition:
  • Gallery Location:
    FISTERRA, ES
  • Reference Number:
    1stDibs: LU2626217216532

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