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Alex Katz Whitney Opening Area After Party 1986 (Area nightclub announcement)1986
1986
$375
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£286.14
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€325.50
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A$576.32
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CHF 304.54
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MX$6,878.81
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About the Item
The Whitney Museum "Alex Katz" Opening Area After Party invitation/announcement card 1986:
Rare vintage Alex Katz invitation/announcement card published on the occasion for the after-party for the Alex Katz opening at the Whitney Museum, New York, 1986. A VIP Area invite with complimentary admission for 2.
Dimensions: 8.5 x 5.5 inches.
Medium: Off-set printed invitation/announcement card.
Minor age related wear; good overall vintage condition.
Unsigned from an edition of unknown.
Area opened its doors in September 1983 and virtually overnight became the nexus of one of the most vibrant Downtown art and club scenes in New York. Every six weeks, they transformed the enormous space at 157 Hudson with a different art exhibit
performance theme. Area was the place where A-listers such as Andy Warhol, Francesco Clemente, Julian Schnabel, Madonna, JFK Jr.
many others went to see and be seen: A place where Basquiat DJ'd, while Keith Haring and Andy Warhol produced several installations. Area's wildly creative invitations became the hottest tickets in town and instantly collectible art in and of themselves.
Alex Katz is a contemporary American artist renowned for his large-format paintings of landscapes, flowers, and portraits of his wife Ada. Katz’s flattened forms and simplification of detail are trademarks of works such as Gray Day (1992). “We compete for audiences, as artists. I'm competing with the Abstract Expressionist guys. I'll knock ‘em off the wall,” he once remarked. “If you put my work next to an aggressive A.E. painting, I'll eat most of ‘em up. And I want to compete with the kids. I'm there with the kids.” Born on July 24, 1927 in Brooklyn, NY, as a young man, he attended the Cooper Union School of Art and the Skowhegan School of Painting and Sculpture in Maine. It was here that the artist first began to make plein-air paintings of the Maine landscape. During the mid-1950s, Katz fell into the small circle of artists known as the 10th Street Scene, which included Lois Dodd, Larry Rivers, and Fairfield Porter, among others. Over the following decades, he developed his hallmark style of painting while also experimenting with collage, printmaking, and painted aluminum cutouts. His work has served as a beacon of style to younger generations of artists, including Elizabeth Peyton and Julian Opie. Katz maintains residences in Lincolnville, ME, and New York, NY. Today, his works are included in the collections of The Museum of Modern Art in New York, the Art Institute of Chicago, the Colby College Museum of Art in Waterville, ME, the Albertina Museum in Vienna, and the National Gallery in Washington, D.C., among others.
Related Categories
Larry Rivers. Philip Guston. New York School. Pop Art. New York Artists. Fashion.
- Creation Year:1986
- Dimensions:Height: 8.5 in (21.59 cm)Width: 5.5 in (13.97 cm)
- Medium:
- Movement Style:
- After:Alex Katz (1927, American)
- Period:
- Condition:
- Gallery Location:NEW YORK, NY
- Reference Number:1stDibs: LU354315585372
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1981 New York/New Wave P.S.1 poster (Basquiat New York/New Wave)
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New York/New Wave PS1 1981:
A rare, highly sought after Basquiat collectible announcing Basquiat (as SAMO) in his first major show. Curated by the great Basquiat champion, Diego Cortez, the show would mark Jean-Michel's official unveiling to the art world.
A historical document of the New York downtown art scene of the time, additional participants included (with their names listed on the poster): Keith Haring, Futura 2000, Andy Warhol, Kenny Sharf, Robert Mapplethorpe, Nan Goldin, Dondi, Lady Pink, Lawrence Weiner & many more figures of historic acclaim. Basquiat credit (as SAMO) found in the lower area of the top second area.
Folding exhibition poster; 22 x 34 inches.
Fair overall vintage condition; minor signs of handling; minor separation to folds in a few areas.
Few known to have survived in good condition.
Unsigned from an edition of unknown; RARE.
Poster design by Randolph Black.
Glenn O'brien, Artforum 2003:
"1981: “NEW YORK/NEW WAVE”:
"In June of ’80 the spectacular “Times Square Show,” mounted in an abandoned multistory massage parlor on Forty-first Street and Seventh Avenue, took things to a whole new level. The show was as funky as its surroundings and as lively a happening as had been seen since the ’60s. Artists dropped in and contributed to this nonstop party, a continuous work-in-progress that featured not only the best young artists but also film, video, and live music performances. It brought worlds together—the uptown (as in the Bronx) with the downtown.
The institutional emergence of this new force took place in mid-February 1981, in the “New York/New Wave” show at P.S. 1 in Long Island City, a spectacular exhibition featuring 119 artists (more or less) and curated by Diego Cortez. Mammoth in scale, “New York/New Wave” offended purists as much by its maximalist approach as by its content. Cortez hung the art from floor to ceiling, throughout the galleries and the halls. He brought together a coalition of punks, No Wave musicians, young painters, graffiti artists, poets, performers, and more radical-type forefathers like Ray Johnson, Lawrence Weiner, William Burroughs, and Andy Warhol to create a museum–as–fun house that engaged the eye and mind relentlessly.
I find quite a few names who went on to serious things: Kathy Acker, David Armstrong, Jean-Michel Basquiat, David Byrne, Sarah Charlesworth, Henry Chalfant, Larry Clark, Arch Connelly, Jimmy de Sana, Dondi, Brian Eno, Fab 5 Freddy, Peter Fend, Futura 2000, Jedd Garet, Nan Goldin, Keith Haring, Duncan Hannah, Roberto Juarez, Bill Komoski, Greer Lankton, Lady Pink, Marcus Leatherdale, Arto Lindsay, Judy Linn, John Lurie, Lydia Lunch, Ann Magnuson, Christoper Makos, Robert Mapplethorpe, Frank Moore, Lee Quinones (LEE), Rene Ricard, Kenny Scharf, Kate Simon, Duncan Smith...
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Fernando Natalici Area Nightclub: 1983-1987 (collection of 16 works)
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Fernando Natalici Area Nightclub 1983-1987:
A collection of 16 hand-colored silver gelatin photographs spanning the history of the seminal 1980s New York nightclub known as "Area". These rare images were captured by Fernando Natalici - a noted downtown art scene photographer who is also famous for designing the majority of Area's party invites during this period. These works were exhibited at Area circa 1986 as part of show curated by Serge Becker (featured in image 4) - a key Area figurehead. A much historical & highly decorative assemblage of Area regulars defining the club's historic & vibrant scene. Further details:
Medium: A collection of 16 individual hand-colored silver gelatin photographs mounted on illustration board.
Overall Dimensions (applies to each individual work):
16x20 inches.
Condition: Good overall vintage condition. Some scattered surface markings to margin areas.
Each hand-signed on the reverse by Natalici and unique.
Provenance: Obtained directly from artist.
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Area: 1983-1987 by Eric Goode Jennifer Goode (pub. by Abrams 2013).
New York Magazine 2013: "It Was the Hottest Club in Town."
Area: A brief history (New York Magazine 11/1/13):
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