Alma Prism

Red Meditation -textile abstract geometric orange, burgundy stitched wool framed

2024

A fine large American School perspective abstract oil painting in shades of blue and yellow with geometric shapes, a central square focal point, and custom frame with triangular cuto...

"Museum of Rainbow Light" (2020) is an abstract geometric oil and acrylic painting on canvas by Loren Abbate. It is a square shaped piece and measures 3...

"Peace and Power" is an abstract geometric oil and acrylic painting on canvas by Loren Abbate. It is a horizontally oriented rectangular piece and measures 30 inches high by 40 inch...

"House of Peacock Ore" (2020) is an abstract geometric oil and acrylic painting on canvas by Loren Abbate. It is a square shaped piece and measures 30 inc...

A contemporary painting by NYC-based painter, Gene Johnson. Signed on verso: [ "Post Japan 3 Osaka" (Yellow) Acrylic on canvas 2024 47 1/2 x 34 3/4" Gene Johnson ] Artist Bio Gen...

A contemporary acrylic painting by Gene Johnson (NYC). Unframed. Signed on verso. Gene Johnson has been painting and exhibiting since the mid-80s in New York City. He has participa...

This painting by Linda King Ferguson is a geometric abstraction inspired by the female body. Circles, ellipses and scalloped edges decorate the canvas in Salmon orange, wine red, and...

This painting by Linda King Ferguson depicts a rectangular linen canvas painted bright orange, with a second layer of deep wine red ellipsis and scalloped edges in the foreground. Red circles dominate the center of the painting in two different sizes. Some of the circles overlap, creating a vesica piscis shape. Linda King Ferguson lives and works in Munising, MI and Nashville, TN. She is in residence semi-annually in Brooklyn, NY. She has a MA from Rhode Island School of Design, and received an MFA from Vermont College of Fine Arts. She also has studied at Academia Di Belle Arti in Perugia...

This painting by Linda King Ferguson is part of her equivalence series, which began as a feminist project; works that subvert the historically male gaze and a material language speaking of gendered concerns. The diamond shaped canvas is primarily a brown cardboard color, with two circles dominating the center of the composition. Stacked vertically, the topmost circle is a light lavender color, and the lower circle is a creamy, salmon orange. Two cuts have been made in the canvas on either side of the center, where the edges of the two circles meet. Her color choices first came from Helen Molesworth’s essay, Painting With Ambivalence, published in WACK! Art of the Feminist Revolution. The Essay includes a large reproduction of Mary Heilmann’s 1979 painting...

This painting on cut linen canvas by Linda King Ferguson depicts a diamond shape that is halved horizontally by a color break. The top triangular section on the diamond is a brown ca...