Pablo Picasso

Viasge dans un Ovale

1955

Melanie Sherman Bowl with Vintage Chair Earthenware, 24K German Gold Luster, Glaze, Underglaze, China Paints, Vintage Transfers, Multiple Cone 6 Firings, Hand-built 2024 Size: 1.75 ...

Melanie Sherman Cup with Interior II (Hand-Painted, Gold Luster, Stereo, Chair, Flowers) Porcelaneous Stoneware, Underglaze, Glaze, Porcelain Paint, Hand-made Vintage Decals, Gold Lu...

Melanie Sherman Bowl with Interior Still Life (Handmade, Mid-Century, Lounge Chair, Stereo Tower, Speakers, Gold Luser) Earthenware, 24K German Gold Luster, Glaze, Underglaze, China ...

Basket By Ken Ferguson (1928-2004) 21" x 13" Ken Ferguson received an M.F.A. in 1954 from Alfred University, and went on to become an influential teacher and artist in his field of pottery. From 1964 until 1996, when he was named Professor Emeritus, Ferguson was Head of the Ceramics Department at the Kansas City Art Institute. His students included Kurt Weiser...

Glazed Delft Pottery Diameter: 8 1/2 inches (22cm) Height: 3 3/4 inches 9.5cm A small delftware bowl from 18th century England, painted in blue on the...

This dish, inspired by the bellas of the Italian Renaissance, bears witness to the fruitful collaboration that began in 1882 between the ceramist Théodore Deck and the young artist Paul Helleu, before the latter became the fashionable portraitist of feminine elegance. 1. Paul Helleu In 1913 Robert de Montesquiou wrote in his book devoted to the painter: "Helleu was born in Vannes in 1859, of a Breton father and a Parisian mother". He hardly knew his father, who died when he was three years old, and was brought up entirely by his mother, who sent him to continue his studies at the Lycée Chaptal in Paris in 1873. The discovery of Edouard Manet's Chemin de Fer at the 1874 Salon is reported to be at the origin of his artistic vocation. He worked against his mother's wishes in the studio of the painter Gérôme, also frequented by the painters Giovanni Boldini, Jean-Louis Forain and Antonio de La Gandara...

Melanie Sherman Vintage Moth II (Hand-Painted, Gold Luster, Vintage Imagery) Porcelain, Glaze, Overglaze, Chinapaints, 24k German Gold Luster Year: 2025 Size: 4.5 x 6 x 0.5 inches Si...

Title : meditation bowl inspired by a conch shell Materials : white earthenware, terra sigillata, oxides, glaze liner Date : 2016 Dimensions : 5 x 5 x 6 inches Description : Pinched for with pinkish beige terra sig outside and purple glaze on the inside with pooling due to multiple firings, layered glazes Alice Ballard - Artist Statement My art is a reflection of my relationship with natural forms. These forms come to me on walks, while I work in my garden, or appear as gifts from friends who share my fascination with the beauty inherent in Nature’s abundant variety of forms. It is often the metamorphosis of nature’s forms, as they change from season to season, that attracts me. I am endlessly drawn to that universal world in which differing life forms share similar qualities. I spend countless hours contemplating a particular form in order to feel its energy. It becomes a Zen-like connection not unlike a meditation. As an artist, I hope that those who choose to connect with my work can share some of the harmony and tranquility I feel through the creative process. Perhaps, at the very least, the viewer will give those small, often unnoticed forms in Nature a second glance. Alice R. Ballard. (born June 16, 1945, Florence, South Carolina) is an American ceramicist based in Greenville, South Carolina. Much of her work is characterized by the organic earthenware forms of closed containers...

Materials : Terracotta, white gold luster Date : 2016 Dimensions : 16 x 8.5 x 8.5 inches Description : wheel thrown and altered terracotta, cone 04 oxidation, glazes and luster COA provided Mariko Brown Harkin about her work: "My fascination with pottery comes from my desire to make art and to produce something that is not only functional but visually appealing. Porcelain allows me stretch and shape the clay in any way I choose and offers a blank canvas for my floral imagery and luscious, rich glazes to blend. The forms I create are tight and precise with a sense of restricted volume. I use bands around the form to constrict specific areas of each piece, while at the same time creating space for the volume and fullness to escape. The bands create registers to frame my drawings and paintings of floral imagery. The way I combine surface and form is inspired by Ming Dynasty porcelain...

Hand Built & Painted Plate Materials: Porcelain, Glaze, China Paint, Gold Luster, Flock Fired: Electric Kiln, Cone 6 Decorative purpose only - Not for use, not dishwasher safe Her w...