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Style: Abstract
Medium: Synthetic Resin
Grey Gardens #2 - 8"x8", Textured, Abstract Painting On Canvas
Located in Mississauga, Ontario
GREY GARDENS 2 - Heavy textures and lush brushstrokes create expressive, visual movement in this contemporary abstract painting. Emphasis is placed on the tactile pattern built up th...
Category

2010s Abstract Synthetic Resin More Art

Materials

Canvas, Acrylic

Grey Gardens #1 - 8"x8", Textured, Abstract Painting On Canvas
Located in Mississauga, Ontario
GREY GARDENS #1 - Heavy textures and lush brushstrokes create expressive, visual movement in this contemporary abstract painting. Emphasis is placed on the raised pattern built up us...
Category

2010s Abstract Synthetic Resin More Art

Materials

Canvas, Acrylic

Buzzed - 36"x12", Geometric Abstract Painting On Canvas, Black, White, Beige
Located in Mississauga, Ontario
This abstract painting uses playful geometric lines to form a strong visual statement. Emphasis is placed on high contrasting elements of design and composition. The zig-zag pattern ...
Category

2010s Abstract Synthetic Resin More Art

Materials

Canvas, Acrylic

Along The Lines (Pattern 4) - 16"x16", Black, White, Beige, Geometric Abstract
Located in Mississauga, Ontario
This abstract painting on canvas puts emphasis on pattern and composition. High contrasting, geometric sequences keep the eye engaged. The rows of mixed patterns create a soft sense ...
Category

2010s Abstract Synthetic Resin More Art

Materials

Canvas, Acrylic

Blue Damask - 16”x16”, Textured Abstract Painting, Pattern, Acrylic
Located in Mississauga, Ontario
This highly detailed artwork seamlessly blends acrylic, pencil and colour pencil in a freeform style, maintaining a delicate balance between expressiveness and refinement. The distre...
Category

2010s Abstract Synthetic Resin More Art

Materials

Canvas, Acrylic, Pencil, Color Pencil

Something Blue - 24"x30", Abstract Painting, Grey, Blue, Textured Pattern
Located in Mississauga, Ontario
Something Blue: This contemporary abstract painting places emphasis on simplified composition. A heavy textured herringbone pattern created with lush brush stokes adds dimension, inv...
Category

2010s Abstract Synthetic Resin More Art

Materials

Canvas, Acrylic, Tissue Paper

FEAR
Located in East Hampton, NY
Fear NOT framed Neo Cubism About the Artist: Kenneth B Walsh (1922-1980) In the 1950s, Kenneth Bonar Walsh came to Montauk from New York City to paint seascapes, catch fish, sing of Nature's beauty, put down roots, and, later, develop a style of painting all his own. The Boston native moved to New York after attending the School of Practical Art on the G.I. Bill, where he began his career in the art department of Lever Brothers. But he had bigger dreams, and soon established the Bonart Studio, a commercial art business. RCA Records, the Ideal and Transogram toy companies, and the Schrafft’s candy and chocolate company were among the studio’s clients. The business a success, he began to take vacations. He liked Montauk so much that he built a house in Hither Hills...
Category

1970s Abstract Geometric Synthetic Resin More Art

Materials

Canvas, Acrylic

Water lilies , 180x120 cm, acrylic, canvas
Located in Yerevan, AM
Water lilies , 180x120 cm, acrylic, canvas
Category

2010s Abstract Synthetic Resin More Art

Materials

Canvas, Acrylic

“Planet Dancing” contemporary abstract painting, cool tones, curved lines form
Located in Sag Harbor, NY
A contemporary painting by NYC's Gene Johnson. A balance of values, texture, line and form. Unframed. Signed "Gene Johnson" on verso. Gene Johnson has been painting and exhibiting ...
Category

21st Century and Contemporary Abstract Geometric Synthetic Resin More Art

Materials

Canvas, Acrylic

“Desert Landscape” abstract painting, geometric shapes, blue, pink, yellow
Located in Sag Harbor, NY
A contemporary acrylic painting by Gene Johnson (NYC). Unframed. Signed on verso. Gene Johnson has been painting and exhibiting since the mid-80s in New York City. He has participa...
Category

21st Century and Contemporary Abstract Geometric Synthetic Resin More Art

Materials

Acrylic, Canvas

“Post Japan 3 / Osaka” abstract geometric painting, yellow, red, bold pattern
Located in Sag Harbor, NY
A contemporary painting by NYC-based painter, Gene Johnson. Signed on verso: [ "Post Japan 3 Osaka" (Yellow) Acrylic on canvas 2024 47 1/2 x 34 3/4" Gene Johnson ] Artist Bio Gen...
Category

21st Century and Contemporary Abstract Geometric Synthetic Resin More Art

Materials

Canvas, Acrylic

In crowd, 78x54cm, acrylic, paper
Located in Yerevan, AM
In crowd, 2023, 78x54 cm
Category

2010s Abstract Synthetic Resin More Art

Materials

Paper, Pastel, Acrylic

Modern Organic Green yellow Hand- Painted Table
Located in Faridabad, IN
Introducing the Summer Mango Table, a one-of-a-kind, abstract hand-painted statement piece that exudes warmth and creativity. Inspired by the vibrant hues of ripe mangoes and sunlit ...
Category

2010s Abstract Synthetic Resin More Art

Materials

Epoxy Resin, Plywood, Acrylic

Spatial Environs: Blue Rising
Located in Saint Louis, MO
Christopher Ruess large scale painting, spatial environs, blue rising, encapsulated polymer & acrylic on canvas. A Pennsylvania-born artist, Chris Ruess later studied at the Memphis ...
Category

2010s Abstract Synthetic Resin More Art

Materials

Acrylic, Polymer

On Stellar Rays -Monroe Hodder, American, Abstract, Juxtapositions, Bold, Modern
Located in Knowle Lane, Cranleigh
On Stellar Rays, original acrylic on canvas painting by American artist Monroe Hodder. Hodder’s abstract paintings are gloriously bold. Inspired by the u...
Category

2010s Abstract Synthetic Resin More Art

Materials

Acrylic

"River Ocean Lake" Contemporary Large Scale Abstract Painting, violet, orange
Located in New York, NY
A water inspired abstract painting by New York/Hawaiian artist Debra Drexler. 60"x48" signed on reverse. Lavender, plum, purple and violet colors overlap with peach light orange/pin...
Category

2010s Abstract Synthetic Resin More Art

Materials

Canvas, Acrylic

Julia Craig, Caliente, Abstract Painting, Original Contemporary Art, Art Online
Located in Deddington, GB
Julia Craig Caliente Acrylic on canvas 18cm x18cm Abstract Sold Unframed (Please note that in situ images are purely an indication of how a piece may look). Julia is an abstract art...
Category

21st Century and Contemporary Abstract Synthetic Resin More Art

Materials

Canvas, Acrylic

Spatial Environs: Deep Blue
Located in Saint Louis, MO
Christopher Ruess large scale painting entitled "Spatial Environs: Deep Blue", encapsulated polymer with acrylic on canvas. A Pennsylvania-born artist, Chris Ruess later studied at t...
Category

2010s Abstract Synthetic Resin More Art

Materials

Acrylic, Polymer

"Orange Wiggle" Contemporary Large Scale Abstract Painting
Located in New York, NY
This is a contemporary abstract painting by the New York/ Hawaiian artist, Debra Drexler. A cerulean blue form nestles against a vibrant nearly neon orange shape, with linear gestur...
Category

2010s Abstract Synthetic Resin More Art

Materials

Canvas, Acrylic, Oil

"Orange Slide" Contemporary Abstract Painting
Located in New York, NY
60"x48" oil and acrylic on canvas, signed on reverse by the artist. Hot pink, violet, tangerine and sherbert colors flow into forms or cerulean blue and orange in this abstract paint...
Category

2010s Abstract Synthetic Resin More Art

Materials

Canvas, Oil, Acrylic

"La parabola dell acqua" by Enzio Wenk, 2010- Acrylic on Board, NeoExpressionism
Located in Bresso, IT
Translated title: "Water Parabola". Water is the symbol of the soul, that comes down from the sky, fulfills its journey on earth and then evaporates back to where it belongs and bei...
Category

2010s Abstract Expressionist Synthetic Resin More Art

Materials

Acrylic, Cardboard

Brooch #4 - Made by Shadows #4
Located in New York, NY
Ann Parkin’s current work is an exploration of new possibilities in technique and materials, as well as the expression of a new imagery for art jewelry. Historically, art and particularly craft, have been vehicles for the symbols, images and visual metaphors of society’s current view of its world and the “nature” of which it finds itself a part. Discoveries and techniques at the leading edge of science have given us astounding views of new levels of nature and reality and have provided opportunities for the development of a new set of imagery and symbols for our time. Parkin’s work has been inspired by the vast visual potential of such scientific areas as electron microscopy, nuclear imaging, “Chaos” physics, and particularly subatomic particle physics. The graphic imagery of Parkin’s current work is not, in the traditional sense, abstract but rather is a representational view of nature that we are among the first generations to see. The images of the Particle Shower series are based upon the visual records of subatomic particle physics, which show the tracks left by subatomic particles as they pass through the bubble and cloud chambers once used by nuclear physicists. Parkin reflects that, “It has been said that Science is the Religion of the modern age. If that is even in part true, then it points the way to an exciting new approach to ornamentation and imagery that goes beyond the commonly observable surface reality to re-establish the fundamental role of art/craft - the articulation and expression of underlying patterns of the natural order as an integral aspect of our created personal environment.” Born in Toronto, Canada in 1956, Ann Parkin received a Bachelor of Fine Arts degree from New York University in 1978 and a Gemological Diploma from the Gemological Association of Great Britain in 1987. She studied metalwork, jewelry and enameling at the 92nd Street Y in New York City with renowned jewelry artists Robert Ebendorf, Rebekah Laskin, Charles Lewton-Brain and John Cogswell. Parkin’s work has appeared in group exhibitions, and as a featured artist, at Aaron Faber Gallery, NYC; Oms Gallery, NJ; Objects of Desire, Louisville, KY; Society of Arts and Crafts, Boston, MA; Newport Harbor Art Museum, Newport Beach, CA; New Jersey Designer Craftsmen Gallery, New Brunswick, NJ; Greater Denton Arts Council, Denton, TX; Artist-Craftsmen of New York, NYC; Crafts National 26, Penn State University, PA; The Farrell Collection, Washington, DC; Contemporary Crafts Gallery, Portland, OR; Views Gallery, Manayunk, PA; Sculpture to Wear, Los Angeles, CA; Craft Students League, NYC; Joan Michlin...
Category

2010s Abstract Synthetic Resin More Art

Materials

Thread, Wood, Paper, Acrylic

EQUIVALENCE 105- Acrylic and Flashe on cut Linen - Abstract Geometric Painting
Located in Signal Mountain, TN
This painting on cut linen canvas by Linda King Ferguson depicts a diamond shape that is halved horizontally by a color break. The top triangular section on the diamond is a salmon o...
Category

2010s Abstract Geometric Synthetic Resin More Art

Materials

Linen, Acrylic

EQUIVALENCE 92- Tint and Acrylic on cut Linen - Red Abstract Geometric Painting
Located in Signal Mountain, TN
This painting on cut linen canvas by Linda King Ferguson depicts a diamond shape that is halved horizontally by a color break. The top triangular section on the diamond is a brown ca...
Category

2010s Abstract Geometric Synthetic Resin More Art

Materials

Linen, Spray Paint, Acrylic

"Sparrow, " Acrylic Paint on Canvas - Abstract Boxing Painting
Located in Houston, TX
Bright, vivid, and saturated colors in combination with a furious treatment of the medium compel this work to stand out as an iconic blend of passion and poise. Born in Tokyo in 1932, Ushio Shinohara (nicknamed "Gyu-chan"), is a Japanese Neo-Dadaist artist who has lived and worked in the United States since 1969. Shinohara is well known for his boxing paintings...
Category

2010s Abstract Synthetic Resin More Art

Materials

Canvas, Acrylic

Something Happened" Large Scale Abstract Painting
Located in New York, NY
Violet, blue and red intertwine in this gestural abstract painting by Debra Drexler. This painting is inspired by the intensity of light and colors in Hawaii, where the artist splits her time between there and New York City. Bold lines and brushstrokes enhance the composition in this large scale painting by the artist. Debra Drexler maintains studios in both New York and Oahu, and her work is informed by her unique bi-coastal experience. Her work translates the inner experience into outer form through a vigorous athletic painterly process. Drexler has had over 30 solo exhibits and over 100 group exhibitions at galleries and museums in New York, Hawai’i, Australia, Berlin and across the states. New York, NY. In 2017, her two-person exhibition was reviewed in Whitehot Magazine and Arte Fuse. Her most recent solo New York exhibits were at Van Der Plas Gallery in 2015 and 2017. She had a solo exhibition at The Majestic Theater curated by The Dorado Project in Jersey City in 2016. Other recent New York solo exhibits include: Pool Art Fair, Chelsea Hotel Blue...
Category

2010s Abstract Synthetic Resin More Art

Materials

Oil, Acrylic, Canvas

"Permeate and Radiate" Contemporary Abstract Painting, rose pink and turquoise
Located in New York, NY
48"x36" abstract composition in golden yellow, rose pink and turquoise on a white ground. The painting surface incorporates impasto brushwork and poured paint to give an active composition. This painting is signed on reverse by the artist, Debra Drexler. Debra Drexler maintains studios in both New York and Oahu, Hawaii, and her work is informed by her unique bi-coastal experience. In her luminous, large-scale abstract paintings, she brings the transcendent experience of the Hawaiian landscape to a New York audience. Through her New York based studio and curatorial practices, she is also deeply engaged in critical conversation surrounding new abstraction. She states “Abstraction takes us to a state of timelessness that is primal in its humanity, disconnecting us momentarily from the mediated “now” of our electronic devices, and connecting us to a “now” that gives us a glimpse of the infinite. While our insistent digital projections can take us away from both our animal and spiritual nature, abstract painting reminds us again of what it means to be human. The corporality of the paint mirrors the flesh of the body and transports us into the timeless.” Debra Drexler's paintings are informed both by participating in the contemporary resurgence of abstraction coming out of New York, and by living in the Post Colonial Pacific for close to three decades. In the 21st century, much of our experience is mediated through the screens of our devices. In contrast, the making and viewing of paintings remains a direct, engaging experience in Drexler's paintings. She aims to take us to a state of timelessness that is primal in its humanity, disconnecting us momentarily from the mediated “now” of our electronic devices, and connecting us to a “now” that gives us a glimpse of the infinite. As a colorist, Debra Drexler provokes unexpected color relationships and creates spatial contradictions that come from those interactions. Some of her color choices reference the post digital experience with its highly saturated synthetic color. The luminosity and saturation also mirror the unique quality of light and tropical color interactions in Hawai’i, where Drexler also lives. Her work is driven by an athletic painting...
Category

2010s Abstract Synthetic Resin More Art

Materials

Canvas, Acrylic

"Golden Haze" Large Scale Contemporary Abstract Painting (gold, blues, violets)
Located in New York, NY
60"x84" (signed on reverse) Golden yellow, blue and violet forms are layered in this large scale abstract painting by New York/Hawaii artist, Debra Drexler. This painting is infused...
Category

2010s Abstract Synthetic Resin More Art

Materials

Canvas, Oil, Acrylic

Contemporary Abstract Painting, "Graphic Splash" (blue, violet, peach)
Located in New York, NY
A violet impasto stroke of color is positioned next to a raspberry violet form in this contemporary abstract painting by the New York/ Hawaiian artist, Debra Drexler. The shapes create a layers of cut-out colors with cool blues, peach orange and yellows. Debra Drexler maintains studios in both New York and Oahu, and her work is informed by her unique bi-coastal experience. In her luminous, large-scale abstract paintings, she brings the transcendent experience of the Hawaiian landscape to a New York audience. Through her New York based studio and curatorial practices, she is also deeply engaged in critical conversation surrounding new abstraction. She states “Abstraction takes us to a state of timelessness that is primal in its humanity, disconnecting us momentarily from the mediated “now” of our electronic devices, and connecting us to a “now” that gives us a glimpse of the infinite. While our insistent digital projections can take us away from both our animal and spiritual nature, abstract painting reminds us again of what it means to be human. The corporality of the paint mirrors the flesh of the body and transports us into the timeless.” Debra Drexler's paintings are informed both by participating in the contemporary resurgence of abstraction coming out of New York, and by living in the Post Colonial Pacific for close to three decades. In the 21st century, much of our experience is mediated through the screens of our devices. In contrast, the making and viewing of paintings remains a direct, engaging experience in Drexler's paintings. She aims to take us to a state of timelessness that is primal in its humanity, disconnecting us momentarily from the mediated “now” of our electronic devices, and connecting us to a “now” that gives us a glimpse of the infinite. As a colorist, Debra Drexler provokes unexpected color relationships and creates spatial contradictions that come from those interactions. Some of her color choices reference the post digital experience with its highly saturated synthetic color. The luminosity and saturation also mirror the unique quality of light and tropical color interactions in Hawai’i, where Drexler also lives. Her work is driven by an athletic painting...
Category

2010s Abstract Synthetic Resin More Art

Materials

Canvas, Oil, Acrylic

"Indigo Pool" Contemporary Abstract Painting, indigo blue, turquoise, rose red
Located in New York, NY
48"x36" abstract composition in indigo blue, turquoise and rose on a white ground. The painting surface incorporates impasto brushwork and poured paint to give an active composition. This painting is signed on reverse by the artist, Debra Drexler. Debra Drexler maintains studios in both New York and Oahu, Hawaii, and her work is informed by her unique bi-coastal experience. In her luminous, large-scale abstract paintings, she brings the transcendent experience of the Hawaiian landscape to a New York audience. Through her New York based studio and curatorial practices, she is also deeply engaged in critical conversation surrounding new abstraction. She states “Abstraction takes us to a state of timelessness that is primal in its humanity, disconnecting us momentarily from the mediated “now” of our electronic devices, and connecting us to a “now” that gives us a glimpse of the infinite. While our insistent digital projections can take us away from both our animal and spiritual nature, abstract painting reminds us again of what it means to be human. The corporality of the paint mirrors the flesh of the body and transports us into the timeless.” Debra Drexler's paintings are informed both by participating in the contemporary resurgence of abstraction coming out of New York, and by living in the Post Colonial Pacific for close to three decades. In the 21st century, much of our experience is mediated through the screens of our devices. In contrast, the making and viewing of paintings remains a direct, engaging experience in Drexler's paintings. She aims to take us to a state of timelessness that is primal in its humanity, disconnecting us momentarily from the mediated “now” of our electronic devices, and connecting us to a “now” that gives us a glimpse of the infinite. As a colorist, Debra Drexler provokes unexpected color relationships and creates spatial contradictions that come from those interactions. Some of her color choices reference the post digital experience with its highly saturated synthetic color. The luminosity and saturation also mirror the unique quality of light and tropical color interactions in Hawai’i, where Drexler also lives. Her work is driven by an athletic painting...
Category

2010s Abstract Synthetic Resin More Art

Materials

Canvas, Acrylic

"Orange Meander" Large Scale Abstract Painting
Located in New York, NY
84"x60" oil and acrylic on canvas, signed on reverse by the artist. This is a contemporary abstract painting by the New York/ Hawaiian artist, Debra Drexler. Pinks and oranges inte...
Category

2010s Abstract Synthetic Resin More Art

Materials

Canvas, Oil, Acrylic

"Azure Fade" Contemporary Abstract Painting
Located in New York, NY
72"x48" acrylic and oil on canvas, signed on reverse by the artist. This is a contemporary abstract painting by the New York/ Hawaiian artist, Debra Drexler. A cool blue pool of col...
Category

2010s Abstract Synthetic Resin More Art

Materials

Canvas, Oil, Acrylic

"Symbiosis" Contemporary Large Scale Abstract Painting 60"x48"
Located in New York, NY
60"x 48" acrylic on canvas, signed on reverse by the artist. This is a contemporary abstract painting by the New York/ Hawaiian artist, Debra Drexler. Turquoise and violet raspberry colored forms reminiscent of Matisse cut outs, curl in a textural ground of brushed and poured paint. Drexler's process of composed shapes and fields of color are created with brushwork, poured glazes and and textural depth. This immersive and expressive painting is created with vibrant colors, which react beautifully with each other to create a rhythm of forms that is meditative and contemplative. Debra Drexler's paintings are informed both by participating in the contemporary resurgence of abstraction coming out of New York, and by living in the Post Colonial Pacific for close to three decades. In the 21st century, much of our experience is mediated through the screens of our devices. In contrast, the making and viewing of paintings remains a direct, engaging experience in Drexler's paintings. She aims to take us to a state of timelessness that is primal in its humanity, disconnecting us momentarily from the mediated “now” of our electronic devices, and connecting us to a “now” that gives us a glimpse of the infinite. As a colorist, Debra Drexler provokes unexpected color relationships and creates spatial contradictions that come from those interactions. Some of her color choices reference the post digital experience with its highly saturated synthetic color. The luminosity and saturation also mirror the unique quality of light and tropical color interactions in Hawai’i, where Drexler also lives. Her work is driven by an athletic...
Category

2010s Abstract Synthetic Resin More Art

Materials

Canvas, Acrylic

Blaze, 72"x60" Contemporary Abstract Painting
Located in New York, NY
72"x60" signed on reverse by the artist. This is a contemporary abstract painting by the New York/ Hawaiian artist, Debra Drexler. Vibrant red, violet and pink fields of color are contrasted by sky blue and golden yellow in this gestural abstract painting. An impressive statement piece by the artist. Debra Drexler's paintings are informed both by participating in the contemporary resurgence of abstraction coming out of New York, and by living in the Post Colonial Pacific for close to three decades. In the 21st century, much of our experience is mediated through the screens of our devices. In contrast, the making and viewing of paintings remains a direct, engaging experience in Drexler's paintings. She aims to take us to a state of timelessness that is primal in its humanity, disconnecting us momentarily from the mediated “now” of our electronic devices, and connecting us to a “now” that gives us a glimpse of the infinite. As a colorist, Debra Drexler provokes unexpected color relationships and creates spatial contradictions that come from those interactions. Some of her color choices reference the post digital experience with its highly saturated synthetic color. The luminosity and saturation also mirror the unique quality of light and tropical color interactions in Hawai’i, where Drexler also lives. Her work is driven by an athletic painting...
Category

2010s Abstract Synthetic Resin More Art

Materials

Canvas, Oil, Acrylic

Gestural Abstract Large Scale Painting, Vibrant Contemporary "Sapphire Bridge"
Located in New York, NY
48"x72" signed on reverse by the artist. This is a contemporary abstract painting by the New York/ Hawaiian artist, Debra Drexler. Bright, nearly neon orange and pink fields of color are contrasted by an electric blue large path brushstroke. The composition and color are reminiscent of the coral, magenta and rose sunset against a blue body of water. Debra Drexler's paintings are informed both by participating in the contemporary resurgence of abstraction coming out of New York, and by living in the Post Colonial Pacific for close to three decades. In the 21st century, much of our experience is mediated through the screens of our devices. In contrast, the making and viewing of paintings remains a direct, engaging experience in Drexler's paintings. She aims to take us to a state of timelessness that is primal in its humanity, disconnecting us momentarily from the mediated “now” of our electronic devices, and connecting us to a “now” that gives us a glimpse of the infinite. As a colorist, Debra Drexler provokes unexpected color relationships and creates spatial contradictions that come from those interactions. Some of her color choices reference the post digital experience with its highly saturated synthetic color. The luminosity and saturation also mirror the unique quality of light and tropical color interactions in Hawai’i, where Drexler also lives. Her work is driven by an athletic painting...
Category

2010s Abstract Synthetic Resin More Art

Materials

Canvas, Oil, Acrylic

Unique Hand-Painted Zebra Chair Wood - Modern Luxury Chair by Mahesh Sharma
Located in Faridabad, IN
Unveil a one-of-a-kind creation by artist Mahesh Sharma: a hand-painted zebra-striped chair crafted from solid wood with acrylic finishes. This contemporary masterpiece, featuring a ...
Category

21st Century and Contemporary Abstract Geometric Synthetic Resin More Art

Materials

Wood, Acrylic

Abstract Blue Hand-Painted Side Table
Located in Faridabad, IN
Elevate your modern living room with this stunning abstract blue hand-painted side table, expertly crafted by multidisciplinary artist Mahesh Sharma. Featuring vibrant blues, textur...
Category

21st Century and Contemporary Abstract Synthetic Resin More Art

Materials

Epoxy Resin, Wood, Acrylic

Abstract Hand Painted Table - One of a Kind
Located in Faridabad, IN
Discover the "Chromatic Symphony," a stunning statement piece by artist Mahesh Sharma that blends bold artistry with functional design. This unique table features a vibrant circular ...
Category

2010s Abstract Synthetic Resin More Art

Materials

Epoxy Resin, Wood, Acrylic

SF64-045, Sam Francis, Acrylic, American Abstraction, Postwar, Work on paper
Located in Geneva, CH
SF64-045, Sam Francis, Acrylic, American Abstraction, Postwar, Work on paper 1964 Acrylic on paper 73 x 56.5 cm 94 x 75 cm / 37 x 29.5 in. (w...
Category

1960s Abstract Synthetic Resin More Art

Materials

Paper, Acrylic

Brooch # 3 - Made by Shadows #3
Located in New York, NY
Ann Parkin’s current work is an exploration of new possibilities in technique and materials, as well as the expression of a new imagery for art jewelry. Historically, art and particularly craft, have been vehicles for the symbols, images and visual metaphors of society’s current view of its world and the “nature” of which it finds itself a part. Discoveries and techniques at the leading edge of science have given us astounding views of new levels of nature and reality and have provided opportunities for the development of a new set of imagery and symbols for our time. Parkin’s work has been inspired by the vast visual potential of such scientific areas as electron microscopy, nuclear imaging, “Chaos” physics, and particularly subatomic particle physics. The graphic imagery of Parkin’s current work is not, in the traditional sense, abstract but rather is a representational view of nature that we are among the first generations to see. The images of the Particle Shower series are based upon the visual records of subatomic particle physics, which show the tracks left by subatomic particles as they pass through the bubble and cloud chambers once used by nuclear physicists. Parkin reflects that, “It has been said that Science is the Religion of the modern age. If that is even in part true, then it points the way to an exciting new approach to ornamentation and imagery that goes beyond the commonly observable surface reality to re-establish the fundamental role of art/craft - the articulation and expression of underlying patterns of the natural order as an integral aspect of our created personal environment.” Born in Toronto, Canada in 1956, Ann Parkin received a Bachelor of Fine Arts degree from New York University in 1978 and a Gemological Diploma from the Gemological Association of Great Britain in 1987. She studied metalwork, jewelry and enameling at the 92nd Street Y in New York City with renowned jewelry artists Robert Ebendorf, Rebekah Laskin, Charles Lewton-Brain and John Cogswell. Parkin’s work has appeared in group exhibitions, and as a featured artist, at Aaron Faber Gallery, NYC; Oms Gallery, NJ; Objects of Desire, Louisville, KY; Society of Arts and Crafts, Boston, MA; Newport Harbor Art Museum, Newport Beach, CA; New Jersey Designer Craftsmen Gallery, New Brunswick, NJ; Greater Denton Arts Council, Denton, TX; Artist-Craftsmen of New York, NYC; Crafts National 26, Penn State University, PA; The Farrell Collection, Washington, DC; Contemporary Crafts Gallery, Portland, OR; Views Gallery, Manayunk, PA; Sculpture to Wear, Los Angeles, CA; Craft Students League, NYC; Joan Michlin...
Category

2010s Abstract Synthetic Resin More Art

Materials

Thread, Wood, Paper, Acrylic

Brooch #2 - Made by Shadows #2
Located in New York, NY
Ann Parkin’s current work is an exploration of new possibilities in technique and materials, as well as the expression of a new imagery for art jewelry. Historically, art and partic...
Category

2010s Abstract Synthetic Resin More Art

Materials

Thread, Wood, Paper, Acrylic

Brooch # 1- Made by Shadows #1
Located in New York, NY
Ann Parkin’s current work is an exploration of new possibilities in technique and materials, as well as the expression of a new imagery for art jewelry. Historically, art and particularly craft, have been vehicles for the symbols, images and visual metaphors of society’s current view of its world and the “nature” of which it finds itself a part. Discoveries and techniques at the leading edge of science have given us astounding views of new levels of nature and reality and have provided opportunities for the development of a new set of imagery and symbols for our time. Parkin’s work has been inspired by the vast visual potential of such scientific areas as electron microscopy, nuclear imaging, “Chaos” physics, and particularly subatomic particle physics. The graphic imagery of Parkin’s current work is not, in the traditional sense, abstract but rather is a representational view of nature that we are among the first generations to see. The images of the Particle Shower series are based upon the visual records of subatomic particle physics, which show the tracks left by subatomic particles as they pass through the bubble and cloud chambers once used by nuclear physicists. Parkin reflects that, “It has been said that Science is the Religion of the modern age. If that is even in part true, then it points the way to an exciting new approach to ornamentation and imagery that goes beyond the commonly observable surface reality to re-establish the fundamental role of art/craft - the articulation and expression of underlying patterns of the natural order as an integral aspect of our created personal environment.” Born in Toronto, Canada in 1956, Ann Parkin received a Bachelor of Fine Arts degree from New York University in 1978 and a Gemological Diploma from the Gemological Association of Great Britain in 1987. She studied metalwork, jewelry and enameling at the 92nd Street Y in New York City with renowned jewelry artists Robert Ebendorf, Rebekah Laskin, Charles Lewton-Brain and John Cogswell. Parkin’s work has appeared in group exhibitions, and as a featured artist, at Aaron Faber Gallery, NYC; Oms Gallery, NJ; Objects of Desire, Louisville, KY; Society of Arts and Crafts, Boston, MA; Newport Harbor Art Museum, Newport Beach, CA; New Jersey Designer Craftsmen Gallery, New Brunswick, NJ; Greater Denton Arts Council, Denton, TX; Artist-Craftsmen of New York, NYC; Crafts National 26, Penn State University, PA; The Farrell Collection, Washington, DC; Contemporary Crafts Gallery, Portland, OR; Views Gallery, Manayunk, PA; Sculpture to Wear, Los Angeles, CA; Craft Students League, NYC; Joan Michlin...
Category

2010s Abstract Synthetic Resin More Art

Materials

Thread, Wood, Paper, Acrylic

"Aquatic Forest" Contemporary Abstract Painting in violet, turquoise blue, pink
Located in New York, NY
Vertical elongated forms in rose pink, mauve, lavender and turquoise blue rise over a layered field of cream white ground brushed with violet in this large scale abstract painting. W...
Category

2010s Abstract Synthetic Resin More Art

Materials

Canvas, Acrylic

"Thawed Rose" Abstract painting in rose pink, fuchsia, magenta and blue.
Located in New York, NY
This is a contemporary abstract painting by the New York/ Hawaiian artist, Debra Drexler. Magenta and blue forms central to the painting are surrounded by rose pink, mauve, lavender rise over a field of blue. You can see the influence of tropical colors in this canvas and a wistful yearning for the beach and the sea. Debra Drexler is an American painter, installation artist, curator and professor. Her work is informed both by participating in the contemporary resurgence of abstraction coming out of New York, and by living in the Post Colonial Pacific since 1992. She has participated in over thirty solo and over 100 group exhibitions in national and international venues including Front Room Gallery, Exit Art, The Drawing Center, White Box-The Annex, Art Finance Partners, Van Der Plas Gallery, Sideshow Gallery, and Denise Bibro Gallery in New York, as well The Honolulu Museum of Art and Maui Arts and Cultural Center. Debra Drexler is a Professor at the University of Hawaii, where she is Chair of the Drawing and Painting Area. She maintains studios in Brooklyn, NY and on the island of Oahu in Hawai’i. Debra Drexler's most recent work is highly experimental large-scale abstract painting. In a recent review of a two-person exhibition (Whitehot Magazine,2017) Drexler's work as clearly referencing the long tradition of American abstraction and the established legacy of the New York School. The reviewer, Jonathan Goodman, described the work as a “new non-objectivity” that comes out of the current moment. He states that Drexler's painting “quite accurately describes the spirit of abstract art today, in which painting is struggling to break free of the constraints of time." Debra Drexler frequently uses hot pink, a color with heavily gendered associations. Her hot pink brushstrokes...
Category

2010s Abstract Synthetic Resin More Art

Materials

Acrylic

"Pulse, Whirl" Abstract Painting in magenta, pinks and blues with golden yellow
Located in New York, NY
This is a contemporary abstract painting by the New York/ Hawaiian artist, Debra Drexler. Magenta and blue forms central to the painting are surrounded by rose pink, mauve, lavender and turquoise blue rise over a field of blue. You can see the influence of tropical colors in this canvas and a wistful yearning for the beach and the sea. Debra Drexler is an American painter, installation artist, curator and professor. Her work is informed both by participating in the contemporary resurgence of abstraction coming out of New York, and by living in the Post Colonial Pacific since 1992. She has participated in over thirty solo and over 100 group exhibitions in national and international venues including Front Room Gallery, Exit Art, The Drawing Center, White Box-The Annex, Art Finance Partners, Van Der Plas Gallery, Sideshow Gallery, and Denise Bibro Gallery in New York, as well The Honolulu Museum of Art and Maui Arts and Cultural Center. Debra Drexler is a Professor at the University of Hawaii, where she is Chair of the Drawing and Painting Area. She maintains studios in Brooklyn, NY and on the island of Oahu in Hawai’i. Debra Drexler's most recent work is highly experimental large-scale abstract painting. In a recent review of a two-person exhibition (Whitehot Magazine,2017) Drexler's work as clearly referencing the long tradition of American abstraction and the established legacy of the New York School. The reviewer, Jonathan Goodman, described the work as a “new non-objectivity” that comes out of the current moment. He states that Drexler's painting “quite accurately describes the spirit of abstract art today, in which painting is struggling to break free of the constraints of time." Debra Drexler frequently uses hot pink, a color with heavily gendered associations. Her hot pink brushstrokes...
Category

2010s Abstract Synthetic Resin More Art

Materials

Acrylic, Canvas

Violet Portal 72"X48" Contemporary Abstract Painting
Located in New York, NY
72"x48" acrylic and oil on canvas, signed on reverse by the artist. This is a contemporary abstract painting by the New York/ Hawaiian artist, Debra Drexler. Violet and blue hues are contrasted with neon orange and deep red orange forms. A circular form of violet attracts a central focus in the fields light orange and nearly pastel blue undertones in this stunning vibrant painting by the artist Debra Drexler's paintings are informed both by participating in the contemporary resurgence of abstraction coming out of New York, and by living in the Post Colonial Pacific for close to three decades. In the 21st century, much of our experience is mediated through the screens of our devices. In contrast, the making and viewing of paintings remains a direct, engaging experience in Drexler's paintings. She aims to take us to a state of timelessness that is primal in its humanity, disconnecting us momentarily from the mediated “now” of our electronic devices, and connecting us to a “now” that gives us a glimpse of the infinite. As a colorist, Debra Drexler provokes unexpected color relationships and creates spatial contradictions that come from those interactions. Some of her color choices reference the post digital experience with its highly saturated synthetic color. The luminosity and saturation also mirror the unique quality of light and tropical color interactions in Hawai’i, where Drexler also lives. Her work is driven by an athletic painting...
Category

2010s Abstract Synthetic Resin More Art

Materials

Canvas, Oil, Acrylic

Contemporary Abstract Painting, "Verdant Shield" (w/ green, turquoise, blue
Located in New York, NY
"Verdant Shield" is an apt titled for this green toned abstract painting by Debra Drexler. Blues and turquoise create vertical fields of color atop an atmospheric background of pinks and light blue to create an immersive dimensional depth. Debra Drexler maintains studios in both New York and Oahu, and her work is informed by her unique bi-coastal experience. In her luminous, large-scale abstract paintings, she brings the transcendent experience of the Hawaiian landscape to a New York audience. Through her New York based studio and curatorial practices, she is also deeply engaged in critical conversation surrounding new abstraction. She states “Abstraction takes us to a state of timelessness that is primal in its humanity, disconnecting us momentarily from the mediated “now” of our electronic devices, and connecting us to a “now” that gives us a glimpse of the infinite. While our insistent digital projections can take us away from both our animal and spiritual nature, abstract painting reminds us again of what it means to be human. The corporality of the paint mirrors the flesh of the body and transports us into the timeless.” Debra Drexler's paintings are informed both by participating in the contemporary resurgence of abstraction coming out of New York, and by living in the Post Colonial Pacific for close to three decades. In the 21st century, much of our experience is mediated through the screens of our devices. In contrast, the making and viewing of paintings remains a direct, engaging experience in Drexler's paintings. She aims to take us to a state of timelessness that is primal in its humanity, disconnecting us momentarily from the mediated “now” of our electronic devices, and connecting us to a “now” that gives us a glimpse of the infinite. As a colorist, Debra Drexler provokes unexpected color relationships and creates spatial contradictions that come from those interactions. Some of her color choices reference the post digital experience with its highly saturated synthetic color. The luminosity and saturation also mirror the unique quality of light and tropical color interactions in Hawai’i, where Drexler also lives. Her work is driven by an athletic painting...
Category

2010s Abstract Synthetic Resin More Art

Materials

Canvas, Acrylic

Blue Poetry I
Located in Los Angeles, CA
Bettina Mauel expresses dynamism and sensuality in her paintings: “I paint what I experience,” she articulates. “This includes landscapes, flowers, and people in motion, capturing th...
Category

2010s Abstract Synthetic Resin More Art

Materials

Canvas, Acrylic

Blue and Purple Art, Abstract Art, Modern Art-Illumination Collection of 3
Located in Delaware , OH
Blue and Purple Art, Abstract Art, Modern Paintings-Illumination Series of 3 This piece of artwork changes color as you move to the left and to the right. Addison's thoughts on the...
Category

21st Century and Contemporary Abstract Synthetic Resin More Art

Materials

Canvas, Acrylic

"Adalt" Abstract Figurative Painting of Two Abstract Figures
Located in Houston, TX
Abstract black and blue painting by Spanish artist Carlos Planell of two blocky figures from the 1960's. The black dots across the canvas penet...
Category

1960s Abstract Synthetic Resin More Art

Materials

Oil, Acrylic

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