Onelio Marrero

Eye of the Beholder, Oil Painting

2023

Artist Comments
Artist Onelio Marrero presents an impressionist piece exploring ponds, koi, and goldfish—part of his ongoing series focusing on freshwater fauna. "Koi and Goldfish are considered lucky because, despite their bright colors attracting predators, they have useful survival instincts," shares Onelio. These fish take advantage of reflections of the sky and trees on the water's surface to hide from predators. Onelio capitalizes on the effects of the clear sky and silhouetted trees reflected on the pond to partially mask the exotic fish.

About the Artist
Artist Onelio Marrero paints impressionist city scenes of everyday life. He captures the romanticism of New York City, from the picturesque fountains in Central Park to a glistening city street on a rainy afternoon. He creates a sense of nostalgia and intimacy with his work, offering the feeling that you have visited this particular scene before. “Each play of light, each texture, and each movement of a figure can have a captivating effect on me,” says Onelio. He studied at The Cooper Union for the Advancement of Science and Art where he mastered discerning color and values, giving his work a more spontaneous appearance. Onelio’s work is an appreciation for beauty in all of its greatest forms; nature, art, and people.

Words that describe this painting: koi, goldfish, water, pond, lake, swim, reflection, liquid, rocks, pebbles, animal, oilpaint, impressionism, impressionism, animals, oil painting, green

Hidden Gems...

Artist Comments
A poignant image of a young woman lying in bed by artist Onelio Marrero. She is clothed in white laying on a plush bed looking wistfu...

Artist Comments
Artist Onelio Marrero visited a place in New Jersey called The Grounds For Sculpture. The gardens there are replete with exotic flora and fauna. Overlapping the...

Artist Comments
Reflections in the water capture the feel of morning light at a pond in Northern New Jersey. Water lilies in the shadowed foreground lead the eye to the edge of...