Women More Art

Big Nude By Helmut Newton 1992 Medium: Offset Lithograph Paper Size: 33 x 23.25 inches ( 84 x 59 cm ) Image Size: 25.5 x 19.75 inches ( 65 x 50 cm ) Edition Size: Unknown

Lithograph from 1952. Dimensions of work: 35 x 26 cm Publisher: Tériade, Paris. On the verso another Lithographs in black. The work is in Excellent condition. Fast and secure sh...

Modern Impressionist Ballet Scene of Three Dancers Backstage in Tutus a Signed Oil Painting on Canvas, mounted on stretchers and framed in bespoke handmade Frame. This is a large Oil...

Twentieth Century Traditional style Figurative Portrait Oil Painting on Canvas of Lady in a Victorian Dress. Beautiful Model in a white Victorian Gown wearing elegant gloves and looking pensive. Beautifully modelled and featuring Helen as the model who worked with the artist in the late 1980's. RENE JEROME LEGRAND British born 1953 Rene Legrand...

Mother Goddess Figurine Early Indus Valley Civilization (circa 3500 - 2800 BC) Handmade pottery, 140 mm x 45 mm, 60 g Provenance: Prince Collection, 1990s-2014; Pierre Bergé Colle...

Marilyn Minter Merry Merry: Limited Edition Large Christmas Stickers, 2007 One oversized sheet of die-cut vinyl stickers which rolls up and ships in a tube with original tube from ar...

Original art by Daria Kusto. Acrylic , acrylic spray on canvas Shipped rolled in a tube, From Spain.

Modern Impressionist Ballet Oil Painting showing Ballet Dancers in their tutus backstage at the theatre. A Signed and Framed Oil on Canvas on stretchers, it has a choice of a modern...

This piece titled "MySpace Tom No. 6" is a one-of-a-kind original piece by Nicole Nikolich (Lace in the Moon) and is made from crochet acrylic. This piece measures 30"h x 33"w framed...

This piece titled "MySpace Tom No. 7" is a one-of-a-kind original piece by Nicole Nikolich (Lace in the Moon) and is made from crochet acrylic. This piece measures 30"h x 33"w framed...

Etching and aquatint, 1918. Wide margins. Second state (of 2) with the darker toned background. Edition of approximately only 13 (in both the first and second states combined). Si...

Abstract Expressionist Collage in Acrylic on Paper Bright, saturated abstract painting with collage by California-based artist Ricardo de Silva (American/Brazil, 20th C). Bold red,...

Paul Dubois (1829 Nogent-sur-Seine - 1905 Paris), Florentine singer, 1865. Light brown patinated bronze with cast round plinth mounted on a square marble base (3.5 cm high). Total height 53 cm. Bronze dimensions: 49.5 cm (height) x 20 cm (length) x 10 cm (width), weight 5.6 kg. Inscribed on the plinth "P.[aul] DUBOIS", dated "1865", with the foundry's mark "F. BARBEDIENNE FONDEUR" and the signet "REDUCTION MECANIQUE A. COLLAS". - Patina very occasionally darkened, lute with loss of one tuning peg, otherwise in excellent condition. - The renaissance of the Renaissance - The bronze is a precisely executed and masterfully cast contemporary reduction of Paul Dubois 155 cm tall masterpiece "Florentine Singer", which is exhibited in the Musée d'Orsay and for which the artist was awarded the Medal of Honor at the Paris Salon in 1865. The work acted as a beacon, and was followed by a plethora of depictions of juveniles. Inspired by Donatello and Luca della Robbia, but also by painters such as Piero della Francesca, Benozzo Gozzoli, and Pinturicchio, the "Florentine Singer" is not an epigonal work that pays homage to a vanished era, but a successful attempt to draw vitality from the art of the past and thus give it new life. The effect of vitality is the core of Italian Renaissance art theory. In order to fulfill itself as art, art had to appear like nature. This naturalism also characterizes the "Florentine Singer". The young man appears to have been taken from life, which is reinforced by the momentary nature of his action. He has just struck a now fading chord. In addition, the natural appearance is enhanced by the detailed shaping of the figurative details, such as the laces with the slightly curved leather of the shoes, the belt buckle, or the ornamentation on the body of the lute. Even the fingernails are clearly defined. Unlike the Renaissance, however, the effect of liveliness here is not based on the "discovery" of nature and the human body, but primarily on the rediscovery of the art of the Quattrocento. The liveliness of the artwork is therefore at the same time a revitalization of this art, so that we can speak of a Renaissance of the Renaissance, just as the Pre-Raphaelites in England at the same time transferred the Quattrocento to contemporary art. Dubois takes on the most difficult of all subjects, the depiction of singing through silent sculpture. He was preceded in this by Luca della Robbia and Donatello with their pulpits of singers created in the 1430s in the Museo dell'Opera del Duomo in Florence. Compared to these works, the physiognomy of Dubois singer is far less animated, yet he also depicts singing in a convincing manner. He uses the whole body. He takes the ancient contrapposto, which was essential to Renaissance sculpture, and transforms the standing leg-playing posture into a late medieval S-swing, giving the body an elegant beauty and at the same time setting it in melodic motion. In the equally elegant finger position, the music is expressed in a much more literal way with the beating of the lute. Finally, the musicality of the sculpture culminates in the face with the mouth open to sing. Through the act of singing, which is a great challenge to the artistic will to depict perfect beauty, the gracefulness of the classical face is not diminished, but enhanced. Starting from the face with the singing mouth and the gaze absorbed by the sounds, the inner vitality spreads, giving the bronze sculpture an intense aura, enhanced by the music. Dubois transfers the beauty of the Renaissance to the musical, sublimating the visible sculpture to the invisible of music. He took up the challenge of transcending the Renaissance with the Renaissance, thus responding to the Querelle des Anciens et des Modernes, which arose at the end of the 17th century around the French Academy and remained virulent into the 19th century, in which antiquity was regarded either as an unattainable ideal or as a standard to be surpassed. With his work, Dubois proved that the Renaissance, which had championed the art of the ancients, could lead to a new renaissance of art. About the artist Paul Dubois' great-uncle was the famous French Baroque sculptor Jean-Baptiste Pigalle, in whose footsteps the talented great-nephew followed. When he debuted at the Paris Salon in 1858, he signed his work "Dubois-Pigalle". At his father's request, however, he first studied law before devoting himself to sculpture under the tutelage of François Christophe Armand Toussaint in 1856 and entering the École des Beaux-Arts in 1858. From 1859 to 1863, he lived in Rome and traveled to Naples and Florence. Inspired by Florentine art of the quattrocento, Dubois initiated a school-forming neo-Florentine style that combined the elegantly simple forms of youthful grace with a precise wealth of detail.Two purchases by the French state (“envois de Rome”) were made during his stay in Rome, which brought him recognition in Paris. After his return there, he quickly became an internationally sought-after artist. Dubois was also active as a creator of monuments. His most famous work is the equestrian statue of Joan of Arc (1896) on the forecourt of Reims Cathedral. He was also a sought-after portraitist who produced around 50 busts and - Dubois was also a passionate painter - around 100 portraits in oil. From 1873 to 1878 he was curator of the Museum du Luxembourg, in 1876 he became a member of the Institut de France and from 1878 to 1905 he was director of the École des Beaux-Arts. In 1865, Dubois was awarded the Paris Salon Medal of Honor for his “Florentine Singer”. In 1867 he became Chevalier, in 1874 Officier, in 1886 Commandeur of the Légion d'honneur, which awarded Dubois the Grande Croix in 1896. Selected Bibliography Stole, Elmar: Paul Dubois. In: Saur. Allgemeines Künstlerlexikon, vol. 30, Munich - Leipzig 2001, pp. 677-678. GERMAN VERSION Paul Dubois (1829 Nogent-sur-Seine - 1905 Paris), Florentinischer Sänger, 1865. Hellbraun patinierte Bronze mit gegossener runder Plinthe auf quadratischem Marmorsockel montiert (3,5 cm Höhe). Gesamthöhe 53 cm. Maße der Bronze: 49,5 cm (Höhe) x 20 cm (Länge) x 10 cm (Breite), Gewicht 5,6 kg. Auf der Plinthe mit „P.[aul] DUBOIS“ bezeichnet, auf „1865“ datiert, mit dem Gießereistempel „F. BARBEDIENNE FONDEUR“ und dem Signet „REDUCTION MECANIQUE A. COLLAS“ versehen. - Patina sehr vereinzelt nachgedunkelt, Laute mit Verlust eines Stimmwirbels, ansonsten ausgezeichnet erhalten. - Die Renaissance...

Polymer Gravure on paper. Signed by the artist, dated, and numbered 87/100 in pencil lower margin. Titled in pencil, lower left. Published by White Cube Editions, London.

Victorian Male Realistic Portrait Oil Painting of Cavalier in Period Costume. Signed Oil Painting on Canvas, on stretchers and Framed in period Frame. A humorous and beautifully pai...

Color lithograph. Signed by the artist and dated in pencil, lower right. Artist's proof, aside from edition of 100.

Poster of Sarah Bernhart Playing Hamlet. Paris. Mint condition. Linen-backed. Sarah Bernhardt's groundbreaking portrayal of Hamlet, performed in French, is masterfully captured in Alphonse Mucha's poster. Mucha emphasizes the play's themes of vengeance and mortality, depicting the ghost of Hamlet's murdered father haunting the ramparts of Elsinore in the background, while the tragic drowned Ophelia, adorned with flowers, rests in a coffin-like panel at Hamlet’s feet. This powerful image marks Mucha's final poster commission that depicts the celebrated French actress. The vintage poster is linen-backed and is in excellent condition. Bernhardt famously played Hamlet in 1899, becoming the first woman to embody the role on stage and later in a film adaptation. Her bold interpretation challenged conventional gender roles and pushed the boundaries of performance, establishing her as a pioneer in both theater and early cinema...

Nobuyoshi Araki Geisha Skateboard Triptych, ca. 2014 Set of (3) Skateboards of Silkscreen on 7 ply Canadian Maplewood Deck Signed in plate, Each signed on the deck and hand numbered ...

Contemporary Impressionist Oil Painting of a Beach Scene of Children playing at the Seaside. Children playing with their fishing nets and buckets and spades exploring the rockpools and building sandcastles, what a really wonderful way to spend the day! "The Green Net" oil on canvas, signed and framed by Rene Jerome...

Anupam Sud - Pastel on Paper 11 x 10 inches 2002 ( Unframed & Door Delivered ) Born January 15, 1944 Hoshiarpur, Punjab Education 1990 Study Tour of USA u...

Dakar By Pablo Picasso 1972 Medium: Lithograph Paper Size: 30 x 21 inches ( 76 x 53 cm ) Image Size: 22.25 x 17 inches ( 57 x 43 cm ) Edition Size: 800

Everything Everywhere All At Once (A24 Variant) Poster by James Jean Edition size of 1000 Poster size of 24" x 34.75" Lithograph sign...

Victorian Impressionist Landscape Oil of Washerwomen on bank of River, Nice in France. "Washerwomen on the River Paillon, Nice in France" Oil on Canvas on original stretchers, Si...

Victorian style Landscape with ladies feeding Geese in the Swiss town of Novelle. Oil on Canvas on stretchers and framed i original gold frame. Though painted in the very brief Edw...

Anonymous, Bust of a young woman, c. 1900, artificial marble and gray onyx marble. 37 cm (height) x 37 cm (width) x 22 cm (depth), weight 17.2 kg. Signed “GURRINI” on the reverse. -...

172 Dessins Recents By Pablo Picasso 1972 Medium: Lithograph Paper Size: 28.25 x 19 inches ( 72 x 48 cm ) Image Size: 19.5 x 15 inches ( 50 x 38 cm ) Edition Size: 5,200

Ex Libris 1982, paper, ink, gouache, 17,5х13 cm Information about artist: Gunārs Vīndedzis (1918 - 1991) - cartoonist, illustrator. Born in a fami...

Palais Des Papes, Tete De Femme By Pablo Picasso 1978 Medium: Lithograph Paper Size: 29.75 x 20 inches ( 76 x 51 cm ) Image Size: 20.5 x 15.5 inches ( 52 x 39 cm ) Edition Size...

An academic drawing of a female nude figure sitting atop a flat surface. He highlights the body with white chalk. She leans on one arm and the other rests behind her torso. Artist B...

Large 19th-century decorative shield. Finely carved and gilded wood work with mythological motifs and figures, signed F. Barbedienne Paris, attributed to the great French foundryman ...

Traditional Style Contemporary Impressionist Oil painting on canvas of beautiful Lady lounging on Sofa with Cocktail in her hand. Painted from Life with the Model sitting at the artist's studio. A beautiful and evocative painting that is both sexy and demure. Rene Jerome Legrand (Born 1953) "Little Black Dress" - Oil on Canvas, Signed and Framed Rene Legrand...

Modern Impressionist Beach Scene Oil of Three young children playing sandcastles on the beach. "Day at the Beach" Oil on Canvas, laid on board, Signed and Framed by Rene Jerome Legr...

Woman in an Armchair By Pablo Picasso 2002 Medium: Offset Lithograph Paper Size: 35 x 22.5 inches ( 89 x 57 cm ) Image Size: 22.5 x 17.75 inches ( 57 x 45 cm ) Edition Size: 500

"Boy Reflection" is an abstract expressionist painting of a boy's reflection onto the surface of a lily pond. An exciting new series out of Darius Yektai’s studio this year, shows r...

Tina Barney Players (Signed and dated by Tina Barney), 2010 Hardback monograph with dust jacket (Hand signed and dated by Tina Barney) Signed and dated 3/9/2011 by Tina Barney 9 × 12...

A beautiful decorative screen featuring elegant women in a garden setting painted by the renowned American illustrator Howard Chandler Christy. Medium: Oil on Panel in Three Parts D...

LARGE ITALIAN RENAISSANCE MARBLE CAPITAL Florence, 15th/16th Century marble 38 x 47 x 47 cm 15 x 18 1/2 x 18 1/2 in

"Dark" is an original piece by Kay Seohyung Lee made from oil on canvas. This piece measures 24”h x 18”w and comes with a gallery-issued Certificate o...

This piece, titled "Étudient" is an original artwork by Anuj Shrestha, made in part of his traveling artist residency with The Jaunt. Through the program, Shrestha was able to travel...

This piece titled "Eye Feel So Seen" is an original painting by Sarah Detweiler and is oil paint on canvas. This piece originally debuted in Detweiler's solo exhibition "Unmasquerad...

"Virtual Feast" is an original piece by Kay Seohyung Lee made from oil on canvas. This piece measures 40"h x 40"w and comes with a gallery-issued Cert...

"Infernal Feast" is an original piece by Kay Seohyung Lee made from oil on canvas. This piece measures 24”h x 18”w and comes with a gallery-issued Cer...

Date: 1928 Medium: Etching and aquatint on wove paper Framed Dimensions: 28.00" x 31.50" Signature: Signed in pencil at lower right, with the artist’s blindstamp at lower left. “C...

Lithograph on wove paper, 1936. Edition of 100. Signed by the artist in pencil, lower right. Published by Associated American Artists, New York. Framed dimensions, 28.5 x 33.75 i...