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Tatiana LevchenkoHead of a big fish, 150x150cm, oil, acrylic, canvas
$5,250
$7,00025% Off
£4,005.62
£5,340.8325% Off
€4,560.08
€6,080.1125% Off
CA$7,378.93
CA$9,838.5825% Off
A$8,111.25
A$10,814.9925% Off
CHF 4,258.37
CHF 5,677.8225% Off
MX$96,448.54
MX$128,598.0525% Off
NOK 54,687.09
NOK 72,916.1125% Off
SEK 49,814.03
SEK 66,418.7025% Off
DKK 34,071.13
DKK 45,428.1825% Off
About the Item
The works are created without a stretcher frame; if stretched on a stretcher frame, the size will be several centimeters smaller than stated.
- Creator:
- Dimensions:Height: 59.06 in (150 cm)Width: 59.06 in (150 cm)
- Medium:
- Movement Style:
- Period:
- Condition:
- Gallery Location:Yerevan, AM
- Reference Number:1stDibs: LU1514217197712
Tatiana Levchenko
For me, the creative process is not an aesthetic act, but rather research. I have been looking for my own way to reconstruct the spiritual body. For years I have been employing two creative methods that I would, following Wassily Kandinsky, call "impressions" and "improvisation". I love working from nature while allowing myself a certain state of freedom from the necessity of literally documenting what I see, nonetheless, my presence at a sight at a moment remains its great importance. Wassily Kandinsky in his work Concerning the Spiritual in Art calls these states "impressions". I get inspired by the texture and energy of the human body, its gracefulness, and the pulsation of a biological form. At such a moment, I work under the impression of momentary emotions, trusting in gesture, in my mood, and my sense of color. The second approach is psychological diving, when I immerse myself in my intuitive, letting my hand follow up the spontaneous and visualizing it. Kandinsky defines this method as "improvisation". For me, the bizarre interaction of social stereotypes, behavior patterns, and natural reactions in the depth of the human subconscious remains a mystery. Where is a genuine me? How much "white" and how much "black" are inside my consciousness? What is the dark side of my nature? How to distinct my true nature from a product of upbringing, of the traditions of my family, the society, the era? Maybe this "black" side is not so awful as it is widely assumed, but, on the contrary, the most valuable le noir gilt, the most precious gift, and this "white" cannot be taken as my identity at all, but barely as a matrix, a mold created by the social system? In my creative practice, I work on solving this problem primarily for my own self utilizing various techniques and materials. Even working in the open air, I try finding out about the inner, hidden structure of the surrounding space…
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