Abstract Paintings

Sold as a diptych, each elements dimensions: 200 x 140 cm/ 78.8 x 55,2 inches Available to purchase also individually, price on request Artwork is exclusive to IdeelArt. This artw...

Swedish artist Jonas Fisch’s imagery is vibrantly buzzing with colorful commentary on society - past and present - morphed into figures, words, and shapes. His heavily layered canvas...

An original abstract expressionist oil painting by American female artist Irene Zevon created and dated in 1955. Signed. Really amazing cubist portrait. Irene Zevon, born in Bro...

[Constant Gardener] and [Memory Landscape Series] are projects Shizico Yi began in 2015. She explores the forms, layers, and materials to express the relationship between space, time...

PaperLandscape paper and oil on canvas 80x100 cm original art Ready to Hang Marilina Marchica, born in 1984, was born in Agrigento, where she lives and works. She graduated in Paint...

Drawing inspiration from an immersive and impressionistic interpretation of nature, Canadian artist Vé Boisvert paints textural original artworks that capture the fleeting effects of...

his painting depicts a view of patchwork fields in the Cotswolds portrayed by thick strokes of paint applied with a palette knife, exploring the variety of shapes and colours we see ...

Cubist Scene 20th Century, Continental School signed with initials pastel painting on paper on board, framed framed: 18.5 x 13.5 inches provenance: private collection, U.K condition:...

Los Angeles artist Amber Goldhammer paints dramatic abstract compositions in acrylic on canvas featuring energetic brushstrokes. Goldhammer uses her contemporary paintings to express...

Unique piece More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket of realism to...

acrylic & oil on canvas

The Perfect Coincidence series by the artist emerges as a contemporary homage to the whims of chance reminiscent of Jean Arp's technique, where he crafted new sensual forms by tearin...

Roger Lersy, "Abstract Seascape with Boats," Circa 1958. A vibrant lithograph on paper by French artist Roger Lersy (1920–2004), this stunning Cubist-inspired composition features an...

This abstract oil painting showcases a compelling investigation into the visual language of oil. The artist explores the dichotomy between dense and ethereal forms by alternating bet...

This painting is a mixed media abstract work on canvas featuring hues of orange, blue, yellow and black. Evan is inspired by the works of Frank Bowling, Helen Frankenthaler, Candida...

Barcelona artist Raul de la Torre's vibrant abstract mixed media artworks pay homage to the material. De La Torre allows the materials to take over during the process and collaborates with the unexpected to create works that speak to the natures of dynamism and unity. Experimentation with different materials, textures, and techniques in each of his paintings has been a point of discovery and a major part of Raul de la Torre’s work. In his Fils I Colors series he attempts to find the third dimension through the use of different materials. The interaction between the artist, gravity, and the paint is important for the final result. A tilting technique permits the paint to be a major architect of the final result, giving it a life of its own. It results in infinite and timeless color combinations. In many cases, the different layers of color each represent a temporary state of mind, time, and even feelings, places, and people. Some of them are embroidered forever in our memory turning to form part of our DNA. To represent the firmness and strength of that past the cotton is mixed with the paint in the works to form a unity. This colorful 30 inch high by 48 inch wide original artwork on canvas is wired and ready to hang. Embroidery provides another layer as it creates thick shadows with organic shapes. De la Torre makes horizontal cuts on the canvas or paper and covers these open areas using color-matching cotton thread. When combined with light, these shapes create a more dynamic surface and offer different views of the work to various observers. The sides of this artwork are painted white and it does not require framing. It is signed and dated by the artist in the lower right corner as well as on the back. Free local Los Angeles area delivery. Affordable Continental U.S. and worldwide shipping are available. A certificate of authenticity issued by the art gallery is included. Raul de la Torre was born in Barcelona in 1964 and attended Massana Art School. About the Fils series, de la Torre remarks: “FILS I COLORS is an attempt to find life, movement, and parts that are not static, that change in their interaction with the observer. The different combinations of colors represent different emotions and interpretations for each individual interacting with the works.” Raul de la Torre's artworks can be found in the collections of The Four Seasons Abu Dhabi, the Tropicana Hotel and Casino Las Vegas, the Rothschild Family Collection, and varying Hilton properties. His works have been exhibited and collected worldwide, including in New York, Hong Kong, and Los Angeles. Artspace Warehouse has been representing and exhibiting Raul de la Torre's original artworks since 2010. The gallery has been a 1stdibs partner since 2014 with consistently excellent reviews from clients worldwide. The gallery exhibits a large selection of affordable original artworks from established and emerging international artists with diverse backgrounds at high standards. Artspace Warehouse is known to provide accurate descriptions, images, reliable services, communication, and delivery. REPRESENTATION Artspace Warehouse, Los Angeles GROUP EXHIBITIONS 2023 "Credible Thread", Artspace Warehouse, Los Angeles, CA 2022 "Clarifying Color", Artspace Warehouse, Los Angeles, CA 2021 825 Gallery, West Hollywood, CA 2021 Pamela Walsh Gallery...

Guy Harloff Signed and Dated Large Abstract Painting Wonderful Guy Harloff large abstract painting Titled “Composition” 1954 Mixed media on paper applied to masonite. Inscription G...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through the layering of acrylic paint i...

acrylic painting Born in Badalona (Barcelona). Photographer and advertising film director. Founding partner of the advertising production company La Cosa de las Peliculas: He has d...

Triptych "A Story for Three" 100x50cm x3, acrylic, canvas

Colorful geometric abstract painting by contemporary artist Tina Ruyi. The work features an explosion of red, white, and yellow dots and shapes sprinkling up from behind a red lower ...

In the Kingdom of Transience, everything is temporary, subject to constant change. Everything is unstable and volatile like the wind. The precariousness of our existence reminds us t...

"Abstract Composition" by Armand Rottenberg (French 1903-2000) oil painting on board, unframed board: 29 x 21 inches Stunning original Cubist painting by the French abstract artis...

A unique, large scale figurative painting with a vivid, exotic background. The painting style shows influences from the post-impressionists, yet is undeniably contemporary, with an u...

'Flourish' 2023 by Chinese/Canadian artist Yangyang Pan. Oil on canvas, 36 x 36 in. / Frame: 37 x 37 in. This beautiful abstract-expressionistic, landscape painting incorporates gest...

Unique piece More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket of realism to...

CRIMSON HORIZONS Size: 56 X 66.5 cm (including frame) Oil on canvas A dynamic and emotive mid-century abstract landscape composition that celebrates form, colour, and texture over r...

Dan McCaw's (US based) "Symbiotic" is an original, handmade oil painting that depicts three abstracted figures in an interior setting. Artist Statement: Born: 1942 A solid founda...

Tremaine’s oil paintings merge the personal and universal. In her Crosscurrents series, swans and seabirds move through layered abstract fields, suggesting emotional depth and natura...

Title: Impressionist French Street Scene with Figures and Architecture Rue Animée By Fanch Lel Signed: Yes Size: 9.75 x 11.75 inches (height x width) Oil painting on board, unframed ...

Choose the color of thr frame Sophie Dumont's work "Geometric Balance" (equilibre geometric in french) deftly explores the interplay of shapes and colors in a space governed by a sub...

The Provence Village 20th century French school after Andre Lhote (bears signature, ie: not by Andre Lhote) oil on board, framed framed: 12 x 19.5 inches board: 8 x 15.5 inches Pro...

Stunning original oil painting by the French abstract artist, Yvette Dubois-Habasque (1929-2016). oil painting on canvas, unframed canvas: 15 x 24 inches The painting has excell...

"The Visionary" - Oil on Board Abstract expressionist painting titled "The Visionary" by Hamilton Achilles Wolf (American, 1883- 1967). Shades of red consume the canvas, as a mans ...

Los Angeles artist Amber Goldhammer paints dramatic abstract compositions in acrylic on canvas featuring energetic brushstrokes. Goldhammer uses her contemporary paintings to express...

At Escat Gallery, we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of A...

Fredric Karoly (1898-1987). Etude III, 1950. Oil on masonite panel measures 18 x 24 inches. Unframed. Signed, titled, dated on reverse. Good condition with minor paint loss at edges. Biography: An abstract painter, Karoly was born in Hungary and studied painting in Paris, architectural eingineering in Berlin, and emigrated to the U.S. in 1926. He began a successful career as a fashion and fabric designer. In 1948 he was working as a fashion director for Simplicity Patters, when he had a solo exhibition of of his oil paintings, wire montages, dry-pen drawings and abstract photography. Solo Exhibitions: Hugo Gallery (Alexandre Iolas) New York 1948; Gallery Mai. Paris 1949; New Gallery (Eugene Thaw) New York 1950; Museu de Arte, Sao Paulo, Brazil 1951; Miami Museum of Modern Art, Miami, Florida 1959; Loft Gallery, New York City, 1966.Group Exhibitions: Hugo Gallery, New York 1947; Salon des Realities Nouvelles, Paris 1949-1953; Whitney Museum of American Art, New York (Annual) 1951-1953, 1963; Biennale of Sao Paulo, Brazil, 1951; International Independent Exhibition, Tokyo, 1951; Martha Jackson Gallery, New York, 1959; The Butler Institute of Art, Youngstown, Ohio, 1960; Stuttman Gallery, New York, 1960; The Art Institute of Chicago (Annual), 1960; International Watercolor Exhibition, Brookyln Museum, 1961; Westchester Art Museum, White Plains, NY, 1963; Whitney Museum, Annual, NY 1963; Cleveland Art Festival, Park Synagogue, Cleveland, 1963; Whitney Museum, Sculpture Annual, NY, 1964.Works in Institutional Collections: Museu de Arte, San Paulo, Brazil; Museu de Bellas Artes, Buenos Aires, Argentina; New York University, New York; Washington University, St. Louis, Missouri; Finch College, NY; Barnard College, NY; Metropolitan Museum, Whitney Museum and Guggenheim Museum, New York; Museum of Fine Arts, St. Petersburg, FL. Awards: National Council Arts Awards, 1968. Frederic Karoly died on December 15, 1987 at the Inter-Continental Hotel in Manhattan, where he had made his home for many years. Fredric Karoly was born in Budapest in 1893. According to Karoly’s own vitae, his exhibition history began in New York in 1947, when at the age of 54 he took part in a four-person group show at Hugo Gallery. His involvement with visual art however was apparently life long. In a brief introduction to his solo show at Galerie Mai in Paris in June of 1949, Jen Luc de Rudder, reports that Karoly began painting at the age of 12 in Budapest. After several years of studying, then working in London, Paris and Berlin, Karoly emigrated to the United States in 1925 or 1926 (he probably first came to the US on a work visa in 1925). In New York, Karoly worked in women’s fashion as a designer. In 1948 Karoly worked in a manner than was clearly influenced by the work of such European surrealists as Max Ernst, creating spiked automatic bi-chromatic paintings. His style progressed into a progressively more biomorphic vein, similar to explorations by Theodore Stamos, Daphnis, Milton Avery and Mark Rothko around the same period. He was supported with patronage during this period by Mrs. Mimi Baliff, who apparently supported the “Industrial Design Workshop” that she helped open to feature Karoly’s designs in 1948. By the early 1950’s (1951) Karoly started experimenting with the drip and splatter process as well. Drip paintings dominated his process until the late 50’s-early 60’s, when linear compositional elements began to reemerge. By the late 50’s multi-layered drip grid motifs asserted a masque of spatial organization over looser washed fields and splatters of paint that Karoly worked off of. This development was consistent with concurrent explorations into the grid by artist Agnes Martin and others. By the mid-50’s Karoly’s style began another transition into a more surface concerned “Color Field” style of painting. There are elements still reminding one of Abstract Expressionist concerns as such painters as Clifford Still. But the works that began to emerge from Karoly’s studio in 1958 presaged the Morris Lewis fan motifs and Friedl Dzubas’s epic and romantic color spewing expanses of canvas. In 1959 Karoly began experiments using washes of turpentine diluted oil paint directly onto raw linen, and all of these subsequently suffered the consequences of oil oxidation and acidity upon the surfaces. However, many of Karoly’s washes in color field happily occurred on lightly prepared primed canvas surfaces as well. By 1960 Karoly began reintroducing imagistic references to his visual content. There were also various references to Japanese and Zen influences. He experimented with a variety of processes that included mixed media and marbleized surfaces achieved by the intermixture of oil and water mediums. A calligraphic element also enter Karoly’s work in the early 60’s. Then in 1961 glued and assembled objects begin to show up in Karoly’s work in earnest. The influence of early POP artists, particularly Jasper Johns, and Robert Rauschenberg, become apparent. From 1961-63, a series of the assemblage works transition from canvas to the sculptural to pieces obviously intended for full scale installation. Many of these pieces were among the most fragile of his works primarily due to their reliance upon the of gluing of objects such as plastic or paper cups on flexible surfaces of stretched linen or canvas. In the mid-60’s Karoly apparently produced a number of photo-silk screened series of Picasso, De Kooning and other significant artists of his generation. These were executed in a style somewhere between Rauschenberg’s and Roy Lichtenstein’s, primarily because of their reliance upon half tones and Ben-Day dot effects. Then Karoly began a series of paintings conflating his drip and grid styles with super imposed and painted over string. In the late 60’s Karoly embarked upon a series of multi-paneled stretched linen constructions often with slits and fiber optic back-lit elements that were prescient of the work of Dan Flavin and others. It was this body of work that was shown at Hofstra University’s Emily Lowe Gallery, and it was these works that suffered perhaps the most irreparable damage from a steam/water infiltration in a space where they were being stored. The late professional start that Karoly had into the art world was balanced by his long life span and early immersion into the design issues of modernism as it emerged in turn of the century Europe and later evolved in America. He was clearly an artist who subscribed to the ethos of the new in abstraction and was obviously impressionable and in some instances prescient with regard to various trends in abstraction. Several noteworthy and influential collectors and institutions during his 40 years of professional engagement acquired his work. The Whitney Museum of American Art had and may still own a large Karoly canvas from 1960, but this is doubtful as the artist failed to list it on the vitae he filed with MoMA in 1965. His work was recognized and honored by the Whitney with its inclusion in four of their annual survey shows (1951,1953, 1963 and 1964). The artist’s surrealist influenced paintings from 1948-1950 were the focus of a solo exhibition held of his work by the Museo de Art in Sao Paulo and eight years later a ten year survey of his work was the focus of a solo show at the Miami Museum of Modern art. The Sao Paulo Museum in Brazil, and the Museo de Bellas Artes in Buenos Aires, Argentina each acquired Karoly paintings for their collections in the 1950’s. One of Karoly’s surrealist pieces was apparently purchased by Christian Zervos, Picasso’s designated chronicler, who apparently also wrote a piece on Karoly in Cahiers D’Art in 1949. A 60’s piece of Karoly art that is in the New York University’s permanent collection is included in the MoMA Library’s catalog...

Signed lower right, 'Gilberg' for Robert George Gilberg (American, 1911-1970) and dated '58'. Born in Oakland, Robert George Gilberg first studied at the Oakland Art Center during t...

DNA is genetic information, hidden and encrypted in body fluids. Veiled data that we load, that we do not know and that someone knows how to decipher. Such specifications characteriz...

Daniela Pasqualini Beauty Within Diptych, 2025 Medium: Mixed Media on Canvas Artwork Size: 60 x 40 in 60 in x 83 in, accounting for a 3-inch space between the two 40-inch width p...

This abstract contemporary painting by Roger Mudre features a cool-toned palette with subtle gold accents and an iridescent quality. Concentric circles of varying sizes overlap one a...

"After the Summer Rain" is a vibrant abstract cityscape painted with layers of acrylic and oil on linen. The artist masterfully captures a moment of raw beauty and resilience. The p...

Drawing inspiration from cultural icons and global events, Soren Grau's street art-infused Neo-expressionism invites art enthusiasts to be a part of a narrative larger than life. In ...

This artist's butterfly work is in the current Veranda Magazine with Jan Showers. "Live a Colorful Life" original oil on canvas painting by Steve McElroy, 2025. 22 x 28 inches. Thi...

Work on wood

Landscape mixed media on canvas original artwork Landscape in the Artworks of Marilina Marchica the landscape and nature are the protagonists The trace and the sign of the passage...

With layers of bright oils and whisking brush strokes, the paint is able to shine and shimmer in a very unique pattern. The artist uses gold leaf with thick textured oils and glass t...

Materia et Antimateria by Ruggero Vanni is an exceptional example of abstract expressionism meeting sculptural sensibilities. This unique mixed-media painting blends pigments and tex...

5022 Surreal Abstract set in a brushed aluminum frame Signed P.Russo 1986

Vintage abstract expressionist etherial oil painting by Piry Rame (1921 - 2001). Oil on canvas, circa 1960. Signed on verso. Image size, 21L x 16H. Housed in a period frame.

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Authenticity, guaranteeing its originality and provenance. We offer secure worldwide delivery to any address you specify, ensuring that your purchase arrives in pristine condition. If you require additional shipping options or a bespoke quote from our trusted network of carriers, please do not hesitate to contact us. Our team is here to help you find the best solutions for a smooth and secure delivery experience. Silvia De Marchi...

Large Turquoise French Expressionist Abstract Oil Painting by Armand Rottenberg (French 1903-2000) signed on the lower right hand corner, oil painting on board, framed Framed 37.5...

Title: French Outdoor Market Scene with Figures and Parasols by Fanch Lel by Fanch Lel Size: 21.25 x 25.75 inches (height x width) Oil painting on board, unframed Condition: Good ove...

Oil & spray paint on paper

Claire Burch (American, 1925-2009) Untitled, 20th century Oil on canvas 24 x 30 in. Framed: 31 2/3 x 37 3/4 x 1 1/2 in. Signed lower right: Claire Burch After attending grade school in Brooklyn, Burch completed a commercial art course at Washington Irving High School in Manhattan and received her B.A. in English from NYU. In the suburbs of Great Neck, New York, she first began writing poetry and articles which were published in Life magazine, The New Republic, Mademoiselle, McCall's, Saturday Review, Redbook, Good Housekeeping, and numerous literary quarterlies and anthologies.[1] Burch also developed a career as a psychiatric writer, publishing two books on the subject: Careers in Psychiatry and Stranger in the Family. In the early 1970s Burch became a playwright and painter. Her play Ten Cents a Dance was optioned to be directed by José Quintero, the famous O'Neill interpreter. Burch wrote a total of seven plays and several folk operas, but eventually moved on to filmmaking and video anthropology—she was an early adapter of video as a medium. In 1978, Burch moved to California with her longtime companion Mark Weiman, publisher and owner of Berkeley's Regent Press. She had endured a series of illnesses and wanted to escape the harsh climate of Manhattan. Burch gained insight and inspiration from insanity and the often unexpected behavior associated with it. She would often videotape homeless people in People's Park and Telegraph Avenue in Berkeley, which were collected in her film People's Park in Berkeley: Then and Now. The film documented the dispute between homeless activists and the University of California from the riots of 1969 through 1996 by interviewing park "regulars," and profiling the events surrounding the deaths of park supporters James Rector and Rosebud Denovo.[2] She also produced documentaries on noted cultural figures such as James Baldwin (whom she knew as a teenager), Timothy Leary and Country Joe McDonald. Also of note was Oracle Rising, a film about the legendary psychedelic newspaper The SF Oracle published in the Haight-Ashbury district during the Summer of Love. Her last completed film was Elegy for the Naked Guy...

With layers of bright oils and whisking brush strokes, the paint is able to shine and shimmer in a very unique pattern. The artist uses gold flakes with thick textured oils and glass...

Mosaic abstract French School, (unsigned) late 20th century work oil on canvas, unframed canvas: 21.5 x 15 inches Provenance: private collection, France Condition: a few minor surfa...

Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through the layering of acrylic paint a...

Exploring the purity of the feminine form and the drama of French haute couture, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited composit...