Allen Harrison

April

2018

This large-scale oil painting on a wood panel bursts with kinetic energy and bold color, dominated by a vivid red background that envelops and contrasts with dynamic strokes of blue,...

Acrylic & oil on wooden panel Marie-Pierre Autonne is a French artist born in 1960 who lives & works in Angers, France. She studied at Penninghen in Paris, France. She worked for se...

Michelle Jader's "Silent Prayer" is a beautiful, original oil painting on board. This piece is framed at 12.50 x 9.50 inches, and is ready to hang. Change comes to all of us. Whethe...

Michelle Jader's "Sweet Struggle" is a beautiful, original oil painting on board. This piece is framed at 12.50 x 9.50 inches, and is ready to hang. Change comes to all of us. Wheth...

Michelle Jader's "Blur of Becoming" is a beautiful, original oil painting on board. This piece is framed at 12.50 x 9.50 inches, and is ready to hang. Change comes to all of us. Whe...

"Per aspera ad astra" is Latin for "through difficulty to the stars." A friend asked me to read a religious text. The opening chapter talked about "God's enemies." I thought, God has...

“Coral Gardens” is an interpretation of the experience we had in the Great Lagoon of Rangiroa, a pristine and tranquil spot in the South Pacific. To catch a sense of motion and flick...

The artist Carole Garland is a fan of the Los Angeles Dodgers and so thought a painting of sporting figures in motion would pay tribute. At the s...

"My work principally consists of deeply abstracted figure compositions--intuitive constructions that begin with random marks establishing larger masses of torsos, heads, and limbs in...

"My work principally consists of deeply abstracted figure compositions--intuitive constructions that begin with random marks establishing larger masses of torsos, heads, and limbs in an undefined setting. The emphasis is almost purely on intuition. The figures are born of their surrounding environment, emerging only partially and fugitively from the layers of pigment. A narrative is evident but never overt. A crown, a shield, a boat, a wheel. Though the subject has recently coalesced around my reading of Dante and Shakespeare, the settings remain extremely vague- a beach, an interior, a woodland. The paintings are, in the end, meditations on the relationship between the protagonists in a wordless drama. In my paintings, I use a cold wax medium combined with dry pigments, oil paint, and embedded fragments of burlap. The surfaces eventually build up into a dense, rugged terrain." --Thaddeus Radell