Amaranth Ehrenhalt

"Bryan" Amaranth Ehrenhalt, Unique Painting, Woman Abstract Expressionism, 1958

1958

When multidisciplinary Abstract Expressionist artist Amaranth Ehrenhalt first moved from Philadelphia to New York City in the 1950s she unintentionally lived out the “starving artist” lifestyle. She made her paintings on the floor, but not in order to replicate the technique attributed to American painter Jackson Pollock. Owing to her modest financial situation, she simply didn't own a table.

Ehrenhalt graduated from the University of Pennsylvania in 1951 and attended a weekly course at the Barnes Foundation. There, she basked in the owner's large Parisian art collection and became deeply enamored with French artwork. It should come as no surprise that when a friend offered to trade a round trip to Paris for a portrait, Ehrenhalt jumped at the opportunity. Dutch-American painter Willem de Kooning — a fellow New Yorker at the time — invited her to have dinner upon her return, but after experiencing the Parisian art scene, she canceled her return trip and the two never shared that dinner. Ehrenhalt forged connections with Joan Mitchell, Alberto Giacometti and Yves Klein in the French capital, and remained in the country for over 40 years.

In her later years, Ehrenhalt returned to New York. She often traveled with her son, enraging the security guards at many of the world’s finest museums. From the Louvre in Paris to the Metropolitan Museum of Art in New York, her son, Caradoc remembers guards running and shouting at the sight of Ehrenhalt leaning a nose-length away from the art, her pointer finger hovering closer to the work explaining techniques and details behind the piece. Many of these trips were not just proof of how well-educated and experienced she was, but also lessons in friendship as she knew many of the artists personally. 

Ehrenhalt’s work appeared in group exhibitions and solo exhibitions in Paris, California, Italy and New York. Five of her paintings from the mid-20th century were featured in “Encore: Five Abstract Expressionists,” which opened at Baruch College’s Sidney Mishkin Gallery in 2006. 

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