Andy Piedilato

Endurance

2016

Rex Yuasa’s work explores the relationship between beauty and the sublime. Yuasa first began developing a body of work based on the idea of “void,” which he describes as a non-sign...

Rex Yuasa’s work explores the relationship between beauty and the sublime. Yuasa first began developing a body of work based on the idea of “void,” which he describes as a non-sign...

Rex Yuasa’s work explores the relationship between beauty and the sublime. Yuasa first began developing a body of work based on the idea of “void,” which he describes as a non-sign...

Rex Yuasa’s work explores the relationship between beauty and the sublime. Yuasa first began developing a body of work based on the idea of “void,” which he describes as a non-signif...

Rex Yuasa’s work explores the relationship between beauty and the sublime. Yuasa first began developing a body of work based on the idea of “void,” which he describes as a non-signif...

Rex Yuasa’s work explores the relationship between beauty and the sublime. Yuasa first began developing a body of work based on the idea of “void,” which he describes as a non-signif...

Yuasa achieves a brilliant, sensory color experience by layering acrylic, oil and alkyd paint over large square canvases. The artist uses the language of abstraction to express the c...

Walter Darby Bannard (born September 23, 1934 in New Haven, CT) "Natural Christmas (1972)" Alkyd Resin Magna Medium Aquatec Gel on Canvas Painting Walter Darby Barnard is a Profess...

Prof. Richardson is the Chair of the Department of Art, he received his MFA degree from Washington University in St. Louis, and his BFA degree from the University of North Carolina, ...

PATRICK WILSON (b. 1970, Redding, CA) received his Bachelor of Arts degree at the University of California, Davis in 1993 and his Masters of Fine Art degree at Claremont Graduate University in Claremont, CA in 1995. For abstract painter Patrick Wilson, aesthetic beauty and visual pleasure are primary concerns. Using drywall tools, paint rollers, and masking tape, Wilson layers lines, squares, and rectangles in meticulously balanced compositions that, with the use of vivid color, evoke a palpable sense of light. Despite Wilson’s assiduous process, he also works intuitively, responding to his compositions as they evolve. “The key value of abstraction to me is its openness,” he explains. “The best abstraction isn’t didactic, it’s experiential.” He has had numerous solo exhibitions, including Miles McEnery Gallery, New York, NY; Susanne Vielmetter Los Angeles Projects, Culver City, CA; “Evolving Geometries: Line, Form, and Color,” Center for the Arts at Virginia Tech, Blacksburg, VA; “Steak Night,” Susanne Vielmetter Los Angeles Projects, Culver City, CA; “Patrick Wilson: Pull,” University Art Museum, California State University Long Beach, Long Beach, CA; “Slow Motion Action Painting,” Marx & Zavattero, San Francisco, CA; and “Slow Food,” Curator’s Office, Washington, D. C. Recent group exhibitions include "Do You Think it Needs a Cloud," Miles McEnery Gallery, New York, NY; “20 Years Anniversary Exhibition,” Vielmetter Los Angeles, Los Angeles, CA; “The Responsive Eye Revisited: Then, Now, and In-Between,” Miles McEnery Gallery, New York, NY; “Michael Reafsnyder & Patrick Wilson”, Miles McEnery Gallery, New York, NY; “Pivotal: Highlights from the Collection,” Orange County Museum of Art, Newport Beach, CA; “On the Road...