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Anthony FintaWhen the World Is a Monster (Contemporary Pastel Vertical Grid, Blue Pink Green)2020
2020
$3,800
£2,859.25
€3,303.31
CA$5,335.12
A$5,763.67
CHF 3,066.33
MX$69,352.69
NOK 38,826.23
SEK 35,507.64
DKK 24,677.36
About the Item
Contemporary Abstract Painting of grid in pastel blue, grey, white, green and pink
"When the World is a Monster" painted by Hudson Valley, NY based painter, Anthony Finta, in 2020
40 x 30 inches oil, enamel and paper collage on canvas
41 x 31 x 1.5 inches framed in custom light wood Larson Juhl floater frame
Signed, verso
Excellent condition and ready to hang
Freeing points of reference from literal interpretation, Anthony Finta breaks down forms into grids of color that range from complementary pastel tones to vivid, nearly raw pigments - drawing each composition that is often altered and reworked over months or even years with layered applications of oil and enamel until the final juxtaposition is just right. He creates swaths of luminous space within the confines of his constructed borders, channeling and energy and aesthetic that could be likened to abstract expressionist West Coast artist, Richard Diebenkorn and his Ocean Park paintings.
The artist draws inspiration from landscapes, architectural facades, or views through windows, and reimagines them in a geometric framework. Familiar scenes are distilled into a grid of composed linework made in graphite and charcoal, where delicate pastel planes are juxtaposed with eye-catching accents of bold color, layered brushwork, or text and collage elements.
Artist Statement
I see this series of paintings as windows that provide alternate views of familiar places - fields, landscapes, architecture, views through windows, etc. Concurrently they are not meant to impose a specific meaning on the viewer, and should be open to interpretation, and hopefully contemplation.
From a process standpoint I tend to ruminate on certain visuals or ideas for a long time - but usually don't work from anything specific (although if I do it is original pictures of buildings or landscapes). I have certain shapes and colors I gravitate to, but I like to let the painting inform me once it starts, and it can change completely from start to finish. I tend to paint and draw with graphite and charcoal, and then over-paint and make revisions as a work develops. One thing that has changed over time is the ability to come back to certain works months or even years later and continue the process until a piece is complete.
- Creator:
- Creation Year:2020
- Dimensions:Height: 40 in (101.6 cm)Width: 30 in (76.2 cm)
- Medium:
- Movement Style:
- Period:
- Condition:
- Gallery Location:Hudson, NY
- Reference Number:1stDibs: LU22712609592
Anthony Finta
I see this series of paintings as windows that provide alternate views of familiar places - fields, landscapes, architecture, views through windows, etc. Concurrently they are not meant to impose a specific meaning on the viewer, and should be open to interpretation, and hopefully contemplation. From a process standpoint I tend to ruminate on certain visuals or ideas for a long time - but usually don't work from anything specific (although if I do it is original pictures of buildings or landscapes). I have certain shapes and colors I gravitate to, but I like to let the painting inform me once it starts, and it can change completely from start to finish. I tend to paint and draw with graphite and charcoal, and then over-paint and make revisions as a work develops. One thing that has changed over time is the ability to come back to certain works months or even years later and continue the process until a piece is complete.
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EDUCATION
1983-1987 Hunter College: Master of Fine Arts, New York
EXHIBITIONS (Most recent)
2021 Le Comptoir des Motifs, Artefactory, Geneva, Switzerland, fabric design, group show
2018 Eric Laffer Gallery, Upstate Invitational, 3 person show, Schuylerville, NY
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2021 Community Mural United Nations International school, NY “The Year that Zoomed by”
2020 Fulbright U.S. Scholar award 2020-2021 (travel postponed to 2021-2022)
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Artist Statement:
My work is about the way visual diagrams present information that describes how something is made or the way it is. I am interested in drawing and collaging multiple layers of information that refer abstractly to maps, architectural drawings and blueprints or patterns and structures found in such things as roller coasters, power lines and fences. I use gouache and collaged paper in a series of layers that are a visual and ideological response to the previous layer to define my pictorial space. For each piece I create a set of rules to follow about the use of a limited palette, a grid format, opacity of paper and whether a piece may include curving lines or maintain a rectilinear structure.
Artist CV:
EDUCATION
Master of Fine Arts in Painting
Bard College 1986
Bachelor of Science in Art History
State University College at New Paltz 1977
Additional Study: New York Studio School (Drawing Marathons)
Columbia University, School of Architecture
Women’s Studio Workshop
TEACHING
Professor of Studio Art, Department of Art and Art History, Marist College, Poughkeepsie, NY
Coordinator, Interior Design Program, Florence, Italy campus
1992-present
AWARDS
NYFA Fellowship in Painting 2018
Invitational Award for Outstanding Contemporary Talent,
University of Bridgeport, CT 2000
Purchase Prize, “11th National Juried Exhibition”
College of Notre Dame of Maryland, Baltimore 1999
First Prize, “Women in the Visual Arts ‘95”
Erector Square Gallery, New Haven, CT 1995
Joseph A. Cain Memorial Purchase Award for Sculpture
Del Mar College, Corpus Christi, TX 1994
Honorable Mention, “National Juried Exhibition”
University of Bridgeport, CT 1993
Individual Artists Fellowship in Sculpture
Dutchess Arts Fund 1992/93
Tallix, Morris, Singer Internship in Sculpture
Tallix Foundry, Beacon, NY 1990/91
MEMBERSHIP Royal British Society of Sculptors
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“Mixed Media”, SITE Gallery, Brooklyn, NY
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“JuxtaPositions”, The Painting Center, New York, NY
“Peculiar Rarities”, Carrie Haddad Gallery, Hudson, NY
2017
“Interlock: Color and Contrast in Abstraction”, Carrie Haddad Gallery, Hudson, NY
“Donise English: Encaustics”, Catskill Art Society, Livingston Manor, NY
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“Let’s Stay in Touch”, Howard County Center for the Arts, Ellicott City, MD
“Under, Over, After Over”, Vassar College, Poughkeepsie, NY
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“Gridspace”, KMOCA, Kingston, NY
“Abstraction”, Carrie Haddad Gallery, Hudson, NY
“Assuming Identity”, NY Institute of Technology, New York, NY
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“Encaustics: Wax and Image”, Westchester Community College,
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“Dots, Lines and Figures”, Carrie Haddad Gallery, Hudson, NY
“Spring Awakening”, NY Institute of Technology, New York, NY
“Clay City Dreams”, NY Institute of Technology, New York, NY
“Texture,Pattern, Fragment”, Krause Gallery, Moses Brown School,
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“Working in Wax”, Bedford Gallery, Walnut Creek, CA
“Encaustic 2009”, College of New Rochelle, NY
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“Convergence: The Human Experience”,Howard County Center for the Arts, MD
2008
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2007
“Patterns and Light”, Blue Hill Gallery, Blue Hill, ME
“Suckers and Biters”, AG Gallery, Brooklyn, NY
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“100 Artists, 100 Watercolors”, Jeannie Freilich Fine Art,
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“On/Of Paper”,Kirkland Art Center, Clinton, NY
“The Love Show”, Manchester Community College, Manchester, CT
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The Soap Factory, Minneapolis, MN
“Small Tales”, Valdosta State University, Georgia
National Juried Exhibition,Art Institute and Gallery
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“Greed, Envy, Jealousy, Fear”, TSL Warehouse, Hudson, NY
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“Women in the Middle: Borders, Barriers, Intersections”
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“Girl Art Now”,Hera Gallery, Wakefield, RI
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“The Feminine Eye”, Bradley University, Peoria, IL “Women Painting Women”, McNeese State University, Lake Charles, LA “Thought Patterns”, Kent Place Gallery, Summit, NJ “Surface, Matter and Artifice”, Dutchess Community College Art Gallery
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Halpert Bienniel, Appalachian State University, Boone, NC
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“Cat Calls”, Red Clay Arts, Brooklyn
“Hudson Valley Regional”, SUNY New Paltz
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