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Anya SpielmanEffloresce (Abstract painting)2009
2009
$8,249.27
£6,050
€7,019.97
CA$11,357.50
A$12,429.42
CHF 6,567.86
MX$148,353.32
NOK 83,814.03
SEK 76,654.75
DKK 52,435.56
About the Item
Effloresce (Abstract painting)
Oil on paper - Unframed
Framed on request
Spielman uses oil paint on canvas, paper and panel in various sizes; she works on up to forty paintings at a time, moving between them as each begins to form, then isolating a work to bring to completion.
Her saturated surfaces are luminous, with alternate glossy and matte layers, but also bear rough nail marks that scar and deconstruct the work. These etched lines and marks relate to an image and idea, and are often the underlying structure, the submerged language of a work.
Her use of reds and pinks link to flesh and blood, and the pale creams, yellows and blues in her palette often recall bodily fluids, and the pulse of life.
In this oil on paper, the crushed (and bleeding?) blossoms, not unlike Cy Twombly's peony blossom paintings, illustrate the tension between love and violence.
Anya Spielman is an American abstract painter. Her work explores the constellation of binary forces and forms, presenting reoccurring two-fold images: the tension between knowing and not knowing, being seen and unseen, humanity and inhumanity. She lives and works in the Los Angeles area.
- Creator:Anya Spielman (1966, American)
- Creation Year:2009
- Dimensions:Height: 29.02 in (73.7 cm)Width: 41.03 in (104.2 cm)
- Medium:
- Movement Style:
- Period:
- Condition:
- Gallery Location:London, GB
- Reference Number:1stDibs: LU65939041872
Anya Spielman
Anya Spielman is an American abstract painter. Her work explores the constellation of binary forces and forms, presenting reoccurring two-fold images that is the tension between knowing and not knowing, being seen and unseen, humanity and inhumanity. She lives and works in the Los Angeles area.
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Located in London, GB
Oil on paper - Unframed
Framed on request
Spielman uses oil paint on canvas, paper and panel in various sizes; she works on up to forty paintings at a time, moving between them as each begins to form, then isolating a work to bring to completion.
Her saturated surfaces are luminous, with alternate glossy and matte layers, but also bear rough nail marks that scar and deconstruct the work. These etched lines and marks relate to an image and idea, and are often the underlying structure, the submerged language of a work.
Her use of reds and pinks link to flesh and blood...
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Spielman uses oil paint on canvas, paper and panel in various sizes; she works on up to forty paintings at a time, moving between them as each begins to form, then isolating a work to bring to completion.
Her saturated surfaces are luminous, with alternate glossy and matte layers, but also bear rough nail marks that scar and deconstruct the work. These etched lines and marks relate to an image and idea, and are often the underlying structure, the submerged language of a work.
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