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Anya SpielmanVolley (Abstract Painting)2017
2017
$7,028.84
£5,150
€6,001.14
CA$9,696.63
A$10,620.82
CHF 5,591.86
MX$126,755.91
NOK 71,263.25
SEK 65,145.35
DKK 44,844.67
About the Item
Volley (Abstract Painting)
Oil on canvas - Unframed
Spielman uses oil paint on canvas, paper and panel in various sizes; she works on up to forty paintings at a time, moving between them as each begins to form, then isolating a work to bring to completion.
Her saturated surfaces are luminous, with alternate glossy and matte layers, but also bear rough nail marks that scar and deconstruct the work. These etched lines and marks relate to an image and idea, and are often the underlying structure, the submerged language of a work.
Her use of reds and pinks link to flesh and blood, and the pale creams, yellows and blues in her palette often recall bodily fluids, and the pulse of life.
- Creator:Anya Spielman (1966, American)
- Creation Year:2017
- Dimensions:Height: 30.01 in (76.2 cm)Width: 30.01 in (76.2 cm)
- Medium:
- Movement Style:
- Period:
- Condition:First hand item, delivered directly from the artist s studio.
- Gallery Location:London, GB
- Reference Number:1stDibs: LU65939714872
Anya Spielman
Anya Spielman is an American abstract painter. Her work explores the constellation of binary forces and forms, presenting reoccurring two-fold images that is the tension between knowing and not knowing, being seen and unseen, humanity and inhumanity. She lives and works in the Los Angeles area.
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More From This Seller
View AllVolley (Abstract Painting)
By Anya Spielman
Located in London, GB
Volley (Abstract Painting)
Oil on canvas - Unframed
Spielman uses oil paint on canvas, paper and panel in various sizes; she works on up to forty paintings at a time, moving between them as each begins to form, then isolating a work to bring to completion.
Her saturated surfaces are luminous, with alternate glossy and matte layers, but also bear rough nail marks that scar and deconstruct the work. These etched lines and marks relate to an image and idea, and are often the underlying structure, the submerged language of a work.
Her use of reds and pinks link to flesh and blood...
Category
2010s Abstract Expressionist Abstract Paintings
Materials
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Flutter (Abstract Painting)
By Anya Spielman
Located in London, GB
Flutter (Abstract Painting)
Oil on paper - Unframed
Spielman uses oil paint on canvas, paper and panel in various sizes; she works on up to forty paintings at a time, moving betwee...
Category
Early 2000s Abstract Expressionist Abstract Paintings
Materials
Paper, Oil
Flutter (Abstract Painting)
By Anya Spielman
Located in London, GB
Flutter (Abstract Painting)
Oil on paper - Unframed
Spielman uses oil paint on canvas, paper and panel in various sizes; she works on up to forty paintings at a time, moving betwee...
Category
Early 2000s Abstract Expressionist Abstract Paintings
Materials
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Quiver (Abstract painting)
By Anya Spielman
Located in London, GB
Quiver (Abstract painting)
Oil on paper - Unframed.
Spielman uses oil paint on canvas, paper and panel in various sizes; she works on up to forty paintings at a time, moving betwee...
Category
2010s Abstract Abstract Paintings
Materials
Paper, Oil
Quiver (Abstract painting)
By Anya Spielman
Located in London, GB
Quiver (Abstract painting)
Oil on paper - Unframed.
Spielman uses oil paint on canvas, paper and panel in various sizes; she works on up to forty paintings at a time, moving between them as each begins to form, then isolating a work to bring to completion.
Her saturated surfaces are luminous, with alternate glossy and matte layers, but also bear rough nail marks that scar and deconstruct the work. These etched lines and marks relate to an image and idea, and are often the underlying structure, the submerged language of a work.
Her use of reds and pinks link to flesh and blood...
Category
2010s Abstract Abstract Paintings
Materials
Paper, Oil
Effloresce (Abstract painting)
By Anya Spielman
Located in London, GB
Oil on paper - Unframed
Framed on request
Spielman uses oil paint on canvas, paper and panel in various sizes; she works on up to forty paintings at a time, moving between them as each begins to form, then isolating a work to bring to completion.
Her saturated surfaces are luminous, with alternate glossy and matte layers, but also bear rough nail marks that scar and deconstruct the work. These etched lines and marks relate to an image and idea, and are often the underlying structure, the submerged language of a work.
Her use of reds and pinks link to flesh and blood...
Category
Early 2000s Abstract Abstract Paintings
Materials
Paper, Oil
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