Medium Abstract Paintings

Destiny's Path, Hawaii - Surreal Mid Century Hawaiian Figurative Abstract Symbolistic and romantic 1940s surreal figurative of pastel orange figure...

DNA is genetic information, hidden and encrypted in body fluids. Veiled data that we load, that we do not know and that someone knows how to decipher. Such specifications characteriz...

Cascading Folds (Aqua Footer) by Susan English is a wonderful play of color, light, and composition. The layers of English's tinted polymer on Yupo paper create the depth and smooth,...

Maria C Bernhardsson's original artworks are influenced by the architecture and geometry of houses. Born in Sweden, Bernhardsson travels the world photographing and sketching houses ...

"Sun’s Kiss" is an ode to the life-giving power of light that touches the Earth and awakens all living things. Shades of yellow, green, and amber create a sense of warmth that seems ...

Colorful Geometric Abstract - 1969 Original Oil On Canvas Rich 1969 abstract oil painting by Bay Area artist Helen Konkoff (American, 1912-1988). Geometric shapes consisting of hues...

Original oil paint on heavy archival paper abstract by the American artist, Martin Rosenthal. Bold, vibrant colors. Signed lower right by the artist and dated 1967. Condition is ver...

Stunning and very large French Post-Impressionist oil painting depicting this deeply colourful abstract oil painting featuring an incredible blend and range of colors - aquamarines, ...

Blue white beige teal green khaki orange brown aqua Martha Rea Baker’s technique of choice is driven by her selection of mediums. She has successfully moved between the unique pro...

This contemporary abstract poured painting by Susan English is a wonderful play of color, light, and composition. The layers of English's tinted polymer on Yupo paper create the dept...

Dimensions outside frame: 60 x 60 x 2 cm (23.62 x 23.62 x 0.79 in) Dimensions with frame: 67 x 67 x 3.5 cm (26.38 x 26.38 x 1.38 in) Framing: Light wood or black (collector's choice)...

Waterline Fine Art, Austin, TX is pleased to present the following work: Oil on canvas. Signed lower right, titled and inventoried verso. 19.75 x 21 in. 23.25 x 24.25 in. (framed) ...

Bettina Mauel expresses dynamism and sensuality in her paintings: “I paint what I experience,” she articulates. “This includes landscapes, flowers, and people in motion, capturing th...

Isabelle Graham Allison (Reese) (1927-2005). Calla Mayor, Venice ca. 1950s. Oil on canvas measuring 12 x 28 inches; 13 x 29 inches framed. Signed lower right. The artist lived and ...

Abstract acrylic painting on canvas with a pastel purple, yellow, and green palette “Beneath the Shining Sun”, painted by Ragellah Rourke in 2022 30 x 30 inches, oil on canvas Sides are cleanly painted so additional framing is optional Wire backing for easy hanging Artist signature located on the back This contemporary, abstract painting was created by Hudson Valley based artist, Ragellah Rourke in 2022. Her most recent body of work focuses on relationships between color and space. Elements of symbolism, reminiscent of Gustav Klimt, decorate the composition with abstract markings and calligraphic gestural brushwork. Warm yellow and purple tones with hints of green radiate upwards into a background of white, recalling the awaking the nature during the beginning of spring. There is wire installed on the back for easy hanging. The painting’s sides are cleanly painted so additional framing is optional. Artist Statement: My paintings are very textural and built up slowly over long periods of time. The surface holds the memory of the painting’s development, all the time looking for clues for what will come next. I look for connections between the forms that develop. They are never something that I logically calculate, but rather a long string of chances, thoughts, and guesses. The appearance and meaning develop throughout the progression of the painting. It is a continuous search for resolution, balance and mystery within the painting. Artist CV: 1963 Born Albany, NY 1998 BA Painting, The University at Albany, State University of New York Residing: East Berne, NY SOLO EXHIBITIONS: 2012 Carrie Haddad Gallery...

Title: Sketch VI Medium: Oil on canvas Size: 31.25 x 23.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This pain...

Kory Twaddle Biogram to the Pharmacy in Anaheim (Abstract, Bold, Figurativ, Collage) Mixed Media Collage on Heavy Paper Year: 2020 Size: 22 x 28.25 inches (55.88 x 71.75 cm) Signed, ...

Barcelona artist Raul de la Torre's vibrant abstract mixed media artworks pay homage to material. De La Torre allows the materials to take over during the process and collaborates wi...

The series "CSW" explores the marriage of chance-derived gestures with exacting grid geometry. Built upon a multilayered convergence of airbrush painting and hard-edge techniques on...

A gripping piece referencing our mitochondrial roots. Berlin has created an image that is simultaneously urban jungle graffiti  and African tribal mask. It would enhance any space an...

Antique American modernist nocturnal view of the Brooklyn Bridge. Oil on board. Signed verso. Framed.

Los Angeles street artist Gary John exploded onto the international art scene first during Art Basel Miami in 2013. John’s playfully bold work quickly gained attention and he was nam...

The painting is being offered with a work and authenticity certificate

RUZ, Rafael (Barcelona 1956) While contemplating the painting of Ruz, we are inclined to talk about real ‘psychodrama’, in the same sense that Julius Bissier referred to some of th...

Artist/ School: Rene Leroy (French b. 1932) Title: Abstract/ Cubist Composition Medium: oil on canvas, framed, signed Size: framed: 28.25 x 28.25 inches painting: 2...

Artist: Voskan Galstian Work: Original Acrylic Painting, Handmade Artwork, One of a Kind Medium: Acrylic on Canvas Year: 2023 Style: Abstract Art, Title: First Snow, Size: 24" x...

Antique American modernist abstract oil painting by Adele Becker (1929-2021). Oil on cavnas. Framed.

Robert Motelski's paintings are exceptional visions of nature, visions of space which surrounds us. They tell about being, fate and passing. They depend on the season of year, the ti...

Artist: Margaux Halloran (American, 1999-) Title: "Night Swim" *Monogram signed by Halloran in gold pen lower right Year: 2021 Medium: Original Oil Painting on Canvas paper Framing: ...

Katharina Hormel creates minimalistic landscape paintings featuring everyday scenes of life. Her art often portrays people engaged in their daily activities, such as taking a leisure...

Abstract conceptual painting. it has a lacquer resin like finish to it. it is not framed. Siren Bliss was born Michael Whipple in Salt Lake City in 1947. He attended the University o...

Contemporary British artist, 21st century oil on canvas , unframed size: 23 x 28 inches This came from a private collection of artworks, Surrey, England The painting is in overall v...

Jan MEIJER (Jan MEYER, called) Abstraction in Black and Red, 1970 Original Oil on Canvas Signed in the lower left corner Signed, dated on the back On canvas 81 x 54 cm (c. 32 x 22 i...

Reticulum is an original oil on canvas realized by Giorgio Lo Fermo in 1995. Hand signed and dated by the artist on the lower left margin. Perfect conditions. This gorgeous painting...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Authenticity, guaranteeing its originality and provenance. We offer secure worldwide delivery to any address you specify, ensuring that your purchase arrives in pristine condition. If you require additional shipping options or a bespoke quote from our trusted network of carriers, please do not hesitate to contact us. Our team is here to help you find the best solutions for a smooth and secure delivery experience. Originally from Spain, Beñat Olaberria...

Donise English Busy Blue, 2020 14" X 17" gouache and collage on paper This abstract geometric composition on paper features a playful geometric motif that is inspired by the artist's interest in architecture and blueprint drawings. The geometric forms are made in a more painterly, gestural manner rather than with a hard edge. Paint is not heavily built up upon the surface but it certainly exhibits a tactile quality which is characteristic of the artist's aesthetic. English's work celebrates the quirky, unexpected qualities of shapes and colors. About the artist: Donise English is a Poughkeepsie-based artist who received her MFA from Bard College and is currently a Professor of Studio Art at Marist College in Poughkeepsie, NY. Artist Statement: I am interested in drawing and collaging multiple layers of information that refer abstractly to maps, architectural drawings and blueprints or patterns and structures found in such things as roller coasters, power lines and fences. I use gouache and collaged paper in a series of layers that are a visual and ideological response to the previous layer to define my pictorial space. For each piece I create a set of rules to follow about the use of a limited palette, a grid format, opacity of paper and whether a piece may include curving lines or maintain a rectilinear structure. Resume: EDUCATION Master of Fine Arts in Painting Bard College 1986 Bachelor of Science in Art History State University College at New Paltz 1977 Additional Study: New York Studio School (Drawing Marathons) Columbia University, School of Architecture Women’s Studio Workshop TEACHING Professor of Studio Art, Department of Art and Art History, Marist College, Poughkeepsie,NY Coordinator, Interior Design Program, Florence, Italy campus 1992-present AWARDS Finalist, “Saatchi Showdown” 2010 Invitational Award for Outstanding Contemporary Talent, University of Bridgeport, CT 2000 Purchase Prize, “11th National Juried Exhibition” College of Notre Dame of Maryland, Baltimore 1999 First Prize, “Women in the Visual Arts ‘95” Erector Square Gallery, New Haven, CT 1995 Joseph A. Cain Memorial Purchase Award for Sculpture Del Mar College, Corpus Christi, TX 1994 Honorable Mention, “National Juried Exhibition” University of Bridgeport, CT 1993 Individual Artists Fellowship in Sculpture Dutchess Arts Fund 1992/93 Tallix, Morris, Singer Internship in Sculpture Tallix Foundry, Beacon, NY 1990/91 SELECTED JURIED/INVITATIONAL EXHIBITIONS 2016 “Let’s Stay in Touch”, Howard County Center for the Arts, Ellicott City, MD 2015 “Off the Grid”, Arts & Culture Program, Albany International Airport, Albany, NY “Gridspace”, KMOCA, Kingston, NY “Abstraction”, Carrie Haddad Gallery, Hudson, NY “Assuming Identity”, NY Institute of Technology, New York, NY 2013 “Modern Artists”, Carrie Haddad Gallery, Hudson, NY “Artists of the Mohawk-Hudson Region”, The Hyde Collection, Glens Falls, NY Stone Canoe/Community Folk Art Center, Syracuse, NY 2012 New York Institute of Technology, New York, NY “Contemporary Painters (Who Just Happen To Be Women)”, Carrie Haddad Gallery, Hudson, NY “Strange Glue: Collage at 100”, Cambridge School, Weston, MA “Dear Mother Nature”, Dorsky Museum, SUNY New Paltz, NY “Fresher Paint”, Rockland Center for the Arts, Nyack, NY Courthouse Gallery, Lake George Arts Project, Lake George, NY 2011 “Process+Content: Donise English”, Vassar College, Poughkeepsie, NY “Donise English-Paintings”, Orange County Community College, Newburgh, NY “Gender Matters/Matters of Gender”, Freedman Gallery, Albright College, Reading, PA 2010 Carrie Haddad Gallery, Hudson, NY “Encaustics: Wax and Image”, Westchester Community College White Plains, NY “Dots, Lines and Figures”, Carrie Haddad Gallery, Hudson, NY “Spring Awakening”, NY Institute of Technology, New York, NY “Clay City Dreams”, NY Institute of Technology, New York, NY “Texture, Pattern, Fragment”, Krause Gallery, Moses Brown School Providence, RI 2009 “Collage”, NY Institute of Technology, New York, NY “Working in Wax”, Bedford Gallery, Walnut Creek, CA “Encaustic 2009”, College of New Rochelle, NY “Three Artists”, Carrie Haddad Gallery, Hudson, NY “Convergence: The Human Experience”, Howard County Center for the Arts, MD 2008 “Suckers and Biters: Love, Lollipops, and Exquisite Corpse” Chashama Gallery, New York, NY Carrie Haddad Gallery, Hudson NY 2007 “Patterns and Light”, Blue Hill Gallery, Blue Hill, ME “Suckers and Biters”, AG Gallery, Brooklyn, NY 2006 “100 Artists, 100 Watercolors”, Jeannie Freilich Fine Art, New York, NY “On/Of Paper”, Kirkland Art Center, Clinton, NY “The Love Show”, Manchester Community College, Manchester, CT 2005 The Soap Factory, Minneapolis, MN “Small Tales”, Valdosta State University, Georgia National Juried Exhibition, Art Institute and Gallery Salisbury, MD, Juror: Stephen Haller “Greed, Envy, Jealousy, Fear”, TSL Warehouse, Hudson, NY 2004 “Women in the Middle: Borders, Barriers, Intersections” University of Wisconsin-Milwaukee “Girl Art Now”, Hera Gallery, Wakefield, RI 3 Person Exhibition, Monterey Peninsula College, Monterey, CA “The Feminine Eye”, Bradley University, Peoria, IL “Women Painting Women”, McNeese State University, Lake Charles, LA “Thought Patterns”, Kent Place Gallery, Summit, NJ “Surface, Matter and Artifice”, Dutchess Community College Art Gallery, Poughkeepsie, NY 2003 “Beefcake/Cheesecake”,Orange County Center for Contemporary Art, Santa Ana, CA,Juror: Jamie Wilson, Curator Halpert Bienniel, Appalachian State University, Boone, NC Juror: Jeff Fleming, Senior Curator, Des Moines Art Center “The Great White Oak”, Garrison Art Center, Garrison, NY Carrie Haddad Gallery, Hudson, NY 2002 “Cat Calls”, Red Clay Arts, Brooklyn “Hudson Valley Regional”, SUNY New Paltz Juror: Sydney Jenkins, Director, Ramapo College Art Galleries 2001 One-Person Exhibition, Davis and Hall Gallery, Hudson, NY “Beyond the Surface”, Womanmade Gallery, Chicago One-Person Exhibition, Garrison Art Center, Garrison, NY 2000 “Vision 2000...

Hints of botanicals, sky and earth; this painting was done with quality oil paints and cold wax on linen. :: Painting :: Abstract :: This piece comes with an official certificate o...

Nerea Caos (1993) - the all-seeing eye - Oil on canvas Canvas size 54X65 cm. Frameless. Nerea Sánchez Castro, born in Ferrol, Galicia in 1993, an art stude...

Abstract, 1987 Hand signed and dated verso Not sure of technique. this might be a monotype or monoprint with hand painting. The handmade paper is cut somewhat irregularly as per the ...

Dan McCaw's (US based) "Untitled" is an original, handmade oil painting that depicts an abstracted figure standing in a striped interior setting. Artist Statement: Born: 1942 A s...

Cactus Landscape, ca. 1975-80. Gouache on Arches rag paper, Sheet measures 23 x 30 inches. Image measures 22 x 29 inches. Signed lower left. Excellent condition. Unframed.

In addition to modeling paste (including paste I made myself), stones, decorative stones, and sand, I used pigments, ink, and acrylic ink for the color scheme. During the creative p...

Antique American modernist abstract minimalist oil painting. Oil on canvas. Framed. Signed verso.

Signed by the artist Layered and dyed canvas float mounted within a box frame with non reflective glass Part of Henry Woolway's 'Sunday Sessions' series, Always Yours, Forever More...

Lesley Anne Spowart, an abstract artist hailing from Cape Cod, Massachusetts, is renowned for her transformative creations that blur the boundaries of mediums and styles. With a di...

Oil painting on canvas Original art by Grigori Ivanov. Founder of art style "Svetizm" healing paintings with light and color. Ready to hang. Shipping from Belarus, Minsk.

Title: Rhythm Medium: Oil on canvas Size: 30 x 21 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Year: 2000 Circa Art...

“Abandoned Nest” unfolds as a visual poem about loss and transformation, where colors pulse between memory and the promise of new life. Rich purples, pinks, and golden hues weave tog...

This surreal landscape painting by Gozo presents an evocative acrylic composition on Fabriano paper, measuring 50 x 70 cm. The piece unfolds in a dreamlike terrain of crimson and vio...

Bettina Mauel expresses dynamism and sensuality in her paintings: “I paint what I experience,” she articulates. “This includes landscapes, flowers, and people in motion, capturing th...

Lazzaro Donati (Italian, 1926-1977) Untitled (Abstract Woman), Mid-20th Century Oil on board 20 x 16 in. Framed: 25 3/4 x 21 7/8 in. Signed lower right Lazzaro Donati (1926-1977) was born in Florence in 1926 and attended the Academy of Fine Arts. He began to paint in 1953, and in 1955 held his first exhibition at the Indiano Gallery in Florence. Within three years eleven exhibitions followed in Italy, and as his reputation grew he was invited to give major exhibitions in London, Paris, New York, Chicago, Rio de Janeiro and Montevideo. He is considered one of the foremost contemporary Italian painters and his paintings hang in museums and private collections throughout the Americas, Europe and Asia. Mr. Donati lived and worked at 24 Piazza Donatello in Florence, the square where generations of artists have created works worthy of the great Florentine tradition. As you entered the narrow hallway to his studio, a gilded life-size Venetian angel beckoned you to his door. Once inside, the present faded away and you found yourself in an atelier where early masters might have worked during the Renaissance. Within, luxurious Persian rugs set off the innumerable objects d'art and antique furnishings. Light poured in through the sloping glass wall on the north side. A dramatic stairway led to an overhanging balcony which served as a private gallery where the artist hung some of his favorite early works. To the left of the entrance was a smaller studio where Donati sculpted, with a window overlooking the famous old English cemetery where tourists laid flowers on the grave of Elizabeth Barrett Browning. In the main studio itself, where Donati received his clients in an atmosphere as polished as an office of a top executive, one hardly realized that it was here that the artist actually painted. His easel was covered with Persian blue velvet, the painting on the easel was already framed, his chair was upholstered in red velvet and on his palette the colors were arranged with the precision of a Byzantine mosaic. In a corner stand were his latest works, framed and ready to be sent off to his next exhibition in Europe or America. Donati was a born host with a warm welcome, an elegant man who possessed enormous charm a good nature and a keen sense of humor. Apparently shy, he preferred to speak on subjects extraneous to his art, purposely distracting you from his paintings, then leading you back to them, tactfully and without pretension. He spoke fluent French and English as well as some Spanish and German. "After all", he said, "you've got to know how to sell a painting to everyone." He had no sympathy for the "drip and splash" studios of his contemporaries, preferring to keep his studio tidy and spotless. "Painting is a matter of precision", he said, "If a painter can't put his paint where he wants it to go, I don't see how he can call himself a painter. For me it is absolutely necessary to control the paint." When asked to reveal the technique he used to achieve the enamel-like finish typical of his paintings he answered, "That is a secret between me and my butler. Actually, most of my paintings are done by him!" But in fact behind the façade, Donati was a serious craftsman who devoted to his painting as a way of life and means of expression. From the beginning of his career, his paintings revealed a striving for perfection and continual research in problems of style and technique. His early works indicated a momentary interest in surrealism and abstract art; they were predominantly two dimensional, depending on line and strong color. But by 1958, with his painting The Lady with a Fan...

Ky Anderson Seedling 25.8, 2025 acrylic on watercolor paper 30 x 22 in. (and484) Artist Statement: My work falls somewhere between abstraction, formalism and narrative painting. I...

Richard Andres (American, 1927-2013) Naval Occurrence, c. 1963 oil on canvas signed and titled verso 24 x 32 inches Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University. Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school. They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages. At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute). He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.” Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller designed and made the simple gold wedding ring Avis wore for their 65 years of marriage. During those 65 years neither wavered in their mutual love, nor in the respect they shared for one another’s art. The couple lived in a converted chicken coop in Missouri while Richard was in boot camp. At the camp, he would volunteer for any job offered and one of those jobs ended up being painting road signs. His commander noticed how quickly and neatly he worked and gave him more painting work to do - eventually recommending him for a position painting murals for Army offices in Panama. Until her dying day, Avis remained angry that “The army got to keep those fabulous murals and they probably didn’t even know how wonderful they were.” In Panama, their first son, Mark, was born. After Richard’s discharge in 1953, they moved back to the Cleveland area and used the GI bill to attend Kent State gaining his BA in education. The small family then moved briefly to Buffalo, where Richard taught at the Albright Art School and the University of Buffalo – and their second son, Peter, was born. Richard had exhibited work in the Cleveland May Show and the Butler Art Museum during his art school years, and during the years in Buffalo, his work was exhibited at the gallery he had so loved as a child, the Albright Art Gallery. In 1956, the family moved back to the Cleveland area and Richard began teaching art at Lincoln West High School during the day while working toward his MA in art at Kent State in the evenings. Avis and Richard, with the help of an architect, designed their first home - a saltbox style house in Hudson, Ohio, and in 1958, their third son, Max (after Max Beckmann) was born. Richard enjoyed the consistency of teaching high school as well as the time it gave him to paint on the weekends and during the summer months. In 1961, he received his MA and his daughter, Claire, was born. With a fourth child, the house was much too small, and Avis and Richard began designing their second home. An admirer of MCM architecture, Richard’s favorite example of the style was the Farnsworth house – he often spoke of how the concepts behind this architectural style, particularly that of Mies van der Rohe, influenced his painting. Andres described himself as a 1950’s...

Emilio Rama's captivating pop art-inspired paintings featuring origami animal figures are a distinctive and original contribution to the realm of contemporary art. With a vibrant int...

Step into a vivid labyrinth of color and imagination with this original work by visionary artist Serg Graff. Titled Kaleidoscope Wishes, this piece is a fantasy abstract composition ...

Vintage American modernist landscape painting. Oil on canvas. Framed.

Maura Petersen (American, born 1956) "Awakening" 2025 Acrylic Paint, Canvas, Stretcher Bars The artist signed the bottom right of the painting. In “Awakening,” Maura Petersen captur...

Nicely painted mid century abstract oil painting. Great color and composition. Framed.