Small Abstract Paintings

"Fantasy with Flowers" (series of 200+ pictures)   paper 59x42cm  On the paper acrylic, oil pastel, felt-tip pen, ink, gold leaf, pencils, silver,mixed media. Flowers are a smile of ...

Mon Levinson (1926-2014). The Edge V, 1965. Plexiglass, acetate and paper. 24 x 24 x 3 inches. Minor scuffing on surface of plexiglass. Original gallery label affixed en verso. Biog...

Bright Abstract by Guy Nicod (French 1923 - 2021) oil on artist paper, unframed painting : 18 x 24 inches provenance: artists estate, France condition: very ...

After Doubles (1990) is a compelling oil on canvas by Mark Lancaster (British, 1938–2021), measuring 19⅞ x 23¾ inches (50.7 x 60.3 cm). The work demonstrates Lancaster’s sophisticate...

In this abstract painting by Elizabeth Gourlay, clean and precise, carefully ordered stripes and blocks of color in gray, light green, red orange and blue are lively and vibrant agai...

Title: One Eye of Zebra Medium: Oil on canvas Size: 23.5 x 19.25 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: Th...

Synthetic Cubism is an original artwork realized by Giorgio Lo Fermo in 2012. Oil on canvas applied on plywood. Hand signed by the artist on lower left. This contemporary artwork ...

De Hirsh Margules (1899-1965). Christopher Street, 1939. Watercolor on Arches wove paper. Signed and dated in pencil by artist lower margin. Sheet measures 15.5 x 20 inches. Window in matting measures 15 x 19 inches. Framed measurement: 23 x 30 inched. Bears fragment of original label affixed on verso. Incredibly vibrant and saturated color with no fading or toning of sheet. Provenance: Babcock Galleries, NYC Exhibited: The American Federation of Arts Traveling Exhibition. From the facade of The Waverly at Christopher is depicted One Christopher Street, the 16-story Art Deco residential building erected in 1931. It is not a casual coincidence that the structure appears in this cityscape: 1 Christopher Street is the subject. The original intention of this project was to transform the neighborhood, bring a bit of affluence and make a bid to rival the Upper West Side. Margules, a sensitive aesthete, understood how a massive piece of architecture such as One changes a neighborhood. Sound, scale and focal points are forever altered. A pedestrian's sense of depth and distance becomes pronounced. All of these factors contribute to the intent behind this image. Tall buildings disrupt the human scale, change the skyline and carve up space. In this piece, negative space conforms to the man-made geometries. Clouds become gems fixed in settings. De Hirsh Margules (1899–1965) was a Romanian-American "abstract realist" painter who crossed paths with many major American artistic and intellectual figures of the first half of the 20th century. Elaine de Kooning said that he was "[w]idely recognized as one of the most gifted and erudite watercolorists in the country". The New York Times critic Howard Devree stated in 1938 that "Margules uses color in a breath-taking manner. A keen observer, he eliminates scrupulously without distortion of his material." Devree later called Margules "one of our most daring experimentalists in the medium" Margules was also a well-known participant in the bohemian culture of New York City's Greenwich Village, where he was widely known as the "Baron" of Greenwich Village.[1] The New York Times described him as "one of Greenwich Village's best-known personalities" and "one of the best known and most buoyant characters about Greenwich Village. Early Life De Hirsh Margules was born in 1899 in the Romanian city of Iași (also known as Iasse, Jassy, or Jasse). When Margules was 10 weeks old, his family immigrated to New York City. Both of his parents were active in the Yiddish theater, His father was Yekutiel "Edward" Margules, a "renowned Jewish actor-impresario and founder of the Yiddish stage." Margules' mother, Rosa, thirty-nine years younger than his father, was an actress in the Yiddish theater and later in vaudeville. Although Margules appeared as a child actor with the Adler Family[11] and Bertha Kalich, his sister, Annette Margules, somewhat dubiously continued in family theater and vaudeville tradition, creating the blackface role of the lightly-clad Tondelayo (a part later played on film Hedy Lamarr) in Earl Carroll's 1924 Broadway exoticist hit, White Cargo. Annette herself faced stereotyping as an exotic flower: writing about her publicist Charles Bouchert stated that "Romania produces a stormy, temperamental type of woman---a type admirably fitted to portray emotion." His brother Samuel became a noted magician who appeared under the name "Rami-Sami." Samuel later became a lawyer, representing magician Horace Goldin, among others. A family portrait including a young De Hirsh, a portrait of Rosa and Annette together, and individual photos of Rosa and Edward can be found on the Museum of the City of New York website. At around age 9 or 10, Margules took art classes with the Boys Club on East Tenth Street, and his first taste of exhibition was at a student art show presented by the club. By age 11, he had won a city-wide prize (a box camera) at a children's art show presented by the department store Wanamakers. As a young teenager, Margules was already displaying a characteristic kindness and loyalty. Upon hearing that two friends (one of them was author Alexander King), were in trouble for breaking a school microscope, the nearly broke Margules gave them five dollars to repair the microscope . Margules had to approach a wealthy man that Margules had once saved on the subway from a heart attack. Margules didn't reveal the source of the five dollars to King until twenty-five years later. In his late teens, Margules studied for a couple of months in Pittsburgh with Edwin Randby, a follower of Western painter Frederic Remington. Thereafter he pursued a two-year course of studies in architecture, design and decoration at the New York Evening School of Art and Design, while working as a clerk during the day at Stern's Department Store. He was encouraged in these artistic pursuits by his neighbor, the painter Benno Greenstein (who later went by the name of Benjamin Benno). Artistic career In 1922, Margules began work as a police reporter for the City News Association of New York .Margules then considered himself something of an expert on art, and the painter Myron Lechay is said to have responded to some unsolicited analysis of his work with the remark "Since you seem to know so much about it, why don't you paint yourself?" This led to study with Lechay and a flurry of painting. Margules' first show was in 1922 at Jane Heap's Little Review Gallery. Thereafter Margules began to participate in shows with a group including Stuart Davis, Jan Matulka, Buckminster Fuller (exhibiting depictions of his "Dymaxion house") in a gallery run by art-lover and restaurateur Romany Marie on the floor above her cafe. Jane Heap, left, with Mina Loy and Ezra Pound During the 1920s, Margules traveled outside of the country a number of times. In 1922, with the intent of reaching Bali, he took a job as a "'wiper on a tramp steamer where [he] played nursemaid to the engine." He reached Rotterdam before he turned back. He would return to Rotterdam shortly thereafter. In 1927, Margules took a lengthy leave of absence from his day job as a police reporter in order to travel to Paris, where he "set up a studio in Montmartre's Place du Tertre, on the top floor of an almost deserted hotel, a shabby establishment, lacking both heat and running water." He studied at the Louvre and traveled to paint landscapes in provincial France and North Africa. Margules also joined the "Noctambulist" movement and experimented with painting and showing his artwork in low light.Jonathan Cott wrote that: the painter De Hirsch Margulies sat on the quays of the Seine and painted pictures in the dark. In fact, the first exhibition of these paintings, which could be seen only in a darkened room, took place in [ Walter Lowenfels'] Paris apartment. Elaine de Kooning remarked that studying the works of the Noctambulists confirmed Margules' "direction toward the use of primary colors for perverse effects of heavy shadow." It was also in Paris that Margules initially conceived his idea of "Time Painting", where a painting is divided into sectors, each representing a different time of day, with color choices meant to evoke that time of day. In Paris, his social circle included Lowenfels, photographer Berenice Abbott, publisher Jane Heap, composer George Anthiel, sculptor Thelma Wood, painter André Favory, writer Norman Douglas, writer and editor George Davis, composer and writer Max Ewing, and writer Michael Fraenkel. Upon his return to New York in 1929, Margules attended an exhibition of John Marin's paintings. While at the exhibition, he "launched into an eloquent explanation of Marin to two nearby women", and was overheard by an impressed Alfred Stieglitz. The famous photographer and art promoter invited Margules to dine with his wife, the artist Georgia O'Keeffe, and his assistant, painter Emil Zoler. Stieglitz thereafter became a friend and mentor to Margules, becoming for him "what Socrates was to his friends." Alfred Stieglitz Stieglitz introduced Margules to John Marin, who quickly became the most important painterly influence upon Margules. Elaine de Kooning later noted that Margules was "indebted to Marin and through Marin to Cézanne for his initial conceptual approach - for his constructions of scenes with no negative elements, for skies that loom with the impact of mountains." Margules himself said that Marin was his "father and ... academy." The admiration was by no means unreciprocated: Marin said that Margules was "an art lover with abounding faith and sincerity, with much intelligence and quick seeing." Stieglitz also introduced Margules to many other artistic and intellectual figures in New York. With the encouragement of Alfred Stieglitz, Margules in 1936 opened a two-room gallery at 43 West 8th Street called "Another Place." Over the following two years there were fourteen solo exhibitions by Margules and others, and the gallery was well-respected by the press. It was in this gallery that the painter James Lechay, Myron's brother, exhibited his first painting. In 1936, Margules first saw recognition by major art museums when both the Museum of Modern Art and the Museum of Fine Arts, Boston purchased his works. In 1942, Margules gave up working as a police reporter, and apparently dedicated himself thereafter solely to an artistic vocation. "The Baron of Greenwich Village"[edit] Margules made his mark not only as an artist, but also as an outsized personality known throughout Greenwich Village and beyond. To local residents, Margules was known as the "Baron", after Baron Maurice de Hirsch, a prominent German Jewish philanthropist. Margules was easily recognizable by the beret he routinely wore over his long hair. Writer Charles Norman said that he "dressed with a flair for sloppiness." He was said to "know everybody" in Greenwich Village, to the extent that when the novelist and poet Maxwell Bodenheim was murdered, Margules was the first one the police sought to identify the body. Margules' letters show him interacting with art world figures such as Sacha Kolin, John Marin and Alfred Stieglitz, as well as with prominent figures outside the art world such as polymath Buckminster Fuller and writer Henry Miller. Most of his friends and acquaintances found Margules a generous and voluble man, given to broadly emotionally expressive gestures and acts of kindness and loyalty. In 1929, he exhibited an example of this loyalty and fellow-feeling when he appeared in court to fight what the wrongful commitment of his friend, writer and sculptor Alfred Dreyfuss, who appeared to have been a victim of an illicit attempt to block an inheritance. The Greenwich Village chronicler Charles Norman described the bone-crushing hugs that Margules would routinely bestow on his friends and acquaintances, and speaks of the "persuasive theatricality" that Margules seemed to have inherited from his actor parents. Norman also wrote about Margules' routine acts of kindness, taking in homeless artists, constantly feeding his friends and providing the salvatory loan where needed. Norman also notes that Margules was blessed with a loud and good voice, and was apt to sing an operatic air without provocation. The writer and television personality Alexander King said I think the outstanding characteristics of my friend's personality are affirmation, emphasis, and overemphasis. He chooses to express himself predominantly in superlatives and the gestures which accompany his utterances are sometimes dangerous to life and limb. Of the bystanders, I mean. King also spoke with affectionate amusement about Margules' pride in his cooking, speaking of how "if he should ever invite you to dinner, he may serve you a hamburger with onions, in his kitchen-living room, with such an air of gastronomic protocol, such mysterious hints and ogliing innuendoes, as if César Ritz and Brillat-Savarin had sneaked out, only a moment before, with his secret recipe in their pockets." Margules was such a memorable New York personality that comic book writer Alvin Schwartz imagined him at the Sixth Avenue Cafeteria in a risible yet poignant debate with Clark Kent about whether Superman had the ability to stop Hitler. Margules' entrenchment in the Greenwich Village milieu can be seen in a photograph from Fred McDarrah's "Beat Generation Album" of a January 13, 1961 writers' and poets' meeting to discuss "The Funeral of the Beat Generation", in Robert Cordier [fr]'s railroad flat at 85 Christopher Street. Among the people in the same photograph are Shel Silverstein...

Almo wonders about his identity, the countries he has lived in, his daily routine and how he creates himself. An outsider who has made the world his home, skin, and citizenship, and ...

“Algedomic” beautifully embodies the bittersweet coexistence of pleasure and pain, illustrating the delicate balance between joy and sorrow that defines our experiences. The vibrant ...

Jay Milder (born 1934) is an American artist and a figurative expressionist painter of the second generation New York School. Old Testament themes such as Jacob's Ladder and Noah’s Ark, and the Jewish mystical beliefs of the Kabbalah, are recurring themes in Milder’s paintings which are presented as archetypal images that recur in the basic karma, make-up and need of human nature. Internationally exhibited, Milder is included in the collections of many national and international museums. He has been the subject of two, recent retrospectives in Brazil in 2007 at the National Museum Brasilia and, in 2006, at the Museum of Modern Art, in Rio de Janeiro. He is renowned in Sao Paulo, one of the major international centers for street and public art, as a seminal influence on graffiti artists. Jay Milder was born in Omaha, Nebraska, in 1934. His grandparents, who came from the Ukraine, were descendants of the Hasidic mystic, Rabbi Nachman. As he listened to family stories his interest in spiritualism and mysticism increased, and became an important influence on his philosophy of life and art. Later, when he arrived in New York, he was drawn to the Theosophical Society and the teaching of Helena Blavatsky. In 1954 Milder visited Europe where he studied painting with André L’Hote, and sculpture with Ossip Zadkine. He spent much time studying at the Louvre Museum, and at the studio of Stanley Hayter. During his Paris years the paintings of the Jewish painter Chaim Soutine, primarily influenced him. Milder returned to the United States in 1956, and he began studying painting at the Chicago Art Institute. He exhibited with the Momentum Group, an alliance of artists who were particularly dedicated to the progression of figurative art and its global origins. In 1957, Milder spent the summer in Mexico for a summer where he exhibited in Puebla. That year he received the Mexican Government’s Honor Award for artists. In the summer of 1958, Milder studied with Hans Hofmann in Provincetown, Massachusetts. He exhibited his work at the Sun Gallery, with his contemporaries, including Mary Frank, Red Grooms, Bob Thompson, Lester Johnson, Emilio Cruz and Alex Katz, among others. During this period his painting began to incorporate iconography of birds, animals, humans and animal/human hybrids. In 1958, Milder, Bob Thompson and Red Grooms, founded the City Gallery in the Chelsea section of New York City. The gallery moved downtown and became the Delancey Street Museum and an early site for ‘Happenings’,which Milder participated in. He showed his first major series called Subway Runners in 1960 at the Martha Jackson Gallery in New York City. Milder began a group of smaller paintings, entitled “Messiah Series”, in the late 1960s. These were fully expressionistic earth toned pictures, and he completed around 250 paintings in the series, based on biblical themes from the Old Testament. When 40 of these paintings were shown in a traveling exhibition premiering at the Richard Green Gallery in New York City, in 1987, art critic Donald Kuspit wrote in ArtForum Magazine: “after Nolde’s biblical pictures, these are the best and most integral group of biblical pictures in the 20th century.” During the 1970s, Milder co-founded a collective group called Rhino Horn with Peter Passuntino, Peter Dean, Benny Andrews, Nicholas Sperakis, Michael Fauerbach, Ken Bowman, Leonel Gongora, and Bill Barrell...

Artist/ School: Kathleen Crow, British contemporary Title: Cubist composition Medium: oil on board, unframed Board: 20 x 24 inches Provenance: private collection, England Condi...

Title: Abstract Diptych: Still Life with Bottle and Chairs - Contemporary Oil Paintings Artist: Roland Pichard Medium: Oil on oil paper, mounted on card Size: Left piece: 13 (heig...

Swedish artist Jonas Fisch’s imagery is vibrantly buzzing with colorful commentary on society - past and present - morphed into figures, words, and shapes. His heavily layered canvas...

Emotional Color Change series combines colour and language to visually represent the external environment. The process involves mixing two or three colors on the canvas, starting fro...

Red Earth an oil on canvas abstract landscape that shows the mountains and fields of Peter Rossiters much loved homeland. A checkered patchwork of the colours and shapes of this environment, an almost primeval place just slightly encroached upon and altered by the people who inhabit the borders. Peter Rossiter was born in Cambridge, UK in 1950 and studied at York University & The Courtauld Institute, London. Peter's background is rooted in the global art world; his Grandfather was the German artist Martin Bloch...

This series of works by the Danish artist Peter Kramer (Roskilde, 1959) with numerous exhibitions between Spain and Denmark are entitled "365 urns", in wh...

Artist: Miriam Bromberg Title: Cubist Abstract I Year: 1970's Medium: Oil on Canvas, signed l.r. Size: 18 x 24 in. (45.72 x 60.96 cm)

Jean Krillé’s paintings are known for their expressive use of color and dynamic, abstract forms, blending realism with abstraction in his depictions of nature. His landscapes often f...

Ted Hinrichs Discovering Red Acrylic on Canvas Year: 2025 Size: 20 x 16 x 0.75 inches (50.8 x 40.64 x 1.9 cm) Signed by hand COA provided *On Stretcher Frame (Painted Edges), ready ...

This series of works by the Danish artist Peter Kramer (Roskilde, 1959) with numerous exhibitions between Spain and Denmark are entitled "365 urns", in wh...

Blue Square is a sculpted drawing that wants to escape the bounds of its boxed-in frame. As there is no right side up, it may be displayed in any direction. The blue centre creates a...

Expressive and colorful seascape by Vasil (Victor) Papkov (20th Century). The vivid cyan blue churning waves mirror the sky above, with a glowing orange sunset splitting the canvas o...

Figurative Abstract French School oil painting on board painting: 21 x 17 inches condition: overall very good and pleasing provenance: from a private collection of this artists work ...

This abstract, expressive, and vibrant painting was created by French artist Natalya Mougenot, who explores the theme of the "heart-mind connection" in her latest collection. Through...

Stephanie Visser, a native of southwestern Michigan, was educated at Kendall College of Art and Design in Grand Rapids Michigan. She continued her education in fine arts and painting...

In creating this piece, I aimed to capture a burst of raw, dynamic energy. Utilizing precision and spontaneity, I combined acrylics, oils, enamel, and ink to form an expressive dance...

JB Nearsy Loose Split 2020 Spray paint on paper Size: 24x18in Signed by hand COA provided Ref.: 924802-1759 -------------- Tags: post graffiti, street art, expressionism, galaxy, ...

Interior design paintings. The artwork was done with watercolor on watercolor paper 360g. The works are 14 by 11 inches in size, framed (black) with a styrene face on a mat board in ...

Steven Baris Stations of Attention D7, 2024 oil on Mylar 24 x 21 in. (bari096) Artist Statement I characterize my work as diagrammatic, a far more apt term than the nearly meaningl...

"Look at a tree, a flower, a plant. Let your awareness rest upon it. How still they are, how deeply rooted in Being." – Eckhart Tolle Immerse yourself in the vibrant colors and scul...

Abstract Expressionist Composition by Gilbert Pelissier (French born 1924) signed on back, inscribed verso oil painting on canvas, unframed canvas size: 16 x 24 inches condition: ove...

“Girl with Balloons” was created from a vision aritst Cindy Shaoul had during the height of the pandemic. She wanted to create a piece with a light heart but also translate a message...

Sarah Johnson infuses passion, heart, and a lifetime of creative experience into each original painting. Her radial series exhibit both uninhibited freedom and methodical technique. Through colors, textures, and movement, Johnson’s acrylic paintings on canvas radiate joy with pleasing repetition and form. This 24-inch square one-of-a-kind painting is stretched, wired and ready to hang. The sides of this original artwork are painted and it does not require framing. It is signed by the artist on the front and back. Convenient local Los Angeles area shipping. Affordable Continental U.S. and International shipping also available. A certificate of authenticity issued by the gallery is included. Johnson says about her work: "I believe things that you bring into your home make a difference in the way you live and feel. My artwork is inspired by joy, purpose, and freedom. I hope my paintings are a source of inspiration for you and everyone who enters your home." Each series has a meaningful message, adding both truth and beauty to your walls. Johnson is based in Dallas, Texas, and has been a professional artist since 2012. Her abstract artworks are collected internationally. REPRESENTATION Artspace Warehouse, Los Angeles, California, USA EDUCATION 2010 The University of Texas at Austin EXHIBITIONS 2022 Artspace Warehouse, Los Angeles, CA 2022 The Collective, Dallas, TX 2022 Mecox Gardens, Houston, TX 2022 The Arbors, Round Top, TX 2022 The Walking Man, Whitefish, MT 2022 BayHill Design Studio, Austin, TX 2022 Septemberfest Art Fair, Midland TX - Honorable Mention 2021 Olive & Home, Tyler TX...

picture with 3d effect, changes color depending on the lighting, the work is done in the style of antique wall fresco. This dynamic artwork is a ...

Signed upper right, 'Graham' for Ellwood Graham (American, 1911-2007) and painted circa 1985; additionally signed, verso, and titled, 'View Study'. This early California Modernist ...

Spring Symphony Triptych Signed by Minty Ramsey Medium: acrylic on canvas
 Size: Each panel: 12 x 24 inches (Total: 36 x 24 inches)
 Condition: Excellent, with vivid and well-preserv...

Abstract Expressionist Composition by Gilbert Pelissier (French born 1924) oil painting on canvas, unframed canvas size: 18 x 24 inches condition: overall very good, a few minor su...

Imprint of Memory This work captures not the event itself, but its bodily imprint — a trace of memory manifested through matter. Forgotten experiences do not vanish without a trace: ...

Artist: Voskan Galstian Work: Original Painting, Handmade Artwork, One of a Kind Medium: Acrylic on Canvas Panel Year: 2023 Style: Abstract Art, Title: Run Of The Earth 2 Size: 24...

Coulombe-Bégin's dynamic acrylic on canvas works seek to produce a metamorphic interpretation of the artist's inner identity. Her paintings make ample use of contrasting colors to cr...

​Whether they are symbols, dreams or marks of the life of each of us. The artist's work often features heads, floating bodies, trees, dollar signs, cars, laurel branches, and symboli...

This series of works by the Danish artist Peter Kramer (Roskilde, 1959) with numerous exhibitions between Spain and Denmark are entitled "365 urns", in which the artist works with ti...

Artist Len Klikunas paints to modify experienced reality through visual perception. His art is a mix of art and architecture, hovering between painting and sculpture. It employs shiz...

28 Artist: Voskan Galstian Work: Original Acrylic Painting, Handmade Artwork, One of a Kind Medium: Acrylic on Canvas Year: 2022 Style: Abstract Art, Subject: Unsolved Mysteries ...

Oil painting on canvas Original art by Grigori Ivanov. Founder of art style "Svetizm" healing paintings with light and color. Ready to hang. Shipping from Belarus, Minsk.

Kerry Smith Led Zeppelin - Houses Of The Holy Mixed Media on Crescent board Year: 2018 Size: 21x20in Signed, dated by hand COA provided Ref.: 924802-1632 *Black frame with a mirror-...

"Loading" is a reflection on the moment when a miracle begins to take form. The painting features pink hydrangeas, symbolizing the gentle, almost imperceptible unfolding of something...

Abstract Expressionist Composition signed by Gilbert Pelissier (French born 1924) oil painting on canvas, unframed canvas size: 15 x 24 inches condition: overall very good, a few min...

"Five Pound Painting" - Abstract Expressionist Composition in Acrylic on Canvas Vibrant and expressive composition by California artist Charles "Dave" Francis (American, 1951-2018)....

Leigh Ann Van Fossan's "Yearning" is an original acrylic depicting an impressionistic landscape with a stormy blue sky. Van Fossan was born in Vail, Colorado, and began oil paintin...

Title: Flowing Light and Shadow Series IV Medium: Oil on canvas Size: 19.5 x 20 inches Frame: Framing options available! Condition: The painting appears to be in excellent condi...

Abstract artist Paul Kirley crafts visual journeys that seamlessly intertwine individuals with their surroundings, evoking the ethereal nature of dreams. Blurring the boundaries betw...

Through his use of color, texture and brush stroke, Robert vibrates the viewer with these strong emotional ties that he so longs to connect with nature and the spirit of the all-enco...

Abstract Expressionist Composition signed by Gilbert Pelissier (French born 1924) oil painting on canvas, unframed canvas size: 20 x 24 inches condition: overall very good, a few m...

Abstract Expressionist Composition by Marie Deloume (French born 1942) signed & dated verso oil painting on paper stuck on canvas, unframed canvas size: 24 x 20 inches condition: ove...

In this contemporary abstract painting in gouache and acrylic on paper, clean and precise, carefully ordered thick horizontal stripes in shades of peach, light blue, dark navy, and a...

Los Angeles artist Amber Goldhammer paints dramatic abstract compositions in acrylic on canvas featuring energetic brushstrokes. Goldhammer uses her contemporary paintings to express...

This series is born from a search to leave aside the narrative figurative and reduce the image to shape and colour. Starts with both images found as well as her own images, previous ...

Stefano est un artiste peintre Genevois contemporain qui s'amuse entre l'abstrait et un figuratif suggéré. Cette pièce représente pour l'artiste "Saint-Tropez". Elle a été peinte en 2023 et fait partie des dernières productions de l'artiste. Ce sont des études pour de...