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Bryan RicciUntitled 10.4.252025
2025
$6,500
£4,912.20
€5,642.55
CA$9,142.73
A$9,679.77
CHF 5,238.42
MX$115,691.01
NOK 65,296.17
SEK 59,711.03
DKK 42,142.63
About the Item
In Untitled 10.4.25, Bryan Ricci creates small, deliberate strokes that gather across the surface, accumulating into layered fields of blooming color. These marks oscillate between presence and dissolution, creating an intimate and expansive rhythm.
Ricci’s palette shifts across the canvas, producing subtle emotional registers. The repetition of short, clustered strokes establishes a pulse that guides the viewer’s eye, suggesting movement through time rather than space. Areas of dyed linen remain visible beneath the paint, grounding the composition in materiality and emphasizing the physical labor and restraint embedded in Ricci’s process.
Untitled 10.4.25 recalls the atmospheric sensitivity of Mark Rothko’s late paintings, the accumulated gestures of Joan Mitchell, and the meditative repetition found in postwar abstraction. Ricci’s work favors fragmentation and quiet modulation over monumental declaration.
Presented as part of Mash Gallery’s group exhibition Rhythmic Contours, the painting expands the exhibition’s investigation of line and rhythm into a contemplative register. Here, rhythm emerges through the steady layering of gesture and color. The painting invites sustained viewing, revealing new relationships as the eye adjusts to its internal cadence.
Untitled 10.4.25 is a work that rewards closeness and time, offering a quiet intensity that continues to unfold long after the initial encounter.
- Creator:Bryan Ricci (1977, American)
- Creation Year:2025
- Dimensions:Height: 40 in (101.6 cm)Width: 64 in (162.56 cm)
- Medium:
- Movement Style:
- Period:
- Condition:
- Gallery Location:West Hollywood, CA
- Reference Number:1stDibs: LU1758217391932
Bryan Ricci
Bryan Ricci is an award-winning artist based in the United States whose paintings have been exhibited both nationally and in Australia. He cites the emphasis on color theory as being the constant element in his works throughout his career. For Ricci, "color is the most powerful aspect of painting". Employing raw pigments, acrylics, and resin, as well as other materials such as sand, he incorporates texture into his pieces in order to "push past the image".
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