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Bryan RicciUntitled 7.1.252025
2025
$3,900
£2,947.32
€3,385.53
CA$5,485.64
A$5,807.86
CHF 3,143.05
MX$69,414.61
NOK 39,177.70
SEK 35,826.62
DKK 25,285.58
About the Item
In Untitled 7.1.25, Bryan Ricci presents a richly layered abstraction that moves between structure and release, color and gesture. Dense clusters of thick, block-like marks float across the surface, forming rhythmic constellations of yellows, blues, greens, corals, and whites. These gestures are anchored by vertical passages of color that drip, blur, and recede, creating a dynamic tension between accumulation and erosion. The composition feels simultaneously grounded and in motion, as though color itself is passing through multiple states of energy.
Central to Ricci’s practice is his material process. He creates his own paint from raw pigments, a choice that gives the surface a distinctive depth and physicality. The colors appear saturated yet earthy, carrying a tactile presence that resists uniformity. Each mark holds subtle variation in density and opacity, revealing the artist’s hand and reinforcing the painting’s sense of lived time. This process-driven approach allows color to behave as both substance and signal, contributing to the painting’s internal rhythm.
Untitled 7.1.25 situates Ricci within a lineage of postwar abstraction that values material intelligence and repetition. The work recalls the gestural density of Joan Mitchell and the chromatic urgency of Willem de Kooning, while also engaging with the process-oriented concerns of postminimalist painters who emphasized labor, layering, and accumulation. Ricci’s structured yet intuitive mark-making bridges expression and control, aligning painterly impulse with compositional restraint.
Presented as part of Mash Gallery’s group exhibition Rhythmic Contours, the painting expands the exhibition’s exploration of rhythm through color, texture, and repetition. Here, rhythm emerges through the build-up of marks and the push and pull between vertical flow and clustered gesture. The surface invites sustained viewing, revealing shifting relationships as light interacts with the varied thickness of pigment.
Untitled 7.1.25 speaks to collectors drawn to materially driven abstraction and process-based painting. Its vibrant palette, dimensional surface, and thoughtful construction make it well suited for modern residential interiors, architectural spaces, and curated corporate environments seeking artwork with both energy and depth. Bryan Ricci’s work stands as a testament to the expressive potential of color shaped by hand, time, and intention.
- Creator:Bryan Ricci (1977, American)
- Creation Year:2025
- Dimensions:Height: 40 in (101.6 cm)Width: 32 in (81.28 cm)
- Medium:
- Movement Style:
- Period:
- Condition:
- Gallery Location:West Hollywood, CA
- Reference Number:1stDibs: LU1758217391942
Bryan Ricci
Bryan Ricci is an award-winning artist based in the United States whose paintings have been exhibited both nationally and in Australia. He cites the emphasis on color theory as being the constant element in his works throughout his career. For Ricci, "color is the most powerful aspect of painting". Employing raw pigments, acrylics, and resin, as well as other materials such as sand, he incorporates texture into his pieces in order to "push past the image".
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