Dan Teis

Untitled VI, Large Abstract Painting by Dan Teis

1979

This painting was created by Olympic discus thrower Al Oerter for charity for the 1980 Olympics. This and other paintings he made would spark his love for painting, he would continue making art for the rest of his life. He later founded the organization Art of the Olympians, which showcased artwork by Olympians old and new. The charity produced this video about Al Oerter's painting and we can see possibly this very painting...

A large, dramatic abstract oil painting by Contemporary artist Bill Hewes. The painting can be hung vertically or horizontally. William (Bill) Hewes is an American self-taught artist. Hewes was born in Easthampton, Massachusetts in 1957. Before becoming an artist in 2012 Hewes worked in the building trades for 40 years and often uses the skills learned from his tradesman work within his artwork. Hewes paints in the Action/Drip style, even building his own spinning table...

Acrylic on canvas 72.80 x 59 in Unstretched While Aitala´s artwork has its beginnings in the neo-expressionism, within the years it was gradually adopting all kinds of facets and styles that being fused, have reached a particular work of amazing and “questionable” originality, like he himself likes to claim. In his paintings nothing is pure, everything receives an influence, a touch that marks it. He superimposes figurative motifs until he gets an abstract weave...

60"x 48" acrylic on canvas, signed on reverse by the artist. This is a contemporary abstract painting by the New York/ Hawaiian artist, Debra Drexler. Turquoise and violet raspberry colored forms reminiscent of Matisse cut outs, curl in a textural ground of brushed and poured paint. Drexler's process of composed shapes and fields of color are created with brushwork, poured glazes and and textural depth. This immersive and expressive painting is created with vibrant colors, which react beautifully with each other to create a rhythm of forms that is meditative and contemplative. Debra Drexler's paintings are informed both by participating in the contemporary resurgence of abstraction coming out of New York, and by living in the Post Colonial Pacific for close to three decades. In the 21st century, much of our experience is mediated through the screens of our devices. In contrast, the making and viewing of paintings remains a direct, engaging experience in Drexler's paintings. She aims to take us to a state of timelessness that is primal in its humanity, disconnecting us momentarily from the mediated “now” of our electronic devices, and connecting us to a “now” that gives us a glimpse of the infinite. As a colorist, Debra Drexler provokes unexpected color relationships and creates spatial contradictions that come from those interactions. Some of her color choices reference the post digital experience with its highly saturated synthetic color. The luminosity and saturation also mirror the unique quality of light and tropical color interactions in Hawai’i, where Drexler also lives. Her work is driven by an athletic...