Frealon Norden Bibbins

Ocean Flowers , San Francisco Symphony, Large Vibrant California Abstract

Circa 1976

'Organic Abstract' by Frealon Norden Bibbins, 1976. Large oil by San Francisco artist, Bay Area Abstraction ----- Signed lower right 'Norden' for Frealon Norden Bibbins (American, ...

Painted by Frealon Bibbins (American, 1926-2013). Dated verso, '9/18/76' and '9/19/76'. Stamped with Certification of Authenticity and accompanied by a certificate of authenticity. ...

'Abstract in Orchid and Jade' by Kevin Keaney. San Francisco Art Institute, Large Bay Area Oil ---- Signed verso, 'Kevin Keaney' (American, born 1962) and painted circa 1995. This S...

Signed lower left, 'Charmaine Girelli' (American, 20th/21st century) and painted circa 2015. A very large, American School proto-organic abstract comprising dynamic and fluid traili...

"Overland" features hues of pink, yellow, green, and blue. Marina Dunbar is inspired by the work of Paul Jenkins and Morris Louis. “I often think about painting in three dimension...

Original Oil Painting by Annette Davidek. Signed and dated on verso. Annette Davidek (b. 1957, Flint, MI) creates mysterious yet beautiful paintings that reference naturalistic form...

"Wildflower" features hues of pink, yellow, orange, blue, green and purple. Marina Dunbar is inspired by the work of Paul Jenkins and Morris Louis. “I often think about painting in three dimensions, rather than two,” says Marina. “When engaging with the surface, I am considering how the arrangement and folds of the canvas will influence the composition.” Her process is as rooted in the physical construction of form as it is propelled by the medium’s inherent fluidity. The title of her exhibition – Fluent Form – refers to the practice of exploring opposing concepts, such as density and fragility, continuity and impermanence, within the same material. As one progression leads to the next, Marina studies the medium without premeditation, remaining sensitive to nuances within her process. Marina has introduced natural elements such as dry pigments and sand into these paintings. Sand is a physical object, yet its existence is a representation of the passage of time. It is the result of rock erosion, and it is a material that continually assembles into new patterns. In the Buddhist tradition, sand is used to convey beauty and ephemerality through the construction and subsequent destruction of mandalas...

Annette Davidek creates paintings that look like gorgeous biomes full of naturalistic forms, enticing viewers to enter a domain that is as familiar as it is strange. Variously sugges...