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Fritz BaumgartnerDie Benno Kirche - Benno Church2001
2001
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$3,325.95
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£2,493.22
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€2,800
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CA$4,598.96
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A$5,005.43
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CHF 2,674.73
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MX$60,446.55
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NOK 33,614.75
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SEK 31,265.63
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DKK 21,335.66
About the Item
The painter was born in Austrian, but grew up in Munich and died in 2006 at the age of 77. He was an outstanding personality, atypical in the German art landscape. He started on the path of Expressionism (among his teachers was Oskar Kokoschka) with visions of a life of catastrophes.
In his later years he developed a distinctive style, which he maintained except for a few minor changes. The figures are delimited by a sweeping line, their colouring is of the utmost purity, but they have not a decorative function but a symbolic one. Male and female figures fill the space, the archaic mask-like faces with enigmatic hollow eyes, like loopholes. Baumgartner now looks for inspiration in ancient Greece of the Dionysian festivals and the Elysian mysteries and, in contrast, in classical tragedy. His art, exercised in the modern intensity of acrylics, now remains mythical, an exemplary expression of the human experience.
Text from: Lorenzo Mondo, At 77.
Baumgartner, Austrian,
a painter of myths, died, in: La Stampa 10.10.2006
- Creator:
- Creation Year:2001
- Dimensions:Height: 11.82 in (30 cm)Width: 15.75 in (40 cm)
- Medium:
- Movement Style:
- Period:
- Condition:
- Gallery Location:Wien, AT
- Reference Number:1stDibs: LU1782210482262
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If Franz Ecker cannot be included in the avant-garde cannon of the 70’s, it is only because he witheld from presenting his works on the art market. Instead of using the opportunities that were offered to him in Vienna, he returned after his time at the academy to Linz where there was no appreciation nor market for his works. Distanced from the established art business, Ecker lives uncompromisingly the precarious life of a lonely genius. An artist myth, which in his case certainly is a bitter reality. Unimpressed by this, Ecker develops an increasingly broad language of forms within the clear line of abstract pictorial conception, which he emphasizes with constantly new forms of signature.
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