Gabriela Azar Schreiner

Symphony by Gabriela Azar Schreiner. Contemporary abstract Painting

2025

"Rhapsody in Red", 2025, 72" H x 60" W. Large-scale abstract painting in hues of a warm, desaturated crimson consisting of acrylic, pencils, and oil pastels on canvas by Argentine-bo...

“For What It Is” is a warm and light-filled abstract piece, blending soft Nordic tones with playful textures and thoughtful layers. The work evokes a quiet strength—a balance between...

This painting is part of a series titled Contemplation and Introspection. In this series I am exploring the profound relationship between nature and the human experience. The collect...

This painting is from my series titled "The Untethered Soul." This series delves into the transformative power of nature, capturing the essence of what one feels rather than sees. In...

This painting is part of a series titled Sublime Memories. It is inspired by the commonly unseen aspects of nature that I notice when in such an environment. I look for those element...

Javier Manrique El Dorado, 2023 Acrylic on canvas 59 x 59 inches This is an abstract landscape painting created by Javier Manrique in 2023. This one-of-a-kind painting on canvas is ...

Javier Manrique If You Want Blue Sky, 2023 Acrylic on canvas 59 x 59 inches This is an abstract landscape painting created by Javier Manrique in 2023. This one-of-a-kind painting on...

Spanish contemporary artist Cesar Delgado (b. Madrid, Spain) is known for his meticulous and imaginative approach to abstraction, often described as a scientific exploration of form ...

Painted in 1984, Foghorn Time is a sweeping and immersive abstraction by Tino Zago (Italian-American, b. 1937). for a commission. Executed in acrylic on canvas, the monumental format...

"VIII.1 Study" BY TIM NORDIN (B. 1945) Acrylic on Canvas over Panel ⚜ Signed ⚜ Frameless Display A VIBRANT STUDY OF COLOR, TRANSPARENCY & STRUCTURE A rare and original acrylic on canvas over panel, Tim Nordin’s "VIII.1 Study" (1976) is a striking example from his renowned Transparent Sumi Brush Mark series. This work is defined by layered organic strokes of deep blues, vibrant greens, and subtle earth tones, forming a rhythmic interplay of color and light. Nordin’s distinctive brushwork creates a composition that shifts dynamically depending on light and perspective, a hallmark of his innovative approach. His technique results in an immersive, pulsating visual field—where each mark remains distinct yet seamlessly integrates into the whole. This meticulous layering and structured spontaneity connect his work to Abstract Expressionism, Op Art, and Color Field painting. This highly collectible piece was exhibited in Nordin’s 1982 Palm Springs Desert Museum exhibition and remains an essential work for collectors seeking dynamic gestural abstraction and structured color play. WHY COLLECT THIS WORK? ✓ Highly Collectible – A rare hand-signed original by Tim Nordin ✓ Exhibited Work – Featured in Nordin’s 1982 Palm Springs Desert Museum exhibition ✓ Optical Depth & Color Play – A dynamic surface with layered transparency & gestural brushwork ✓ Historical Provenance – From the Collection of Mr. & Mrs. Ricardo Sanchez, acquired directly from the artist ✓ Frameless Display – Ready to Hang – Presented in its original artist-preferred format ARTWORK DETAILS: ▸ Title: VIII.1 Study ▸ Artist: Tim Nordin (b. 1945) ▸ Medium: Acrylic on Canvas over Panel ▸ Year of Creation: 1976 ▸ Signature: Hand-signed, titled, and dated on verso ▸ Provenance: Collection of Mr. & Mrs. Ricardo Sanchez, acquired directly from the artist ▸ Country of Origin: United States ▸ Dimensions: — ◼︎ Image Size: 12 x 12.125 inches — ◻︎ Panel Size: 12 x 12.125 x 1.625 inches ▸ Condition: Excellent – Vibrant colors with well-preserved surface clarity ▸ Framing: Frameless Display (Artist’s Standard Presentation) – Ready to Hang INCLUDED DOCUMENTATION: ✓ Certificate of Authenticity ✓ Artist Biography Document ✓ Excerpts from the 1982 Palm Springs Desert Museum Exhibition Catalog THE ARTIST: Tim Nordin is an American abstract painter best known for his exploration of transparency, repetition, and structured mark-making. His work draws inspiration from a wide range of influences, including Mark Rothko, Sam Francis, Josef Albers, Kazimir Malevich, and the Optical Art movement pioneered by Victor Vasarely and Bridget Riley. While elements of his work reflect the gestural expressiveness of Abstract Expressionism, his approach to composition and structure aligns with Color Field painters such as Morris Louis and Helen Frankenthaler. Born in 1945, Nordin traveled extensively before settling in California, where he studied fine arts at Cerritos College and later earned his MFA at Claremont Graduate School, concentrating on printmaking and experimental painting techniques. Early in his career, he experimented with plexiglass, vinyl, and alternative surfaces, seeking ways to push the boundaries of traditional painting. By the 1970s and 1980s, Nordin became known for his Transparent Sumi Brush Mark series, in which he developed a meticulous method of layering individual brushstrokes to form structured, organic compositions. These works, featuring veils of fluid color and precise gestural marks, evoke the optical depth and rhythmic movement found in Bridget Riley’s Op Art...