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Georges MathieuL’horizon mensonger1990
1990
$416,066.46List Price
About the Item
- Creator:Georges Mathieu (1921 - 2012, French)
- Creation Year:1990
- Dimensions:Height: 57.49 in (146 cm)Width: 44.89 in (114 cm)
- Medium:
- Movement Style:
- Period:
- Condition:
- Gallery Location:PARIS, FR
- Reference Number:1stDibs: LU2311214187432
Georges Mathieu
Georges Mathieu was born at Boulogne-sur-Mer (Pas-de-Calais) in 1921. Mathieu studied literature and philosophy at Lille University before switching to art at the age of twenty-one. He taught English at Douai High School and French at the American University of Biarritz. After an interest in realistic landscapes and portraits, Mathieu developed a distinctive Abstract Expressionist style, which grew out of an emotionally driven, improvised, and intuitive act of painting. In 1946 his first exhibition was presented at VI Salon de moins de 30 ans at the Galerie des Beaux-Arts in Paris. His first personal exhibition was in 1950 at the Galerie René Drouin. In 1947 Mathieu worked with Camille Bryen to organize a tachist-oriented exhibition, which he designated as ‘non-figuration physique’. His painting defined ‘lyrical abstractions’, goes beyond traditional and formal constraints of regulative systems, placing Mathieu with Fautrier and Dubuffet as an important exponent of French Informel, as defined by the French art critic Tapiè. Up to 1951, Mathieu continued to organize group shows to demonstrate his interest in Jackson Pollock’s spontaneous gestural handling of paint. In those years he, among his numerous exhibitions, organized an event to show the difference between American and European painting styles at the Montparnasse Gallery.His artworks were appreciated internationally and exposed in London and New York. His first paintings were defined tachists by critics because of the artist’s use of lumps of color (tache, in fact, means stain) directly applied on canvas. His works are apparently confused but they all have a central axis from which curves and lines develop in a planned way.In 1950 his projects were no more focused on signs but on painting gestures and quickness. His painting was intuitive and irrational. From 1954 Mathieu staged the painting of large-scale works as theatrical events, culminating in utilizing 800 tubes of paint to create a painting measuring 4 x 12 meters in front of an audience of 2000 at the Théâtre Sarah-Bernhardt in 1956. Somewhere between Happening and Action Painting, Mathieu succeeded in producing a decoratively linear painting, reminiscent of calligraphy. Mathieu continued to perform his Action Paintings throughout Europe and Japan. He went to Japan together with Tapié to meet the Gutai Group. There he executed a kimono performance during an action-painting show. During this event, he also realized 21 artworks and among these, we find a 15 m painting. Mathieu’s works were shown at special exhibitions in Paris and New York in 1950 and 1952. He participated in numerous international exhibitions, including Documenta II in 1959. In the early 1960s, Mathieu also created sculptures and designed furniture, tapestries, and frescoes. In 1975 he was elected a member of the Arts Academy in Paris and in 1986 he exposed his works at Biennale di Venezia. Georges Mathieu was defined as the founder of Tachism and art theorist in the essay “Au-delà du Tachisme”. He also composed essays on architecture, furniture, and typography.
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San Diego Art Institute, “50th Annual Awards Exhibition”, San Diego, CA Manifest Gallery , “Monochrome”, Cincinnati, OH
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Brad Cooper Gallery, Tampa, FL “Co-Existence” 23rd Anniversary Exhib. Dec. 2007 – Feb. 2008 Seton Art Gallery, Sacred Heart University, Faculty Show, Fairfield, CT
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Longstreth Goldberg Gallery, Naples FL
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Bachelier Cardonsky Gallery, Carol Anthony, Willard Lustenader and Melissa Stern . Kent, CT Hoorn-Ashby Gallery, Summer Group, New York, NY
Hoorn-Ashby Gallery, Nantucket, MA
Brad Cooper Gallery, Tampa , FL
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Brad Cooper Gallery, Tampa, FL “20 Years, 20 Artists”
Gallery North, Setauket, NY
Cooley Gallery, Old Lyme , CT “Annual Group Exhibition”
Hoorn-Ashby Gallery, New York, NY “City Life”
Artspace, New Haven, CT “Open Studios1
Louisiana State University Art Gallery, Baton Rouge, LA “20x20x20” 1st prize. Hoorn-Ashby Gallery, Nantucket, MA summer group
Artspace, New Haven, CT benefit auction
New Britain Museum of American Art, New Britain , CT benefit
Brad Cooper Gallery, Tampa, FL summer show, gallery artists
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Brad Cooper Gallery, Tampa, FL “Painting and Drawing” Solo Exhib.
Melvin Gallery, Florida Southern College, Lakeland, FL “Painting and Drawing” Solo Exhib. Stephen F. Austin State University, Art Center, Nacogdoches, TX
Kathryn Schultz Gallery, Cambridge Art Association, Cambridge, MA
Kauffman Gallery, Shippensburg University, Shippensburg, PA
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Brad Cooper Gallery, Tampa, FL “Realist Arrangements”
Artspace, New Haven, CT “Open Studios”
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Premier Etage Galleries, Newport, RI “Recent Paintings” Solo Exhib.
Hartford Steam Boiler, Polytechnic Club, Hartford, CT Solo Exhib.
Brad Cooper Gallery, Tampa, FL “Nude in the Postmodern”, Best in Show.
John Slade Ely House, Center for Contemporary Art, New Haven, CT “Portraits”
Artspace, New Haven, CT “City Wide Open Studios”
New Britain Museum of American Art, New Britain, CT “The Body Revealed, 200 Years of the American Nude”, Douglas Hyland, curator
Cooley Gallery, Old Lyme, CT “Annual Group Exhibition”
Premier Etage Gallery, Newport, RI “Gallery Artists”
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Cooley Gallery, Old Lyme, CT “Annual Group Exhibition”
New Britain Museum of American Art, New Britain ,CT “Recent Acquisitions”
Premier Etage Galleries, Newport, RI “Figures and Still Life” Solo Exhib.
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Cooley Gallery, Old Lyme, CT “Annual Group Exhibition” artSPACE, Citywide Open Studios, New Haven,CT
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Yale University, Ezra Stiles College Master’s House, New Haven, CT Solo Exhib. Silvermine Galleries, 50th Art of the Northeast, New Canaan, CT
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Madison Gallery, Madison ,CT
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Erector Square Gallery, New Haven, CT
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New Haven Foundation, New Haven, CT "Works on Paper" Solo Exhib.
Slater Memorial Museum, Norwich, CT juried show.
Showplace Gallery, New Haven, CT Group show.
Richardson-Vicks Corp. Gallery, Wilton, CT, Alice Neal juror
Stamford Art Association, Stamford, CT "Faber-Birren Color Award Show" 2nd prize Erector Square Gallery, New Haven, CT
Silvermine Gallery, New Members Show, New Canaan, CT
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"New Work" Solo Exhib. group
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Richardson-Vicks Corp. Gallery, Wilton, CT , Robert Motherwell juror
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Wilton Gallery, Wilton, CT
Fox Hill Gallery, Ridgefield, CT
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Palmer Gallery, Vassar College, Poughkeepsie, NY
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New Britain Museum of American Art, New Britain, CT General Electric Corporation, New York, NY
Warburg Pincus, New York, NY
Surdna Foundation, New York, NY
Stephen Hood, Sao Paulo, Brazil
Robert and Maureen Rothchild Collection, New York, NY
Horace Irvine, II Collection, Boston, MA
Suida-Manning,Dolnier Collection, Watertown, CT and Newport, RI Housatonic Technical College, Bridgeport, CT
Stoke, Stoke & Lanar LLC. Miami, FL
J. Skagen, Chicago, IL
Patrick and Carol Cardon, Pontlevoy, FR and Camden, ME
Burt and Elena Prohaska Glinn, Southampton, NY
B. and M. Cohen, Greenwich,CT
D. and K. Keegan, Greenwich, CT
Choate Rosemary Hall, Wallingford, CT
F. and K. Giampietro,, New Haven, CT
H. Greene and M. Kluger, Redding, CT
Day Pitney LLP, New Haven, CT
Smilow Cancer Hospital, Yale New Haven Hospital, New Haven, CT
Bibliography:
Areas of Refuge review Ct Art Scene
New review for "Areas of Refuge" at Giampietro Gallery by Hank Hoffman for CT ART SCENE
Greenwich Time, Willard Lustenader in ‘Three Visions’ exhibition...” Jan. 13, 2011 New Haven Magazine, “The Family Home” by Duo Dickinson, Aug. / Sept., 2010 , p. 28 Manifest vol.39,” Monochrome” catalog Fine Arts Fund pub. 2009 , vol. 39, pp. 9-10 Cincinnati Art Snob, blogspot “Manifest” review posted Sunday, Sept. 27, 2009
Garage Noir, blogspot by Karl Stephan. June 6, 2009 vol. 2, issue 6
New Haven Register, “Paean to Painting” by Judy Burke, Sunday, May 18, 2008 Shoreline Times, “Painting as Presence” by Leah Lopez Schmalz, May 2008
Tampa Review 31/32, “Home Movie” p.11, Uni. of Tampa Pub., 2007
Greenwich Academy Gets Glimpse of Great Art, Greenwich Post, Nov. 15, 2007 Connecticut Art Scene, “Open Studios” by Hank Hoffman, Oct. 19, 2006
New Haven Independent, by Lesha Daley, “From ‘Swimsuit Girl’ to.....” Oct. 16, 2006 New Haven Advocate, Oct. 9, 2006, p.3
New Haven Register, City-wide Open Studios, Oct. 9, 2005
New York Times, CT section, p.13 June 19, 2005
The Ledger, Tampa, FL regional, review Emotion Flows from Realism in FSC Show”, Sept. 19, 2003, p. 4
St. Petersburg Times, Tampa, FL review “Feel the Tension in the Room” by L. Bennett, May 17, 2003
“The Introspective Realism of Willard Lustenader”, by Dr. S. Salamone, Brad Cooper Gallery publication, May 5, 2003
Newport This Week, Newport, RI review “Much to Ponder at Lustenader Show” May 30, 2002, P. 13
New Britain Museum of American Art, cat. The Body Revealed, April-June 2002
The Hartford Courant, Owen McNally, Oct. 7, 1999, p. 37
Antiques and the Arts Weekly, review “Cooley Gallery To Exibit Works by Contemporary Artist Bill Lustenader” Oct. 1, 1999, p. 80
Optimist, Northampton, MA cover and article by Mark Auerbach, “Light in the ....Art of Willard Lusternader” Oct.3, 1996
New Haven Register, May 3, 1987
New Haven Independent, review by Christopher Arnott, Revisionist History” vol. 1, no. 35, May7, 1987
Connecticut’s Finest Magazine, “People and Places”, Charotte Libov, Winter 1986 issue, p.18 Record-Journal, Wallingford, CT “Artist Expresses Images, Feelings...” interview by Martin Glasser...
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2011
Giampietro Gallery, New Haven, CT “Areas of Refuge” Solo exhibition June 2011
Artspace, New Haven, CT “Out of Line” work on paper curated by Leslie Nolan, Dir. Center of Contemporary Printmaking, Norwalk, CT
Manifest Gallery, Cincinnati, OH group show “ ARCH., Exploring Made Space” Mar. 2011 Flinn Gallery, Greenwich Public Library, Greenwich, CT “Three Visions: Perry Burns, Willard Lustenader and Karen Santry” Feb 3 – March16, 2011
2010
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San Diego Art Institute, “50th Annual Awards Exhibition”, San Diego, CA Manifest Gallery , “Monochrome”, Cincinnati, OH
Artspace, “Refurbished Means”, New Haven, CT
Bachelier Cardonski Gallery, “Open House, David Eddy, Willard Lustenader, Kathryn McAuliffe, Melissa Stern and Luari Zarin” Kent, CT
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