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Gerard StricherLost in Blue2024
2024
$38,000
£29,053.29
€33,287.51
CA$53,599.27
A$58,355.93
CHF 31,160.21
MX$704,447.50
NOK 391,739.57
SEK 364,363.38
DKK 248,641.52
About the Item
Lost in Blue stands among Gérard Stricher’s most dynamic chromatic symphonies. The canvas surges with tactile energy: pools of azure, crimson, and gold sweep across the surface like geological and emotional strata. Stricher’s impasto technique—layering and sculpting paint rather than merely applying it—creates a relief that oscillates between landscape and pure abstraction. The artist’s gestures are both explosive and controlled, guided by instinct and rhythm, transforming color into matter and emotion. Here, blue operates not as background but as a living atmosphere, against which bursts of red, yellow, and pink ignite with volcanic intensity. Light seems to emanate from the paint itself, turning pigment into illumination. As in much of Stricher’s oeuvre, Lost in Blue transcends depiction: it becomes a statement of energy, vitality, and human resilience—an homage to painting as an act of existence and joy.
Gérard Stricher, Contemporary painting, Abstract expressionism, Impasto oil painting, Color field abstraction, French artist, Lyrical abstraction, Chelsea art gallery, New York exhibition, Vibrant blue painting, Modern European art, Nicolas Auvray Gallery
- Creator:Gerard Stricher (French)
- Creation Year:2024
- Dimensions:Height: 67 in (170.18 cm)Width: 79 in (200.66 cm)Depth: 1.7 in (4.32 cm)
- Medium:
- Movement Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU1566217095792
Gerard Stricher
Gérard Stricher, an abstract impressionist, uses oil paints as his medium to create vibrant landscapes and nature. His paintings take the viewer on a welcoming journey; soon absorbing one to an experience in his world. Drawing from a basis of COBRA, his style begins to take life as these resonances dim. Gérard's work "ignites in great impulses and curves, coming alive in a flood mastery of colors, with the assurance of the gesture generating forms according to an intense rhythm, breathing pauses appeased, a chromatic autonomy, and, little by little, emerges a subtle seduction. All this leaves footprints, consolidating then seizing the work with all the ardor of pictorial gesture."(Manfred Schneckenburger)
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