Isabelle Scheltjens

The Future Is A Big Kiss - Mosaic wall work - Isabelle Scheltjens

2021

Orazio De Gennaro's Scorched Valley is a 40 x 40-inch abstract painting on panel. The main colors are different shades of blue, red and gray. De Genn...

Michelle Jader's "Silent Prayer" is a beautiful, original oil painting on board. This piece is framed at 12.50 x 9.50 inches, and is ready to hang. Change comes to all of us. Whethe...

Michelle Jader's "Blur of Becoming" is a beautiful, original oil painting on board. This piece is framed at 12.50 x 9.50 inches, and is ready to hang. Change comes to all of us. Whe...

Michelle Jader's "Sweet Struggle" is a beautiful, original oil painting on board. This piece is framed at 12.50 x 9.50 inches, and is ready to hang. Change comes to all of us. Wheth...

Born in 1944 in the canton of Fribourg, Gilbert Pauli lived in Geneva, where he devoted himself to painting and sculpture, a passion he developed from his childhood. His favorite the...

This abstract painting by Ned Martin is made with oil paint and recycled aluminum on board. It features a grid composition with a light layers of blue, black, and silver paint, with ...

"You've Got The Love" is an abstract mixed media on panel by Carly Allen Martin. The artists use of vibrant color and detailed brushstrokes render ...

"On the Water XXIII: Windward" is a framed oil and wax work on panel by Jeff Erickson, with an abstract composition with color blocks of periwinkle and cool blues, interrupted by str...

"Ghosts" - Abstract Composition in Acrylic, Oil, and Ink on Cradled Wood Panel Dramatic abstract composition by Michele King (American, b. 1962). This piece resembles a nebula, with swirling texture and subtle variations in color. Although the piece appears to be mostly black, there are a variety of colors that peek through the top layer. A layer of high gloss varnish creates a nearly iridescent quality to the piece, and the colors shift subtly depending on the viewing angle. Signed "Michele King" on verso. No frame, but the edges are painted for a frame-less display. Board size: 24"H x 24"W Michele King (American, b. 1962) was born in Cleveland, Ohio and moved to California in the 1990s. She attended Virginia Tech and Harvard, where she earned her MPA. She pursued graduate studies at the Glasgow School of Art in 2013. Her work is focused on “memory, the future, and ways in which perception is shaped through a combination of reality and imagination.” King’s process involves layering of various media, creating depth and texture. AWARDS and RESIDENCIES 2019 Individual Artist Grant, Center for Cultural Innovation, San Francisco CA 2017 Creative Research Grant/Artist-in-Residence, Jiwar Creació i Societat, Barcelona, Spain 2014 Development Grant, Bay Area Video Coalition, San Francisco CA 2013 Individual Artist Grant, Center for Cultural Innovation, San Francisco CA 2012 Artist-In-Residence, Can Serrat, El Bruc, Spain 2010 Artist-in-Residence, Red Cinder Creativity Center, Na’alehu, Hawaii 2008 Artspan Selections (Juried), LIMN Gallery, San Francisco CA 2007 Studio Grant/Artist-in-Residence, Red Ink Studios, San Francisco CA (2 years) 2007 Cultural Exchange Invitational, Le Genie de la Bastille, Paris, France 1999 Emerging Artist Award, 42nd San Diego Art Institute, San Diego CA SELECTED EXHIBITIONS and PROJECTS 2019 Infinite Sketch Installation, Brooklyn Art Library, Brooklyn, New York The Happiness Project Interactive Installation, Oakland Murmur, CA Love is Thicker, site specific installation, TBA 2018 Poetics of Light, Avenue 12 Gallery, San Francisco, CA (with Truong Tran) Exhibition Gràcia Plaça de la Vila, Barcelona Spain (with Elfi Gulen & Isador Fernandez) Urban Mobility Archive Project/Color of Belonging, Barcelona, Spain (with Jiwar) 2017 Stanford Urban Resilience Lab Collaboration, ELL Gallery & Stanford University Animate Objects, Curated State Pop-Up Exhibition, San Francisco, CA Familiar Distance, 123 Bolinas, Fairfax, CA (solo) Art for AIDS, Metreon, San Francisco CA 2016 Altered BooksMarks, Adobe Backroom Gallery, San Francisco, CA (co-curator) Daylighted Projections Exhibition, Phoenix Hotel, San Francisco CA Levi’s Vintage Textile Workshop, Monterey CA (assisting Sherri Wood) Aesthetics and the Night Sky, San Juan Bautista, California The Essence Library, San Francisco Art Institute ACE, San Francisco, CA 2015 Form + Substance, Curated State, San Francisco, CA Under the Moon, Avenue Gallery, San Francisco, CA (with Michelle Brandemuehl) 2014 After Dark, SOMArts Ramp Gallery, San Francisco, CA (solo/installation) 2013 The Telephone Project, Brooklyn NY/global (with Satellite Collective) 2012 The Lost and Found Project, Can Serrat AIR, El Bruc Spain Eyes Closed, Can Serrat International Art & Music Festival, El Bruc Spain Here/Now Auction, Royal Nonesuch Gallery, Oakland, CA 2011 Can’t Trace Time, Mina Dresden Gallery, San Francisco, CA (with Andrzej Karwacki) Live Paintings, Red Poppy Art House, San Francisco, CA (with Adrian Arias) The Magic Hour Installation, Columbia Collaboration Lab, New York NY Angry at the Movies...

Black and White Triptych - Textural Abstract Minimalist Composition Minimalist textural composition by Karen M. Shimoda (American, b. 1951). Each piece has a different texture, surface treatment, and level of darkness. The white piece has a silvery quality to the dark parts, with a transparent glaze on top. The middle, grey piece preserves some of the woodgrain texture...