Jenn Hassin

Steadfast, Contemporary Rolled Paper Painting, Abstract, Sculptural, Minimalism

2022

"Marginal Madonna" Abstract Relief Sculpture Carved sculpture and painting by Mickey "Kano" Kane (American, 20th century). This large-scale relief sculpture features The central fig...

"Blind Spot" Abstract Relief Sculpture Carved sculpture and painting by Mickey "Kano" Kane (American, 20th century). This large-scale relief sculpture features a central circular sh...

Nancy Genn, American (b. 1929) Marshfield 25 (1977) Handmade paper collage Hand signed verso Dimensions: 20 1/8 x 22 inches Utilizing what is now known as the 'Genn Method,' Nancy Genn created three-dimensional abstract works of handmade paper, gaining international recognition in the 1970s Nancy Genn is an American artist living and working in Berkeley, California known for works in a variety of media, including paintings, bronze sculpture, printmaking, and handmade paper rooted in the Japanese washi paper making tradition. Her work explores geometric abstraction, non-objective form, and calligraphic mark making, and features light, landscape, water, and architecture motifs. She is influenced by her extensive travels, and Asian craft, aesthetics and spiritual traditions. Nancy Genn was born in 1929 in San Francisco, California. She recognized early that she would pursue a career as an artist. Her mother, Ruth Wetmore Thompson Whitehouse, was a painter and UC Berkeley alumna who played a leadership role in the San Francisco Women Artists organization. Genn studied at San Francisco Art Institute (then California School of Fine Arts) with painter Hassel Smith, and at the Art Department at the University of California, Berkeley (1948–49) with Professors Margaret Peterson and John Haley, and fellow students Sam Francis and Sonya Rapoport. In 1949 she married Vernon “Tom” Genn, an engineer raised in Japan, with whom she had three children. Career Genn's first noted solo exhibition was in 1955 at Gump's Gallery in San Francisco. She received international recognition through her inclusion in French art critic Michel Tapié’s seminal text Morphologie Autre (1960), which cited her as one of the most important exponents of post-war informal art. In 1961, Genn began creating bronze sculptures using the lost-wax casting method. Influenced by noted sculptor and family friend Claire Falkenstein, who used open-formed structures in her work, Genn cast forms woven from long grape vine cuttings, and produced vessels, fountains, fire screens, a menorah, a lectern, and, notably, the Cowell Fountain (1966) at UC Santa Cruz. In 1963 her sculptural work was exhibited with Berkeley artists Peter Voulkos and Harold Paris in the influential exhibition Creative Casting curated by Paul J. Smith at the Museum of Contemporary Crafts, New York. Genn was one of the first American artists to express herself through handmade paper, first receiving wide recognition via exhibitions at Susan Caldwell Gallery, New York, beginning in 1977, and in traveling exhibitions with Robert Rauschenberg and Sam Francis. In 1978-1979, supported by the National Endowment for the Arts and Japan Creative Arts Fellowship, she studied papermaking in Japan, visiting local paper craftspeople, working in Shikenjo studio in Saitama Prefecture, and exhibiting her work in Tokyo. She also learned techniques from Donald Farnsworth...

Oil painting on wood panel Unique work Hand-signed lower right by the artist

Sylvia Okwui Enwezor is a unique contemporary modern painting relief by renowned Polish-Dutch artist Eliza Kopec. This painting relief is a typical example of her preferred abstract ...

Semi Truck T10 by David E. Peterson features sculpture as abstract painting. This 3-dimensional wall sculpture looks bright, contemporary and amazing. Davi...

La Vie de Sirène features deep blue-greens and violets rising up into brilliant blue light. I painted it in acrylic on tightly-woven, portrait-quality linen, adhered using my archiva...

This is the largest work I’ve ever created, and so I went big with the content too. This work was inspired by great cathedrals and the works by master artists found in them. I thought of the idea of “ascension” be it the ascension of Christ...

My favorite color is the blue of the sky in October in Tennessee. It is an intense, electric blue that is created in part through color theory: as the leaves turn, the reds, oranges,...

This work is the result of a deep dive I did into researching stingrays, specifically the blue-spotted stingray.