Joanne Ungar

Airgami #2, A Jewel Toned Abstract Textural Waxy Painting on Wood Panel

2022

The artist describes her creative process as one that draws from imagination, reflection, and intuition, resulting in works that mediate between chance and order. She states: “I build up my paintings with multiple layers of fluid acrylic paint, creating a conversation between light, color and space. I strive for a balance between open and cluttered spaces; orbs of vivid color bump up against intricate and tightly woven, grid-like areas of paint. This process, in play with the materials, results in graphic networks drawing on traditions of color field painters as well as contemporary works by Elizabeth Neel...

Carolanna Parlato is a contemporary artist who has exhibited widely in New York City and throughout the U.S. since the 1990s. Her paintings have been written about in numerous publications including The New York Times, Art in America, The Boston Globe, Artcritical, ArtNews, Two Coats of Paint, The New Criterion, White Hot Magazine and The Brooklyn Rail. Solo exhibitions include the Islip Art Museum; the Phatory (NYC); Elizabeth Harris Gallery (NYC); and Morgan Lehman Gallery (NYC). She has been included in group exhibitions at Asya Geisberg Gallery, The Drawing Center and the Brooklyn Museum, among others. Public collections include the Brooklyn Museum; ArtBank Collection (DC); The Library of Congress (DC); Public Art for Public Schools (NYC); the Francis Greenburger Collection (NYC); the Islip Art Museum, New York Presbyterian Hospital and the Art in Embassies...

Carolanna Parlato is a contemporary artist who has exhibited widely in New York City and throughout the U.S. since the 1990s. Her paintings have been written about in numerous publications including The New York Times, Art in America, The Boston Globe, Artcritical, ArtNews, Two Coats of Paint, The New Criterion, White Hot Magazine and The Brooklyn Rail. Solo exhibitions include the Islip Art Museum; the Phatory (NYC); Elizabeth Harris Gallery (NYC); and Morgan Lehman Gallery (NYC). She has been included in group exhibitions at Asya Geisberg Gallery, The Drawing Center and the Brooklyn Museum, among others. Public collections include the Brooklyn Museum; ArtBank Collection (DC); The Library of Congress (DC); Public Art for Public Schools (NYC); the Francis Greenburger Collection (NYC); the Islip Art Museum, New York Presbyterian Hospital and the Art in Embassies...

Sarah Brenneman is an American artist based in West Orange, New Jersey working primarily in painting. Her overarching interest lies in abstraction as a universal language and she wor...

This poured wax painting by Joanne Ungar, is composed with the geometric forms of recycled packaging, layered and infused with pigmented wax. The blue and violet purple in this pigm...

Joanne Ungar's unique process involves layering pigmented wax over cardboard forms to create a geometric composition of color. Ungar's process begins by the artist flattening three-...

mixed media on paper 23.25 x 19.25 inches framed Rundorff Smith deals with central shapes that she develops by referencing urns, shrines, burial mounds and places of veneration. As a current resident of South Carolina, she associates cemeteries, particularly locations in the South, as spiritual spaces of veneration. Her paintings are reliquaries for memories. Urns are vessels to hold ashes while also acknowledging life—what we mourn and what we celebrate. In the exhibition at SEFA Hudson, Rundorff Smith presents the latest in her series entitled “Trophy.” These small scale encaustic paintings are hung in a grid that mirrors the geometric patterns within each piece. The artist works in layers by melting and combining pigmented wax to create a literal history on the materials’ surface, while simultaneously implying the personal story that each vessel is meant to hold. Rendered in colored wax from sky blue to bright pink to vibrant yellow—a rectangular pattern blankets many of the paintings. This patternation references the constructions of Rundorff Smith’s father, a builder. Thus, the “Trophy” paintings...

This painting by Antoinette is a stylish and luxurious mixed media on canvas piece depicting abstract geometric shapes with bold use of color and contrast. The dark black ivory background allows for the luminosity of the blues, light white, and and peach to shine through effortlessly, as the lines and intricate details of the silk paper laid over paint and mixed media add a most interesting texture. The artist hand embelleshes gold leaf to add elegant accents. This painting comes housed in a natural oak floater frame with hanging wire on verso ready to be displayed. Art measures 63 x 47 inches Frame measures 64.5 x 48.5inches Antoinette Ferwerda is a renowned Australian artist largely recognized for producing a bold collection of fine artwork that joyfully explores the geometry of shape and the changing light from dusk to dawn. Championing her love for shape, reflection, and nature using a diverse pallet of mixed media to portray her abstract interpretations of nature. Antoinette's diverse past and a childhood that was somewhat nomadic has inspired much of her work today. Antoinette’s backstory reads like something out of an adventure series, having spent her early days living in remote pockets of Papua New Guinea, where she was lucky to spend time in a seaside shack on Ela Beach in Port Moresby, as well as the volcanic town of Rabaul, the Cargo Port Lae, before moving on to Darwin where her Dad worked for the Red Cross and helped with the re-build process after Cyclone Tracy. This was followed by a family stint in Europe, visiting Netherlands, London, Belgium, France, Italy, and Switzerland, before finally settling back in Melbourne for her formative years. Her love for nature and exploring the patterns and relationships she finds within started early. “I’ve been forever fascinated with color and the magical interplay of light”. “Blessed to have a teacher Mum who fostered regular creative time during our nomadic stint, my childhood was largely spent creating, especially outdoors”. Never without a pen, sketchbook or scraps of paper, her natural ability to create in layers instinctively started in these early years. Although her work continues to evolve, she consistently creates works that are rich in layers, resulting in pieces that are optimistic, luminous and full of stories from her colorful life. Her signature work is abundant with color and texture, resulting in a transparent quality of her works. Adaptable to any palette, Antoinette has produced works from a diversity of spectrums and mediums – sun-soaked, muted and ethereal, vibrant, as well as monochromatic with accents of gold. Her themes include abstract and metaphysical interpretations of fossicking in rock pools, exploring the rolling hills of the countryside both here and abroad, the rock formations of the Australian outback and the magical light of a European summer to name just a few. Her dream and longing to become an artist became a reality after starting her own family and farewelling a corporate life in the pharmaceutical industry, with her debut solo exhibition in 2014. Six years on, Antoinette has fast become a firm favorite amongst interior designers, stylists and home decorators alike, having been represented by fenton&fenton, Thom Gallery and Trit House (formally Click On Furniture) to name just a few. Continually experimenting and evolving as an artist, Antoinette invites the viewer to look deeper through surface layers to find hidden stories of color and form. Past collections have been inspired by visits to the bustling markets of India, the morning light outside her childhood beach shack...