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Judith NorthJudith North, The Conviction of Things Not Seen #3, Original Abstract Art2021
2021
$1,649.51
£1,213
€1,415
CA$2,302.71
A$2,494.11
CHF 1,320.99
MX$30,174.95
NOK 16,606.88
SEK 15,481.14
DKK 10,567.86
About the Item
The Conviction of Things Not Seen #3 by Judith North [2021]
Original
Oil on canvas
Image size: H:80 cm x W:80 cm
Complete Size of Unframed Work: H:80 cm x W:80 cm x D:2cm
Sold Unframed
Please note that insitu images are purely an indication of how a piece may look
The series, The Conviction of Things Not Seen, was inspired by the desire to make mindful paintings and drawings. Responding to being ‘in the moment’ and allowing one process to lead to another, the paintings were based on drawings of found hand-held objects and hand-made models.
Judith North’s paintings often explore interior and exterior spaces or contemplate single objects. These spaces and objects, rooted in the real world, are constructed from observation and memory and tend to be devoid of context. Her painting process, involving the application and removal of successive layers of paint is part of her search to find equilibrium between the real and the imagined. She is attracted to the geometry in a subject and uses colour and composition to help create a sense of emotion and atmosphere. Born in Bristol, Judith graduated in fine art from the Sir John Cass School of Art and Design, London, having originally studied art history and mathematics.
- Creator:Judith North
- Creation Year:2021
- Dimensions:Height: 31.5 in (80 cm)Width: 31.5 in (80 cm)Depth: 0.79 in (2 cm)
- Medium:
- Movement Style:
- Period:
- Condition:
- Gallery Location:Deddington, GB
- Reference Number:1stDibs: LU63238870352
Judith North has original abstract paintings available online and in our gallery at Wychwood Art. Judith North’s paintings often explore interior and exterior spaces or contemplate single objects. These spaces and objects, rooted in the real world, are constructed from observation and memory and tend to be devoid of context. Her painting process, involving the application and removal of successive layers of paint is part of her search to find equilibrium between the real and the imagined. She is attracted to the geometry in a subject and uses colour and composition to help create a sense of emotion and atmosphere. Born in Bristol, Judith graduated in fine art from the Sir John Cass School of Art and Design, London, having originally studied art history and mathematics
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