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Julian StanczakGreen Edge, Ab-Ex, Stanczak, Polish-American, acrylic on board2006
2006
$20,000
£15,111.12
€17,325.58
CA$27,912.30
A$30,370.70
CHF 16,080.91
MX$365,380.32
NOK 204,191.76
SEK 186,821.16
DKK 129,446.16
About the Item
Provenance
Danese Gallery, NY
Private Collection, USA
Literature
Dave Hickey, Julian Stanczak, New York, Danese Gallery, 2008, p. 39, illustrated
Julian Stanczak, an artist synonymous with Optical Art, left an indelible mark on the world of Contemporary Art through his mesmerizing and groundbreaking optical illusions. Born in Poland, Stanczak’s life journey was testament to the power of perseverance and creativity. Overcoming significant personal challenges, he became a pioneer of a unique and captivating art movement.
As a child, Stanczak suffered a debilitating bout of Tuberculosis which left him with impaired vision. During his recovery, he discovered a profound connection with his art. Stanczak’s fascination with the interplay of colors and shape was comma in part comma a response to his altered vision period his experiences with visual distortions and the merging of colors laid the foundation for the leader explorations in op art.
After immigrating to the United States in 1941, Stanczak pursued his passion for art relentlessly. He enrolled at the Cleveland institute of art and later earned his BA degree from Yale. Under the guidance of renowned artist Joseph Albers, Stanczak’s understanding of color theory and perception deepened significantly. Albers’ guidance was pivotal in Stanczak’s development.
The 1960s witnessed the emergence of Op Art, a movement characterized by geometric abstraction, optical illusions, and a focus on the viewer’s perception. Stanczak was at the forefront of this movement, alongside Bridget Riley and Victor Vasarely. His meticulous paintings, often composed of arranged lines, squares and circles, had an hypnotic effect on viewers; his work seems to vibrate, shift and pulsate as if in constant motion.
Stanczak’s influence on the Op Art movement and his ability to challenge the way we perceive the world are testament to his enduring legacy. His work can be found at MoMA, the Whitney and the Guggenheim, where they continue to intrigue and inspire.
“Geometry satisfies logic first—and it is almost timeless. The organic distribution of lines in these paintings is a departure for me from mental acrobatics.”
JULIAN STANCZAK QUOTED IN: DENNIS BARRIE, “AN INTERVIEW WITH ARTIST JULIAN STANCZAK (1928-2017),” GEOFORM, MAY 2012.
- Creator:Julian Stanczak (1928, American)
- Creation Year:2006
- Dimensions:Height: 16 in (40.64 cm)Width: 16 in (40.64 cm)
- Medium:
- Movement Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU2733217409092
Julian Stanczak
Julian Stanczak was born in Borownica, Poland in 1928. At the beginning of World War II, Stanczak was forced into a Siberian labor camp, where he permanently lost the use of his right arm. He had been right-handed. In 1942, aged thirteen, Stanczak escaped from Siberia to join the Anders' Army in Persia. After deserting from the army, he spent his teenage years in a hut in a Polish refugee camp in Uganda. In Africa, Stanczak learned to write and paint left-handed. He then spent some years in London, before moving to the United States in 1950. He settled in Cleveland, Ohio. He became a United States citizen in 1957, taught at the Cincinnati Academy of Art for 7 years. The Op Art movement was named after his first major show, Julian Stanczak: Optical Paintings, held at the Martha Jackson Gallery in New York in 1964. His work was included in the Museum of Modern Art's 1965 exhibition The Responsive Eye. In 1966 he was named a "New Talent" by Art in America magazine. In the early 1960s he began to make the surface plane of the painting vibrate through his use of wavy lines and contrasting colors in works such as Provocative Current (1965). These paintings gave way to more complex compositions constructed with geometric rigidity yet softened with varying degrees of color transparency such as Netted Green (1972). In addition to being an artist, Stanczak was also a teacher, having worked at the Art Academy of Cincinnati from 1957–64 and as Professor of Painting, at the Cleveland Institute of Art, 1964-1995. He was named "Outstanding American Educator" by the Educators of America in 1970. (Wikipedia)

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