Katherine Kean

Liquid Sun on Chain of Craters Road. contemporary impressionistic landscape

Drops of rain reflect bright lights and punctuate the soft, tonal background of a rainy day. The windshield highlights the contrast of an intimate experience within and the effect of the elements outside. Both painterly and playful while striking a midpoint between pure representation and an emphasis on the picture plane. Painted on a cradled gesso board panel, with 1 1/2 inch deep, smooth wood edges. Suitable for framing or beautiful left as is. A childhood of moving and traveling around the United States has shaped Katherine Kean's vision, as have journeys to eastern Africa, Mexico, Scotland, France and painting jaunts all over Kean's now native California. Born in West Virginia, moving later to Ohio and New Jersey, but growing up mainly in Massachusetts, she attended Rhode Island School of Design, graduating with a BFA in Film, Video and Animation. Long fascinated by the intersection of order and chaos in the natural world, Katherine Kean skillfully uses observation, memory, and interpretation to translate her love of natures kinetic phenomena into paintings that capture the often turbulent emotions within light, weather, and landscapes. Her work has exhibited in museums and galleries across the United States, including the LACMA Art Rental and Sales Gallery and the Brand Library Art Gallery in Los Angeles...

"Between the Drops" is a contemporary landscape painting that vividly captures the view from inside a car on a rainy day. This artwork showcases a suburban street lined with trees, h...

Weather can be exciting. I am mesmerized by dramatic storm clouds rolling in and the sudden change of the light. This is an original oil on gallery wrapped linen, on 1 1/2 inch deep ...

A heavy downpour smashes against the windshield distorting the scene ahead. Part of the "windshield series" this painting emphasizes some of the linear aspects of rain and water, as well as motion. Heavy rain experienced from a place of comfort. My windshield paintings aim to capture these fleeting and intimate moments in time and reveal the serene center that can arise in the midst of natures turbulence. "Street Tree in a Deluge" is painted on gallery wrapped linen, on 1 1/2 inch deep stretchers, with color matched, hand painted edges, wired with finger friendly coated wire and ready for installation. A childhood of moving and traveling around the United States has shaped Katherine Keans vision, as have journeys to eastern Africa, Mexico, Scotland, France and painting jaunts all over Keans now native California. Born in West Virginia, moving later to Ohio and New Jersey, but growing up mainly in Massachusetts, she attended Rhode Island School of Design, graduating with a BFA in Film, Video and Animation. Long fascinated by the intersection of order and chaos in the natural world, Katherine Kean skillfully uses observation, memory, and interpretation to translate her love of natures kinetic phenomena into paintings that capture the often turbulent emotions within light, weather, and landscapes. Her work has exhibited in museums and galleries across the United States, including the LACMA Art Rental and Sales Gallery and the Brand Library Art Gallery in Los Angeles...

Aeling’s fascination with atmospheric drama—rooted in his childhood in the American West, where weather dominates the horizon—finds powerful expression in this seascape. The low line of the ocean reinforces the artist’s signature device: vast, open skies that dwarf the land below. Yet the work also reflects a more personal history: Aeling’s enduring love of Hawaii, where he spent many winters surfing and studying the Pacific’s shifting moods. Those days on the water deepened his awareness of how ocean and sky interact, how storms gather, dissolve, and re-form with astonishing rapidity. The painting captures that moment when light changes direction and the boundary between calm and impending weather becomes charged with meaning. His precise modulation of color and temperature recalls his study of 19th-century luminists, yet the lived experience of Hawaiian surf breaks gives the scene an immediacy and authenticity that is distinctly his own. Jeff Aeling Sunset Aliomanu Bay, Kauai oil on panel 28h x 48w in 71.12h x 121.92w cm JAE040 Jeff Aeling (1958–2025): The Sky Remembers Through Jeff Aeling’s eyes, the landscape becomes a world shaped as much by air as by earth. In works such as North of Las Vegas, NM and Pond Near St. Cloud, MN, he balances the quiet structure of plains and wetlands with skies alive in constant motion. His mastery of atmosphere is unmistakable in Light Pillars (2023) and Light Pillar (2023), where rare optical events turn night into architecture. Even intimate scenes like Crabapple, Dogwoods, and Red Bud find their emotional power under skies that lend the land its shifting character. Aeling’s winters in Hawaii deepened his sensitivity to movement and weather. Surfing taught him to read the rhythm of the ocean, a knowledge reflected in Wave, Kauai (2018), where a breaking wave becomes a luminous wall of force. In Volcano (2023), he channels the islands’ elemental drama, linking fire, vapor, and sky through the same atmospheric vocabulary found in his plains paintings...

Karen Woods paints a traveler’s view through the window of a moving vehicle rendered in subtly nuanced gestures in oil on canvas or panel. These views from...

The Causeway by Luana Asiata [2022] original and hand signed by the artist Acrylic and Oil Pastel on Canvas Image size: H:70 cm x W:60 cm Complete Size o...