Konrad Cramer

American Modernist still life painting from the 1920s-30s by a well-known artist

1930s

A great abstract expressionist painting, from an important period in the movement. This work originally sold through Esther Robles Gallery in Los Angeles, CA and was held in the coll...

A rare work of art by an female modernist artist from the 1930s, by Janet Todd Young. Janet Todd Young is a very interesting artist. She was born in Illinois in 1908, and earned a bachelor's degree in languages from Oberlin College, specializing in French, Italian and German.  After graduating, Janet travelled to Europe to put her language skills to use, working for her father. While living in Berlin in the early 1930s she met and married Beckford Young, an American artist from Petaluma, California who had recently been working with Hans Hofmann at UC Berkeley.  Hofmann, widely considered to be one of the most influential abstract artists of the time, was returning to Germany and convinced Beckford to travel with him so the two could be closer the the cutting edge of emerging modern art in Europe. Through Beckford and Hofmann, Janet, a midwesterner, and the daughter of a congregational minister, was introduced to cutting edge ideas in the modern art world.  Soon after their marriage, Janet and Beckford travelled to Positano, Italy where Vaclav Vytlacil, a leading modern American artist, was teaching at an art colony.  In 1937, the unrest in Europe forced the Youngs to leave Europe for California. While living in California, Janet exhibited her work in New York City with the American Abstract Artists, which had been recently created by leading American abstract artists with the sole purpose of exposing the American public to American abstract art. In California Janet exhibited her work at the San Francisco Museum of Art in 1938, the Golden Gate International Exposition in 1939, and with the San Francisco Art Association in 1956. Janet, who had already been making and exhibiting Russian constructivist inspired constructions, was introduced to furniture making by her husband, and made constructivist furniture...

A nice American modernist landscape painting, dating from the 1940s. This work is on the manner of E. Oscar Thalinger, but does not appear to be signed. The work is unframed, as it...

This work is a modernist study created by the artist in the 1940s. (possibly the 1930s). Erle Loran, (1905-1999), was an American painter and educator who painted for the entirety ...

Michael Frary (1918 - 2005) Austin Artist Image Size: 16 x 20 Frame Size: 17.5 x 21.5 Medium: Oil "Still Life Fruit" Biography Michael Frary (1918 - ...

Albert Swinden (1901 - 1961) Still Life of Fruit, 1937 Oil on canvas 18 x 30 inches Provenance: Graham Gallery, New York Albert Swinden (1901–1961) was an English-born American abstract painter. He was one of the founders of the American Abstract Artists, and he created significant murals as part of the Federal Art Project. Albert Swinden was born in Birmingham, England in 1901. When he was seven, he moved with his family to Canada, and in 1919 he immigrated to the United States. He lived in Chicago, where he studied for about a year and a half at the Art Institute. He then relocated to New York City, where his art education continued briefly at the National Academy of Design. He soon changed schools again, to the Art Students League, which he attended from 1930 to 1934. He studied with Hans Hofmann and gained an appreciation for Synthetic Cubism and Neoplasticism. According to painter and printmaker George McNeil, Swinden "could have influenced Hofmann ... He was working with very, very simple planes, not in this sort of Cubistic manner. Swinden was working synthetically at this time." While still a student, Swinden began teaching at the Art Students League, in 1932. Swinden married Rebecca Palter (1912–1998), from New York. Their daughter, Alice Swinden Carter, also became an artist. Carter, who attended the School of the Museum of Fine Arts, Boston, received an award from the Institute of Contemporary Art, Boston for her large sculptures. Swinden was hired for the Federal Art Project (FAP) of the Works Progress Administration (WPA), and he is best known for the murals which he painted as part of that project. In 1935, New York City Mayor Fiorello La Guardia attended the opening of the inaugural exhibit at the Federal Art Project Gallery, accompanied by Audrey McMahon, New York regional director for the Works Progress Administration/Federal Art Project. Among the works on display was Abstraction, a sketch by Swinden; it was the design for a mural planned for the College of the City of New York. A newspaper account described it as consisting of "brightly colored T-squares, triangles and rulers in horizontal, vertical and diagonal positions". La Guardia asked what it was, and upon being told it was a mural design, he said he didn't know what it depicted. Someone joked that it could be a map of Manhattan. The displeased mayor stated that "if that's art, I belong to Tammany Hall." (Tammany Hall, which the Republican mayor referenced, was the New York Democratic Party political society.) Fearing that the mayor's negative attitude could jeopardize the future of abstract art within the Federal Art Project, McMahon dispatched an assistant to summon an artist who could speak to the mayor in defense of abstraction. The assistant returned with Arshile Gorky. Swinden played an important role in the founding of the American Abstract Artists. In 1935, he met with three friends, Rosalind Bengelsdorf, her future husband Byron Browne, and Ibram Lassaw, with the goal of exhibiting together. The group grew and started meeting in Swinden's studio, which adjoined those of Balcomb and Gertrude Greene...

Work on canvas Molded frame in plaster and gilded wood 35.5 x 41.5 x 7 cm

ARTHUR SEGAL 1875-1944 Jassy, Rumania 1875-1944 London (Romanian) Title: Still Life and Fruits, 1911 Technique: Original Signed Oil Painting on cardboard size: 61 x 86 cm ...