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Linda Stein
Signed Feminist LGBTQ+ Acrylic on Paper Colorful Painting - Precipice 130

1980

$5,500
£4,159.32
€4,764.26
CA$7,706.82
A$8,413.26
CHF 4,429.68
MX$100,781.03
NOK 56,654.03
SEK 51,726.07
DKK 35,590.12

About the Item

Linda Stein, Precipice 120 - Signed Feminist LGBTQ+ Acrylic on Paper Colorful Painting Precipice 130 is from Linda Stein's Missives series--a body of work born from her earlier explorations of handwritten letters, calligraphy, and the facial profile. Through the 1960s and 1970s, Stein developed a shorthand for facial features, which she further abstracted in the paintings, drawings, and collages that make up the Missives series. Stein wrote "My obsession with handwriting gradually morphed into my Profile Writing and Missive Series, and to creations in video, poetry and prose. I was particularly enamored by the “U” (philtrum) under the nose which, with other strokes from my facial profiles, I highlighted in the Missive Series." Stein's works are in more than 80 museum permanent collections, including Crystal Bridges Museum of American Art, Georgia Museum of Art, and Ringling Museum of Art in the US; Victoria Gallery Museum and Manchester Art Gallery in the UK; Espoo Museum of Modern Art in Finland; and Konstmuseet i Skövde in Sweden.
  • Creator:
    Linda Stein (1943, American)
  • Creation Year:
    1980
  • Dimensions:
    Height: 29 in (73.66 cm)Width: 22 in (55.88 cm)Depth: 0.5 in (1.27 cm)
  • Medium:
  • Movement Style:
  • Period:
  • Condition:
  • Gallery Location:
    New York, NY
  • Reference Number:
    1stDibs: LU1818217377492

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Awards 2006 Adolf Gottlieb Foundation Grant in Painting 2003 Prize in Painting, Florence BiennaleInternazionale, Florence, Italy 2001 Pollock Krasner Foundation Grant in Painting 1986 Prix de Rome, American Academy in Rome Pollock Krasner Foundation Grant in Painting 1983 National Endowment for the Arts, Fellowship in Painting 1980 New York State Council on the Arts, Grant for Painting 1979 National Endowment for the Arts, Fellowship in Painting 1976 Grant in Painting, Rhode Island State Council on the Arts 1975 New York State Council on the Arts, Grant for Painting 1974 Grant in Painting, Rhode Island State Council on the Arts 1972 Artist of the Year, Aldrich Foundation Select Solo Exhibitions 2015 Black and White Into Color, National Arts Club, New York 2013 Sideshow Gallery, Williamsburg, NY 2005 Chris Winfield Gallery, Carmel, CA 2004 Klaus Steinmetz Arte Contemporaneo, San Rafael de Escazu, Costa Rica 2002 Feria de Arte International Arcale, Salamanca, España 2001 Andre Zarre Gallery, New York 2000 Retrospective: Museo Las Americas, San Juan, Puerto Rico 1998 A Retrospective: Museo Voluntariado De Las Casas Reales, Casa de Bastidas, Santo Domingo, Dominican Republic 1990 1985 Graham Modern , New York City, NY 1989 1986 Ruth Bachofen Gallery, Santa Monica, CA 1986 William Halsey Gallery, Simon Center for the Arts, College of Charleston, Charleston, SC 1983 Lincoln Center Gallery, Lincoln Center, New York City, NY Dart Gallery, Chicago, IL Gloria Luria Gallery, Bay Harbor Island, FL 1982 Nina Freudenheim Gallery, Buffalo, N 1980 Willard Gallery, New York 1979 The Clocktower: Institute for Art and Urban Resources, New York City, NY 1977 Galerie Veith Turske, Cologne Art Fair, Cologne, Germany 1974 Fischbach Gallery, New York City, NY 1973 Corcoran Gallery of Art, Washington, DC Select Group Exhibitions 2019 Art On Paper, March 2019, New York, NY 2018 Sideshow Gallery, The Greatest Show On Earth, Williamsburg, NY 2015 Outside The Lines/Modernist Drawings, National Arts Club, NY 2014 "National Arbor Day Show", National Arts Club, New York, NY ArtHamptons Fair, July 10-13, East Hampton, NY Tribal and Contemporary Art, June 12 - July 28, New York, NY 2012 Art Southampton, International and Contemporary Modern Art Fair, Hollis Taggart 2010 Janet Kurnatowsky Gallery, New York 2003 Biennale Internazionale Dell' Arte Contemporanea, Florence, Italy 2002 Gallery Uno 'Spazio Su Misura, Milan, Italy 1991 Andre Emmerich Gallery, "Abstract Painting of the 90's", curated by Barbara Rose. 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