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re Caught In The Past, Joan Mitchell, De Kooning, Poons, red
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Lloyd Tabing No Chance If You
re Caught In The Past, Joan Mitchell, De Kooning, Poons, red2025
2025
$5,404.49
£4,004.63
€4,500
CA$7,391.34
A$8,060.14
CHF 4,261.75
MX$96,955.93
NOK 54,082.23
SEK 49,565.86
DKK 34,284.45
About the Item
This painting is part of the collection titled Contemplation and Introspection. In this series I am exploring the profound relationship between nature and the human experience. The collection features contemporary works inspired by the natural world, blurring the lines between representation and abstraction.
Art is one of the truest forms of expression—a raw dialogue between the artist and their medium. I find parallels between this artistic rawness and the unrefined beauty of nature, both open to personal interpretation.
I invite viewers into a shared experience of reflection and connection. Each piece serves as a portal into my interactions with nature, encouraging contemplation of one’s own encounters with the natural world.
- Creator:Lloyd Tabing (764, American)
- Creation Year:2025
- Dimensions:Height: 55.12 in (140 cm)Width: 59.06 in (150 cm)Depth: 0.04 in (1 mm)
- Medium:
- Movement Style:
- Period:
- Condition:
- Gallery Location:Jönköping, SE
- Reference Number:1stDibs: LU2348217396332
Lloyd Tabing is an abstract painter from the USA now living and working in Sweden. His paintings are a visual representation of the contrast between reality and his interpretation of this difficult word to define. concealing as much as they reveal, Tabing’s paintings intertwine gestural marks, drawing, texture, and fields of color that lure you in, tempting one to get lost in thought and emotion. Tabing’s paintings are inspired by a sense of space that he finds in both the natural and built environments. Lloyd says that he seeks to recognize and understand what makes one space more interesting or catches one’s eye while other spaces that are equally beautiful and interesting goes virtually unnoticed. Lloyd uses the physicality of paint, drawing, and color to create his abstract paintings. Typically large in scale, these paintings are a true reflection of Tabing’s personal connection to these places. A self-proclaimed perfectionist, Tabing says that being self-taught has allowed for his uninhibited and pure style of painting. While Lloyd begins his paintings with an idea or feeling his style of painting is very much reactionary and even aggressive at times, yet the finished piece always has a calming and captivating element that is pleasant thought provoking. He says that he hopes the language of his paintings in some way provides the viewer a personal connection that speaks to them in a personal way.
About the Seller
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