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MajioSentinel at the Border Graphite and paper on canvas2022
2022
$800
£607.53
€697.94
CA$1,127.81
A$1,199.10
CHF 648.44
MX$14,263.62
NOK 8,122.57
SEK 7,418.33
DKK 5,213.85
About the Item
Vast frontiers require a watchful eye, be it the terrain of the physical world or the world of ideas. This image calls us all to the edge of the unknown, inviting us to recognize where the borders lie.
Small paintings on wood and canvas reflect a moment in time through a variety of materials and at the same time capture another reality. Moments of everyday life like a field scarecrow or a boat in grip of spirit winds reflecting mythical and archetypal dimensions. Each image seizes an edge of consciousness to mark the inseparability of the inner and outer world.
- Creator:Majio (1945, American)
- Creation Year:2022
- Dimensions:Height: 16 in (40.64 cm)Width: 20 in (50.8 cm)Depth: 0.5 in (1.27 cm)
- More Editions Sizes:nonePrice: $600
- Medium:
- Period:
- Condition:
- Gallery Location:Santa Cruz, CA
- Reference Number:1stDibs: LU2783217186622
Majio has training in the United State, several years in Europe with a Master’s degree from the Buddhist University of Naropa in Creation Spirituality. Her most influential training however was in Japan over a twelve year period. Her initial trip to Japan was to study Buddhist Art, but it quickly narrowed to the traditional arts of Zen and masters if that orientation in other cultural arts. It was not so much what was learned in a papermaking village, kimono dyeing studio or the making, filling and firing woodburning kilns but how to learn or, better said, how to practice. There are many words in Japanese for practice, the one here is the polishing of being. In painting, Majio has always flowed back and forth between figurative and abstract expression. The aesthetics and Cultural Arts--- like calligraphy and tea ceremony---- garnered during her apprenticeships in Japan, along with Zen practices and concepts weave many textures into her work. Majio’s pieces are created with the overarching concept that art is not a polarity between object and subject but rather, complementary, where each part works to define each other. Working from a collaborative process-with materials, with subject and with times, Majio releases herself as sole agent, even when hers are the only hands that touch the piece. This carries out to the viewer, opening a sense of participation, evoking involvement and discussion. Inviting a realization of recognizing and choosing to acknowledge a reality beyond what we have inherited provides a platform for evoking possibilities, innate joy and new vision.
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